深圳的改革开放历史波澜壮阔、影响深远，是深圳宝贵的财富。为及时抢救这段珍贵历史记忆，记载千万个深圳人寻梦、追梦、圆梦的经历，深圳市政协从2014年起组织越众文化传播、越众影视、深圳晚报社通过编写文史书籍、拍摄纪录片、建立影像库、媒体长篇报道等方式，全方位、多视角地记录城市建设者的故事。其中5集纪录片《深圳梦寻》以深情、细腻的情感，极具历史感的镜头语言，记录、讲述了一代代开拓者的故事。 　　第一集《我的1980》 　　第二集《迁徙的路》 　　第三集《我们的爱情》 　　第四集《深南大道》 　　第五集《先行者》

深圳的改革开放历史波澜壮阔、影响深远，是深圳宝贵的财富。为及时抢救这段珍贵历史记忆，记载千万个深圳人寻梦、追梦、圆梦的经历，深圳市政协从2014年起组织越众文化传播、越众影视、深圳晚报社通过编写文史书籍、拍摄纪录片、建立影像库、媒体长篇报道等方式，全方位、多视角地记录城市建设者的故事。其中5集纪录片《深圳梦寻》以深情、细腻的情感，极具历史感的镜头语言，记录、讲述了一代代开拓者的故事。 　　第一集《我的1980》 　　第二集《迁徙的路》 　　第三集《我们的爱情》 　　第四集《深南大道》 　　第五集《先行者》

《梦寻巴厘岛》是首部中国与印度尼西亚合作的冒险奇幻题材喜剧电影，由王智出演女一号梅小美，姜至奂出演男主角，讲述了单纯的“富家千金”梅小美在印尼海岛游玩时，遭遇了一系列意外从而失踪，其父亲派出“私人侦探”高威和小美的爱慕者皮皮前往巴厘岛寻找小美，上演了一番“蒸发者”和“寻找者”皆人在囧途，“倒霉蛋”遇上“倒霉蛋”产生“幸运化学反应”的跨国寻人奇事。

Massimo Lucantoni (Gianfranco Manfredi) is a film writer in Rome, who is having some trouble with writing his first novel, beacuse he feels too much distraction. There are noisy neighbours and his wife who has actually been seperating from him. He takes the chance to rent a luxurious poolhouse from an excentric but obviously no more so rich as they pretend to be aristocratic couple. Living in that poolhouse he meets Nastienka (Nastassja Kinski), who is waiting for her prince charming in the near of the pool. She obviously beliefs in the supernatural world, as she explains to Massimo that her lover will soon arrive on a horse to take them both to a faraway place. Nastienka also has the ability to talk to animals (at least to her own dogs). Massimo falls in love with Nastienka and tries to win her love.

故事发生在如火如荼、如痴如狂的文革时期。大喇叭里传来了激昂亢进的革命歌曲，土墙上写着“横扫一切牛鬼蛇神”的革命标语。拿着弹弓的少年在村里走来走去，偶尔惹出一点小的祸端，被人马上两句也不以为意。她跳入某个寂静的院落，在布满落叶的地上发现了被火烧过的皮影道具。房间里传来一阵老人的咳嗽声，男孩偷偷张望过去，发现皮影老艺人叼着旱烟袋，一脸愁容兀自呆坐。曾经赖以为生的皮影戏在“破四旧”的浪潮中被踩在脚下，往昔的美好回忆一去不复返。男孩挑起皮影，隔着窗挑逗着老人，他向老人询问皮影的头在那里，老人却不发一言，想了想干脆给他重新画了一个。 　　在他们的心中，都有一个无法割舍的记忆……

影片讲述了有点娇气任性的10岁少女千寻跟随父母搬往新家，途中误入一座神庙，来到了另一个世界——一条专门给神仙提供服务的热闹非凡的浴场街。双亲因为吃了给神准备的美食而被变成了猪。小千寻在迷之美少年白的帮助下得以安身，改名为“千”，进了魔女汤婆婆经营的大浴场做帮佣，等待机会救出父母回到自己的世界。

客户在婚礼前夕横死，这名花艺师决定找出凶手，揭开上流社会的黑暗秘密——同时保守自己的秘密

客户在婚礼前夕横死，这名花艺师决定找出凶手，揭开上流社会的黑暗秘密——同时保守自己的秘密

千寻和爸爸妈妈一同驱车前往新家，在郊外的小路上不慎进入了神秘的隧道——他们去到了另外一个诡异世界—一个中世纪的小镇。远处飘来食物的香味，爸爸妈妈大快朵颐，孰料之后变成了猪！这时小镇上渐渐来了许多样子古怪、半透明的人。

It’s not uncommon for a film to have a moving love story at its core. Yet this particular set-up is unusual. The lovers here are Ingeborg Bachmann and Paul Celan, both important representatives of post-war German-language poetry. The story of the relationship between the Austrian and the Jew from Czernowitz is told through their nearly 20-year correspondence (1948–1967). Or, more precisely, by a young woman and a young man reading from their letters in a studio in Vienna’s venerable Funkhaus. You hear longing, accusations, doubts, expressions of intimacy and alienation, news of separations and lengthy silences. You sense their struggle for words. What these words trigger can be seen in the faces of those reading them out. It’s not only the text but also its effects that are being performed and occasionally discussed. The intensity of the relationship drama is generated via the fascinating language, the actors’ presence, and the camerawork and editing, which break up the dialogue via changing perspectives and shot sizes. Chats during cigarette breaks, in the stairwell and the canteen, lead into the present. History, which was stronger than love, never slips out of focus. berlinale 2016