兩對情侶，一前一後在兩個時空黯然分手。年輕戀人在希臘旅遊，男的要回英國探望意外昏迷的母親，女的要返德國繼續進修。鏡頭一轉已是30 年後，另一對中年夫婦，演員妻子與人類學家丈夫感情流逝，協議離婚。時空切換不着痕跡，人生卻已轉了幾回。此時那對年輕戀人久別重遇，相對已無言。布烈遜的簡約主義如影隨形，幾個手腳特寫已令人物活靈活現。同一時空，四人軌跡重疊，是夢境的虛幻，抑或現實的迷離？看此片如一趟靜觀冥想，感受生的孤寂與愛的無常。

兩對情侶，一前一後在兩個時空黯然分手。年輕戀人在希臘旅遊，男的要回英國探望意外昏迷的母親，女的要返德國繼續進修。鏡頭一轉已是30 年後，另一對中年夫婦，演員妻子與人類學家丈夫感情流逝，協議離婚。時空切換不着痕跡，人生卻已轉了幾回。此時那對年輕戀人久別重遇，相對已無言。布烈遜的簡約主義如影隨形，幾個手腳特寫已令人物活靈活現。同一時空，四人軌跡重疊，是夢境的虛幻，抑或現實的迷離？看此片如一趟靜觀冥想，感受生的孤寂與愛的無常。

Young Peter wants so badly to be an engineer that he starts to work on an invention. To raise money, he and his friend Tim wash windows. However, Tim needs the money they earn to go to Ireland to visit his grandfather who is very ill, so Peter gives him all the money they have made. Everything works out well for Peter in the end when he is praised as a young genius.

After two impoverished teenage brothers manage to escape their abusive father, they embark on a treacherous and haunted journey in the hope of finding their estranged mother who has joined a sadistic cult, deep in the woods of Northwest Pennsylvania.

After two impoverished teenage brothers manage to escape their abusive father, they embark on a treacherous and haunted journey in the hope of finding their estranged mother who has joined a sadistic cult, deep in the woods of Northwest Pennsylvania.

Leah, 10, lives in a large vicarage, full of lost souls and the needy. In the day the house is bustling with people; at night it is dark, empty, a space for Leah's nightmares to creep into. A small, nightly visitor brings Leah comfort, but soon she will realise that her little visitor offers knowledge that might be very, very dangerous.

Leah, 10, lives in a large vicarage, full of lost souls and the needy. In the day the house is bustling with people; at night it is dark, empty, a space for Leah's nightmares to creep into. A small, nightly visitor brings Leah comfort, but soon she will realise that her little visitor offers knowledge that might be very, very dangerous.

Pineapples were the favourite food of a father who suddenly disappeared, leaving only his absence to linger over the family’s pineapple fields. Raised by her grandmother and aunt, the daughter catches fleeting glimpses of him in dreams. As an adult, she moves between the city and her hometown, still burying cut pineapple crowns in a corner of her small garden - a quiet ritual that connects her to her grandmother and aunt, and preserves the faint trace of her absent father.

白色恐怖時代，地下政治組織中勇敢主張理念的女性—施水芳彷彿一盞照亮時代的燈，監控組織的探員受到施水芳影響因而產生戀慕，卻無奈在各種不利情勢的包圍下，仍只能無力地旁觀她所受到的各種傷害。

This short movie was the first work of Aleksandr Kajdanovsky as a director, unfortunately much known for his acting career. 　　He wrote the script in just one night, based on the short story "The garden of forking paths" by Jorge Luis Borges. 　　There was always something mysterious and tragic about him, as a preview of his premature death. 　　He rejected conventionalisms, and opened his soul just with the ones he really loved. 　　Friends said that "Aleksandr was like an antenna, he could catch every signal of hypocrisy". 　　Maybe that's why he left just a few people to get into his inner world, without still being a loner as he always was.