Du Jie, who had been in the spotlight as a cinematographer for blockbuster commercial films in China such as No Man’s Land (2013), SAVAGE (2018), and Moon Man (2022), emigrated to Japan three years ago where he completed his directorial debut, The Height of Coconut Trees. The film follows two couples. A man working as a cook in a restaurant and a woman working in a pet shop are in a long-term relationship and often eat lunch together in the park during their lunch break. One day, the man finds a ring swallowed by a fish and gives the ring to the woman as a gift. The other couple consists of a woman who has already committed suicide and a man who has acquired the old inn where she killed herself. Tension arises when the woman who received the ring visits the old inn, which is the space of the other couple. Seeing the woman visiting the inn alone, the inn owner suspects she might commit suicide and starts following her. The film tells an original story as it moves between past and present, man and woman, reality and ghost.

Du Jie, who had been in the spotlight as a cinematographer for blockbuster commercial films in China such as No Man’s Land (2013), SAVAGE (2018), and Moon Man (2022), emigrated to Japan three years ago where he completed his directorial debut, The Height of Coconut Trees. The film follows two couples. A man working as a cook in a restaurant and a woman working in a pet shop are in a long-term relationship and often eat lunch together in the park during their lunch break. One day, the man finds a ring swallowed by a fish and gives the ring to the woman as a gift. The other couple consists of a woman who has already committed suicide and a man who has acquired the old inn where she killed herself. Tension arises when the woman who received the ring visits the old inn, which is the space of the other couple. Seeing the woman visiting the inn alone, the inn owner suspects she might commit suicide and starts following her. The film tells an original story as it moves between past and present, man and woman, reality and ghost.

伊莎贝尔（伊丽莎白·班克斯 Elizabeth Banks 饰）是一名摄影师，近日里，她将和未婚夫乔纳森（詹姆斯·麦斯登 James Marsden 饰）完成他们筹划已久的婚礼，可是，在这个本应该充满了幸福和快乐的节骨眼上，伊莎贝尔却犹豫了，她不知道结婚对于她来说是否是一个正确的选择，与此同时，乔纳森也心事重重，因为他有一个一旦说出来就会将一切都毁掉的秘密藏在心底。 　　伊莎贝尔的母亲戴安娜（格伦·克洛斯 Glenn Close 饰）是一名非常著名的演员，可是她却没办法打理好自己的家务事，她发现自己的丈夫有了外遇。一次偶然中，伊莎贝尔邂逅了名为阿拉克（杰西·布拉德福特 Jesse Bradford 饰）的男人，她的生活开始错位。

Nice story about a magnate and his daughter.

一部很浪漫的电影。已经成为著名作家、哲学家和诗人的马哈茂德为了静心写作离开城市，回到了少年时居住的家族庄园。一棵不结果的梨树使他的开始回忆起自己12岁时发生的一段刻骨之恋…… 　　◎获奖情况：1998年芝加哥国际电影节最佳影片银雨果奖、1998年伊朗Fajr国际电影节最佳女演员、最佳摄影2项奖。

一部很浪漫的电影。已经成为著名作家、哲学家和诗人的马哈茂德为了静心写作离开城市，回到了少年时居住的家族庄园。一棵不结果的梨树使他的开始回忆起自己12岁时发生的一段刻骨之恋…… 　　◎获奖情况：1998年芝加哥国际电影节最佳影片银雨果奖、1998年伊朗Fajr国际电影节最佳女演员、最佳摄影2项奖。

《鸽子树》原名《丛林中的雾正在消散》，改编自该片编剧叶楠的短篇小说《画眉鸟婉丽的鸣声》。《鸽子树》的故事情节极为简单：对越自卫反击战中。我军一支巡逻队在正常巡逻中遭到越军来自暗堡的袭击。当时大雾弥漫，三位战友生死不明，主人公葛泰等人在寻找战友的途中又付出了惨重的代价。最后，我方只剩下了葛泰孤身一人，他冒着生命危险继续寻找自己的战友，仇恨的火焰烧红了他的双眼，后来，葛泰终于找到了战友，但也发现了敌人，这个敌人却是—名越南女兵，正是她为两名受重伤的中国士兵包扎了伤口，由于她戴着头盔，很难分辨男女，葛泰在确认她是越南士兵后，便毫不犹豫地向她射出了一串复仇的子弹。葛泰走近伤员，这才发现自己刚才误杀了一位女兵，一位救助过我军士兵的护士。面对战友愤怒谴责的眼神，葛泰有些不知所措。大家都沉默不语。担架队来了，伤员们却都不愿上担架，他们坚持要让这位死去的越南女兵安息在自己的国土上，边界就在前面不远的地方。伤员们在新垒起的坟头上向女兵告别。一位腿被打折了的中国士兵由别人架着，亲临墓地。突然，他抢过担架队员手里的冲锋枪，向天上射出了整整一梭子子弹，以示对女兵的哀悼。浓雾散去，边界两方的炮火交叉轰鸣。躺在担架上的重伤员们一脸肃穆，他们心中腾升出一种人的、战士的尊严。