一次穿越摩洛哥，西班牙，阿根廷，巴塔哥尼亚，墨西哥，得克萨斯州和不列颠哥伦比亚的旅行，途中你会遇见牧童以及各地的牛仔，所有这些都构成了世界上独特的，绵延不绝1500年的马文化。适用于IMAX及巨幕影院。 　　骑上马一起去探索1200年前神奇的世界牛仔历史，牵一头全美最大的牧场狂野的公牛，和马儿们一起游泳穿过阿根廷的偏远山区，在城中组织一场古摩洛哥骑兵勇士的决斗，骑马驰骋在神奇的不列颠哥伦比亚。一次全球异域风情之旅即将从马背上开始。

《文化视点》是中央电视台综艺频道（CCTV-3）由原来的《文化访谈录》改版升级的全新节目。节目总时长近60分钟，在保持原有的文化评论加访谈的节目特色的基础上，又增加了电视杂志的节目构想，成为现在集访谈、表演等形式于一体的大型综艺节目。

同史航、六神磊磊、刘恋、杜凯来一场文化野餐，精神漫游，用思辨抵抗惯性。

10集纪录片《文化广东》，每集时长30分钟，涵盖10个主题，分别为“海上丝路：广东海洋文化”“桑梓情深：广东侨乡文化”“叹享粤味：广东饮食文化”“杏林传奇：广东医药文化”“粤韵乡音：广东戏曲音乐”“筑梦南国：广东建筑文化”“丹青岭南：广东绘画艺术”“南越印坛：岭南书法篆刻”“华彩绽放：广东传统工艺”“繁花似锦：广东文化产业”。

同史航、六神磊磊、刘恋、杜凯来一场文化野餐，精神漫游，用思辨抵抗惯性。

《文化视点》是中央电视台综艺频道（CCTV-3）由原来的《文化访谈录》改版升级的全新节目。节目总时长近60分钟，在保持原有的文化评论加访谈的节目特色的基础上，又增加了电视杂志的节目构想，成为现在集访谈、表演等形式于一体的大型综艺节目。

10集《文化广东》每集30分钟，将分“海上丝路：广东海洋文化”“桑梓情深：广东侨乡文化”“叹享粤味：广东饮食文化”“杏林传奇：广东医药文化”“粤韵乡音：广东戏曲音乐”“筑梦南国：广东建筑文化”“丹青岭南：广东绘画艺术”“南越印坛：岭南书法篆刻”“华彩绽放：广东传统工艺”“繁花似锦：广东文化产业”10个主题。

A famous docking: Algiers, the White City, in a radiant light. The picture darkens with a voice-over reading of the text of the surrender of the Dey of Algiers in 1830. About the Conquest confronts us with a page of the French national novel that was too hastily turned. Franssou Prenant audaciously gathers a community of complicit voices who read a succession of archives (reports, testimonies, memoirs, historical, geographical, and urbanistic considerations) in a matter-of- fact tone. Recounting the stages of France’s colonisation of Algeria between 1830 and 1848, they outline the ideological landscape of a staggering annihilation effort. The film could just as well have been entitled About Destruction. Franssou Prenant thus constructs a memorial with a technique common to History and cinema: montage. A montage of texts: the words of Victor Hugo, Ernest Renan, Tocqueville are interwoven with those of military men, senior officials, brigadiers, without any way of distinguishing the authors. Then, a montage of images through which yesterday’s acts of violence and dispossession echo in the present: in contrast to an account of murders, the film presents a desolate desert landscape or the frank and innocent smiles of teenagers. The promises of riches offered by colonized Algeria are accompanied by shots of an opulent, Haussmann-style Parisian city centre. We are plunged into a reflection on the nature of this extraordinary violence, through a pictorial meandering into contemporary Algeria, entwined with archival extracts heard in an interplay of convergence and divergence. The piling up of texts brings to light both the ethnocentric and racist imaginary and the cold logic of economic exploitation that dictated the colonization of Algeria and its irreversible consequences, from which Algerian society still suffers today. 　　源自：https://fidmarseille.org/en/film/de-la-conquete-about-the-conquest/

Michel Piccoli stars as an amorous dentist whose philandering seemingly knows no bounds. He is no sooner shooing such lovelies as Anna Karina and Elsa Martinelli out the back door than he is welcoming such "new blood" as Joanna Shimkus into his living room. When Shimkus demands a commitment, Piccoli runs home movies of his past girlfriends, insisting all the while that he has forgotten them and that Joanna is the only woman in his life. The very next day he's running his movies for still another woman, and the song continues. De L'Amour is based on an 1822 novel by Stendhal (who would have been visionary indeed if he'd included all those home movies!)

从心灵哲学的角度看，“平行论”是一种身心相互作用的二元论，它认为精神事件与物质事件发生在平行的存在过程中，两者以特定的方式相互作用着，当然这并不意味着其中一个可以诱导另一个去做和它同样的事。电影用同样的方式展示了两个世界，两座城市。它们看似独立存在，但实际上它们通过走廊、时空隧道和跨维度桥梁相互交流着。这两个相反的世界，乌托邦和反乌托邦，终将在一个“混血”的世界中统一。那不是两个世界单纯的加总，而是两个世界的某种融合。在那里，由两个相反世界融合诞生的新世界就有了一个新的身份。在意大利语中，“meccio”(混血)源于晚期拉丁语mixtīcius，意思是“混合”，由此很可能衍生出了法语里的成语métis，意为我们每个人融合多重身份，多重个性于一身的能力。影片的主人公是一个的“聚合”，是一个眼睛上长有拉链，脸颊上生长着玫瑰花瓣的女人，她看上去就像花。影片由她介绍给大家，也由她落幕，好像她的存在引导着和谐的融合之路——那也是一个“混血”的存在——似乎她的故事就是通往希望与满足世界的必经之路，这个过程充满可能性，起始的两条平行道路即象征了一种获得新融合身份、兼容发展和成就独特的可能性。