Consists of segments: (1) "The Classical Ideal". The origins of Western art are traced to ancient Greece through Kouroi and Korai figures, as well as by the architectures of the Pantheon. From Greece to Rome through the Hellenistic period, the program focuses on the new artistic approach to human form and violent emotions that reached its pinnacle with the altar of Zeus at Pergamun. (2) "A White Garment of Churches". Examines Romanesque and Gothic churches as evidence of the values of the societies that created them. Shows the effect of monasticism and pilgrimage on Romanesque church architecture. Uses Gislebertus's sculpture at St. Lazare in Autun to show the medieval focus on Heaven and the afterlife. The Gothic architecture, sculpture and stained glass at St. Denis and Chartres are discussed as evidence of a new theology and profound social changes during the twelfth and early thirteenth centuries. (3) "The Early Renaissance in Italy and the North". (4) "The High Renaissance". Covers key aspects of the High Remaissance, including the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. (5) "Realms of Light". Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's 'The Ecstasy of St. Teresa,' Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works. (6) "An Age of Reason, an Age of Passion". Covers the move from the rococo period to neoclassicism and romanticism. Relates stylistic changes to the French Revolution and the Napoleonic wars. Covers the work of David, Géricault, Turner, Delacroix, and Goya. (7) "Realists, Impressionists, Post-Impressionists". Contrasts Courbet's treatment of subjects from everyday life with the innovations and techniques used by the impressionists. Examines the impressionists characteristic concern with color and changing light and contrasts this with the very individualistic visions of the postimpressionists. (8) "Into the Twentieth Century". Covers the work of the Fauves, the Cubists, the international style, and the Surrealists. Discusses how these movements relate to modern life. (9) "In Our Own Time." Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Written by Fiona Kelleghan {[email protected]

亦庄文化艺术节开幕

亦庄文化艺术节开幕

《华南电影电视文化艺术节》是由华南广播电影电视传媒集团主办，深圳市深华文化产业有限公司承办的地区级艺术节，是专门为中国少儿文化艺术设立的艺术评选活动，此次文化艺术节将按照广泛性、群众性、艺术性原则，重点组织实施文化艺术节启动仪式、校园文艺演出、优秀电影作品展映等多项主题活动，突显创新活跃、特色鲜明、繁荣发展的少儿艺术文化和尊重自然、崇尚人文的当代青少年风采。

Lumière Film Catalog no. 541 　　Filmed by Alexandre Promio

暂无剧情简介

《剧好看·欧美最前线》美剧主创专访，畅谈你所不知道的幕后故事。

面向6~12岁儿童，该片每集动画都会为小朋友介绍一本世界经典名著，包括名著的简要内容、创作背景等相关文学知识，可谓是经典的少儿动画版名著导读。

面向6~12岁儿童，该片每集动画都会为小朋友介绍一本世界经典名著，包括名著的简要内容、创作背景等相关文学知识，可谓是经典的少儿动画版名著导读。

Enjoy a visit to MoMA and see masterworks from the museum's collection of modern and contemporary art. What do the superstars of modern art-van Gogh, Matisse, Picasso, Pollock, and Warhol-have in common with the Vincent Black Shadow motorcycle and an Apple iPod? All share the stage at New York's Museum of Modern Art. Here the two big questions are: What makes it modern AND what makes it art? MoMA's scholars, along with David Rockefeller (son of MoMA founder Abby Rockefeller), prove that the modern art of any age is not the newest; it's the next.