影片改编自理查德·麦圭尔同名漫画。这是一部关于百年间多个家庭分别住进了同一间房子后发生的一系列关于爱、失落、欢笑和泪水的故事。影片横跨时间长河，以极其特殊的视角捕捉到了最纯粹的人类体验，有生活教科书般的温馨，也有白日梦想家般的无限向往，有婚姻经营者的无奈，通过104分钟向观众呈现出一幕幕百年家庭众生相。

《阿甘正传》原班人马30年后重聚，奥斯卡原班底打造跨时代暖愈新佳作，这个春天阿甘珍妮再续前缘，有笑有泪包治愈的！ 《阿甘正传》导演罗伯特·泽米吉斯、编剧埃里克·罗斯和主演汤姆·汉克斯、罗宾·怀特时隔30年再次联手打造暖愈巨献，改编自广受好评的理查德·麦圭尔同名漫画《HERE》。这是一部关于百年间多个家庭分别住进了同一间房子后发生的一系列关于爱、失落、欢笑和泪水的故事。影片横跨时间长河，以极其特殊的视角捕捉到了最纯粹的人类体验，有生活教科书般的温馨，也有白日梦想家般的无限向往，有婚姻经营者的无奈，通过104分钟向观众呈现出一幕幕百年家庭众生相。家有百态，唯爱不变，看独“家”故事，去去班味，来点儿家味！

From http://theculturalgutter.com/movies/kamikaze_hearts_of_gutter_punk_lesbians.html 　　Robin Bougie is the creator of Cinema Sewer magazine. 　　Kamikaze Hearts of Gutter Punk Lesbians 　　by Robin Bougie 　　Make-believe, addiction, despair, two-bit sleaze and two-bit dreams.During the 揝haron Mitchell film festival?held at the Coolidge Corner Theater in Boston on June 6th 2000, the legendary porn queen showed clips from her XXX films spanning her 3 decades long career and provided a running commentary for the audience. Sharon held the crowd in rapt attention while she revealed the title from which each clip was taken, the director and, when she remembered, anecdotes about the cast and what drug she was on at the time the footage was shot. It was usually heroin or marijuana, and in some cases, both. One such example was the ultra-rare documentary KAMIKAZE HEARTS, which also depicted Mitchell ?then addicted ?passionately defending drug use. 　　揔amikaze Hearts? wrote the L.A. Weekly of the now-forgotten film back in 1986, 揹rags you to a certain place ?the world of lesbian-junkie porn stars ?and keeps you there for 80 minutes. If you抮e excited by that place, or even if you find that place disturbing, you抣l like this film because it抯 so relentlessly inside the world of naked bodies, make-believe, addiction, despair, two-bit sleaze and two-bit dreams.? 　　It抯 a documentary, but director Julie Bashore抯 film is harder to peg than simply that. This one-of-a-kind 16mm porn industry time capsule shifts nearly unnoticed between the real and unreal, as Mitchell and company become actors portraying themselves in reenactments of scenes leading up to and following the footage a documentary camera crew captured while behind the scenes of a cum-coated mid 80抯 porn film. 　　And when I say 慴ehind-the-scenes? I mean it. Usually unseen crew members are brought out into the open as they capture the performers either fucking one another or waiting around to get the chance to do so. Look, there抯 a young Marian Wilde holding the boom. She would later go on to be foley editor on dozens of Hollywood films such as THE PHANTOM MENACE and RAIN MAN. Sitting on the sidelines watching drug-addled Sharon flop on the carpet and contort herself into a nearly nude ball and go 揘yha nyha nyha?is still photographer Vincent Fronczek. Listen very carefully in an early scene, and hear small fry fuck-actress Jennifer Blowdryer having a background conversation where she unwittingly admits that she started in porn when she was only 17, and falsified age documents in order to work. 　　When the film premiered (and won the 揃est Feature Film?at the Torino Intl Gay and lesbian film fest) The Chicago Reader抯 Johnathan Rosenbaum called it 揂lternately distressing, instructive, contestable, and fascinating? and he抯 totally right. Mitchell comes off as seasoned and cynical, while also talks of being a shame-free exhibitionistic personality in front of the camera and otherwise. Her lover and co-star in KAMIKAZE HEARTS is Tigr (pronounced 揟igger? Mennett, production assistant and porn actress who was featured in roughly forty 70抯 and 80抯 pud-pullers of her own. Her career ended right about the time this film came out in 1986, but look for her in ball-drainers such as DR. BIZARRO, 8 TO 5 (as Chelsea McCleane), and MATINEE IDOL (as Chealsea Manchester). The unusual blend of reality and fiction she and Mitchel bring to KAMIKAZE HEARTS tastes like skid row while laying bare the stormy gutter-punk relationship between the two women. 　　揥hen I first met her I thought she was sleazy?Tigr tells the audience of Mitchell, (whom everyone calls 慚itch?for short) 揝he needed to make a living, she was fucking on camera - I thought she was just another dumb porno slut. But I was wrong.? 　　Filmed on location in San Francisco, the notorious original home of the XXX film industry, the two scrounge around in a semen-soaked seedy world colored by strip joint punch-outs, after party arguments, kinky sex, and egotistical sleaze-ball directors. These two are thrillingly unapologetic about the fact that they use heroin as a shield while traversing through this gritty 24 hour party lifestyle, and the camera is there to catch what it can, and reenact what it can抰. 　　揟he camera抯 presence?wrote Rosenbaum, 揾as a shifting role in the film, moving from seemingly impartial witness of certain events to stimulus and catalyst for certain others, and this tends to confuse and change one抯 relationship to both the film and its characters.? 　　Mitchell initially introduced Tigr to intravenous drugs years previous to the filming of KAMIKAZE HEARTS, and in one of the final scenes in the film, the two lie on a bed and hit up while on camera. Mitchell brings the point home with the kind of wisdom only found in junkie babble. 揟his is the truth.?she says as she stares into the camera after pulling the needle out of her arm, 揧ou got what you want. You did not have to put it in. You could give it to me. I抣l put it in my movie. There is no legitimate or illegitimate anything. No one dragged you into anything. This [she holds up a needle] was my dick and I fucked her with my dick. And I waited for this relationship to mature. This is a movie within a movie within a movie. This is timeless.?

From http://theculturalgutter.com/movies/kamikaze_hearts_of_gutter_punk_lesbians.html 　　Robin Bougie is the creator of Cinema Sewer magazine. 　　Kamikaze Hearts of Gutter Punk Lesbians 　　by Robin Bougie 　　Make-believe, addiction, despair, two-bit sleaze and two-bit dreams.During the 揝haron Mitchell film festival?held at the Coolidge Corner Theater in Boston on June 6th 2000, the legendary porn queen showed clips from her XXX films spanning her 3 decades long career and provided a running commentary for the audience. Sharon held the crowd in rapt attention while she revealed the title from which each clip was taken, the director and, when she remembered, anecdotes about the cast and what drug she was on at the time the footage was shot. It was usually heroin or marijuana, and in some cases, both. One such example was the ultra-rare documentary KAMIKAZE HEARTS, which also depicted Mitchell ?then addicted ?passionately defending drug use. 　　揔amikaze Hearts? wrote the L.A. Weekly of the now-forgotten film back in 1986, 揹rags you to a certain place ?the world of lesbian-junkie porn stars ?and keeps you there for 80 minutes. If you抮e excited by that place, or even if you find that place disturbing, you抣l like this film because it抯 so relentlessly inside the world of naked bodies, make-believe, addiction, despair, two-bit sleaze and two-bit dreams.? 　　It抯 a documentary, but director Julie Bashore抯 film is harder to peg than simply that. This one-of-a-kind 16mm porn industry time capsule shifts nearly unnoticed between the real and unreal, as Mitchell and company become actors portraying themselves in reenactments of scenes leading up to and following the footage a documentary camera crew captured while behind the scenes of a cum-coated mid 80抯 porn film. 　　And when I say 慴ehind-the-scenes? I mean it. Usually unseen crew members are brought out into the open as they capture the performers either fucking one another or waiting around to get the chance to do so. Look, there抯 a young Marian Wilde holding the boom. She would later go on to be foley editor on dozens of Hollywood films such as THE PHANTOM MENACE and RAIN MAN. Sitting on the sidelines watching drug-addled Sharon flop on the carpet and contort herself into a nearly nude ball and go 揘yha nyha nyha?is still photographer Vincent Fronczek. Listen very carefully in an early scene, and hear small fry fuck-actress Jennifer Blowdryer having a background conversation where she unwittingly admits that she started in porn when she was only 17, and falsified age documents in order to work. 　　When the film premiered (and won the 揃est Feature Film?at the Torino Intl Gay and lesbian film fest) The Chicago Reader抯 Johnathan Rosenbaum called it 揂lternately distressing, instructive, contestable, and fascinating? and he抯 totally right. Mitchell comes off as seasoned and cynical, while also talks of being a shame-free exhibitionistic personality in front of the camera and otherwise. Her lover and co-star in KAMIKAZE HEARTS is Tigr (pronounced 揟igger? Mennett, production assistant and porn actress who was featured in roughly forty 70抯 and 80抯 pud-pullers of her own. Her career ended right about the time this film came out in 1986, but look for her in ball-drainers such as DR. BIZARRO, 8 TO 5 (as Chelsea McCleane), and MATINEE IDOL (as Chealsea Manchester). The unusual blend of reality and fiction she and Mitchel bring to KAMIKAZE HEARTS tastes like skid row while laying bare the stormy gutter-punk relationship between the two women. 　　揥hen I first met her I thought she was sleazy?Tigr tells the audience of Mitchell, (whom everyone calls 慚itch?for short) 揝he needed to make a living, she was fucking on camera - I thought she was just another dumb porno slut. But I was wrong.? 　　Filmed on location in San Francisco, the notorious original home of the XXX film industry, the two scrounge around in a semen-soaked seedy world colored by strip joint punch-outs, after party arguments, kinky sex, and egotistical sleaze-ball directors. These two are thrillingly unapologetic about the fact that they use heroin as a shield while traversing through this gritty 24 hour party lifestyle, and the camera is there to catch what it can, and reenact what it can抰. 　　揟he camera抯 presence?wrote Rosenbaum, 揾as a shifting role in the film, moving from seemingly impartial witness of certain events to stimulus and catalyst for certain others, and this tends to confuse and change one抯 relationship to both the film and its characters.? 　　Mitchell initially introduced Tigr to intravenous drugs years previous to the filming of KAMIKAZE HEARTS, and in one of the final scenes in the film, the two lie on a bed and hit up while on camera. Mitchell brings the point home with the kind of wisdom only found in junkie babble. 揟his is the truth.?she says as she stares into the camera after pulling the needle out of her arm, 揧ou got what you want. You did not have to put it in. You could give it to me. I抣l put it in my movie. There is no legitimate or illegitimate anything. No one dragged you into anything. This [she holds up a needle] was my dick and I fucked her with my dick. And I waited for this relationship to mature. This is a movie within a movie within a movie. This is timeless.?

讲述了阿伟在街头与卖花盲女晨晨的奇妙缘分，晨晨因双目失明被男友无情的抛弃，阿伟于心不忍，拿出全部积蓄帮助她治眼睛，日子一天天过去，晨晨重见光明后开了花店，阿伟前去探望时，看到她身边有个男人，醋意大发，误会那是她新男友，放下钱便匆匆离开，晨晨听到熟悉的声音，往日和阿伟相处的点滴涌上心头，瞬间明白什么，急忙追出去，这一场误会背后，是两人懵懂又真挚的感情，他们的结局究竟如何，令人满心期待

故事发生在南方某座城市。吴天河和秦永昌是建筑公司的卡车司机，秦永昌不幸坠崖身亡，留下5岁遗孤秦阳，被吴天河领养。公司老板送来5千块抚养费，被队长余全偷走。吴天河没有带回钱，因担心老婆张玉枝养活不了4个孩子，将小女儿吴雪带走。秦阳改名为吴阳……

该剧将镜头对准中国一个极为普通的农民工家庭，讲述了一个重情重义的好男人吴天河和两个女人——前妻张玉枝、妻子杨海妹之间的情感历程，以及发生在吴天河与杨海妹身边的商战故事。

爱子心无尽1：里外操劳的农村家庭主妇赵娟发现丈夫宁建国竟然有了外遇，在与其争执时不慎失手将其推下高楼致死，赵娟因此获刑7年。不明真相的儿子宁洲误以为是母亲赵娟害死了自己的父亲，对其产生了极大的误解和怨恨，并与其断绝了母子关系。导致宁家家破人亡的罪魁祸首苗爱华趁机向法院申请成为宁洲的监护人，实则是为了接近宁洲以夺取宁建国留给宁洲的大笔遗产。7年后，赵娟出狱，决心要揭穿苗爱华的阴谋，岂料儿子宁洲早已认贼作母，将苗爱华视作母亲般敬爱，对生母赵娟却百般羞辱。为了阻止苗爱华的阴谋得逞，赵娟在偏瘫奶奶的坚持下以保姆身份住进宁家，遭到苗爱华及仆人的欺辱折磨。

老太太的意外受伤住院，竟然引发了家庭内部的一场小台风：一向孝顺的大儿媳妇阿珍被家人误会蒙冤，和大儿子阿强在这个时候闹起了离婚。想要攒钱买房走火入魔了的小儿媳妇阿花和儿子阿勇偷了老太太的棺材本。女儿小红虽然孝顺但是做事冲动只知道火上浇油，无意中挑起了好多争端……随着一出出家庭闹剧展开，这个家还能安稳长久吗？

影片《童心无归处》讲述了世界上最轰动的一起谋杀案——美国六岁选美小皇后琼贝妮特·拉姆齐的死亡之谜。该案经过长达二十年的不休争议，屡次登上《时代》周刊和《人物》杂志封面，各大新闻媒体不断猜测凶手究竟是谁，而公众对其亲生父母及其学校一位男老师可能是凶手的指责更是甚嚣尘上。 　　影片《童心无归处》在纪实和非纪实之间游走，向观众呈现了一种非常奇特的电影风格，再现了小明星难解的死亡之谜。