堕胎时，女孩从体内排出一只水母。

堕胎时，女孩从体内排出一只水母。

2013年・第5回沖縄国際映画祭コンペティション「Peace部門」で上映。クラスで浮いていた孤独な女子高生・宮下夕紀が、水族館のクラゲの水槽の前で同じクラスの叶子と出会い、唇を重ねたことから互いにひかれあっていく姿を描く青春劇。新潮社の「女による女のためのR-18文学賞」受賞作を映画化していく「R-18文学賞」シリーズの第2弾。

歡迎來到果凍石小鎮，這個迷人的小鎮，有你最喜愛的漢納巴伯拉動畫角色，他們在這裡一起生活、工作和遊玩……與此同時，還忍不住為彼此製造麻煩。

http://www.screenonline.org.uk/film/id/711817/index.html 　　This experimental animation from the Amber Film Collective stands apart from the documentaries and social realist films, mostly concerned with life and work in the North East, that would become the collective's usual stock in trade. It was the third release to appear under the Amber banner, and the second of only two animations (the other being 1969's A Film). 　　Jellyfish employs a variety of experimental approaches, combining stop-motion and pixilation techniques, freely mixing black and white photography of beach landscapes, objects and people - along with some drawings - to build a poetic, very textured montage, eliding the real and the surreal, the beautiful and the eerie, the spirited and the deadly. Figures and objects are isolated, linked together only by their presence on a beach, all exposed to direct or indirect threats. The different jellyfish are as much at threat - washing up dead, stranded in the desolate landscape - as they are a threat - appearing suddenly and making people vanish. 　　Jellyfish resonates with a sense of unseen menace prevalent in the 1970s, at the height of the Cold War. With its mushroom cloud shape (providing the film's most direct image), stinging tentacles and alien appearance, the jellyfish makes a potent symbol for the atomic bomb. The film makes at first implicit, and later explicit, references to nuclear threat: the emblematic jellyfish, a woman disappearing in a toxic cloud, anonymous suited politicians around a table, a recurring image of a man running (in terror?). The mood of urgency and anxiety is enhanced by the soundtrack and editing, which grow faster and more staccato as the film goes on. 　　In 1973, at the time of the film's making, the Vietnam War was still in progress, while the full extent of the risk of a full-scale nuclear war following Russia's intervention in that year's Egypt-Israeli war only emerged later.

Clémence has been severely injured in a car accident, leaving her unable to talk and walk normally. When her sister Romane's boyfriend takes an interest in her recovery, their relationship becomes unbearable for Romane.

米莉·波比·布朗将主演由瓦努里·卡希乌（《肯尼亚式友谊》导演）执导的新片《水母物语》（暂译）。该片改编自阿里·本杰明所著的同名小说，故事围绕即将升入七年级的女孩苏茜展开。当她最好的朋友在一场溺水事故中离世，她不认同母亲所说的“有些事情就是会这样发生”。苏茜坚信这场悲剧的真正原因是好友被一种罕见的水母蜇伤。她由此进入一个充满想象的沉默世界，并制定了一个全球性计划来证明自己的理论。书中探讨了生死观念、友谊的脆弱以及近在咫尺的希望。

米莉·波比·布朗将主演Wanuri Kahiu([肯尼亚式友谊])执导新片[水母物语](The Thing About Jellyfish，暂译)。影片改编自阿里·本杰明撰写的同名小说，围绕即将升入七年级的女孩苏茜展开。当她最好的朋友在溺水事故中去世时，她并不相信她母亲说的有时“事情就是这样会发生的”。苏茜确信这场悲剧的真正原因是她的好友被一种罕见的水母蛰了。她开始进入一个充满想象力的沉默世界，并制定了一个全球性的计划来证明她的理论，在书中探讨生死观念、友谊的脆弱以及近在咫尺的希望。

夺舍，在道教中指夺取别人的身体驱壳以求得生存。警官Tommy（黄子华饰）最喜欢哼的一句歌就是：“Tell Laura I love her。”，他的女友Laura也是警察，喜欢周华健，家里有一个华健的纸板人像。Tommy在和匪徒的交战中中枪导致下身瘫痪，大小便失禁。“夺舍”成功的吴倩莲原来是失意女子从楼上跳下而未死，她指点Tommy，使警官借南丫岛烂仔腾鸡（李修贤饰）的躯体存活下来。腾鸡原来是个非常令人讨厌的人，在他家乡大屿山恶名远播，现在变成了一个孝顺大方聪明伶俐而有正义感的好人。Tommy的灵魂帮腾鸡解决了好多家庭问题，可是Laura却对这个新的Tommy失去了兴趣，智慧老人告诉他解决办法只有Walk out，即弃舍。而腾鸡原来参与一宗抢劫案的搭档怕他不牢靠，要将他除掉，经过追逐，车毁人亡，腾鸡命归西天，黄子华脱壳而出，变回女友的歌星偶像周华健。一年后，腾鸡成为了南丫岛的岛主，一个好人，而且还参加竞选。

新移民李绮华事事不如意，准备跳楼自杀。她答应借出自己躯壳给有高深智慧的黑猫，让他“夺舍”，然后重生。在跳楼现场警方派Laura及Tommy劝说华，但不成功。最后华却没跌死，黑猫反而丧命，Laura与Tommy始知“夺舍”一事。鸡答应彪打劫财务公司，遇正执勤的Tommy。火拼中两人同时受伤，鸡变成植物人，Tommy则半身不遂。Tommy恨自己成为废人，求华帮自己让鸡“夺舍”，华答应了。Tommy成了新的鸡，做了不少的决定，周围的人对鸡有了新的认识。财务公司老板贺生见状，欲查出主谋。另一方面彪又来追杀鸡。鸡便将计就计，让彪在贺生面前暴露真面目。在追杀中车祸而死。此时Tommy的灵魂也离开了鸡的肉身，转而上了Laura梦中情人的身上，重新追求Laura，鸡则变回自己。