影片《水母眼》是村上隆根据自己孩提时的一个梦境为原型创作的影片，村上导演希望观众可以通过观看这部影片回忆起自己的小时候的梦。故事围绕一名叫正志的小学生展开，小学生正志搬家的时候在一个盒子里发现了神秘的生物，他非常喜欢这个神秘生物并给它取名叫“水母宝宝”。正志搬家后转入了新的学校，一天，他带着“水母宝宝”一起去上学，没想到同班的同学们也带了大人们都看不见的神秘生物“朋友”来到了学校……。 另外，担任创作《水母眼》主题曲的创作者是曾经因为Google Chrome创作主题曲《Tell Your World》而声名鹊起的KZ。

由梦工厂动画製作、根据 Dan Yaccarino 著作《Doug Unplugged》改编的《道格看世界》，设定于一个人类与机器人和平共处的世界，当其他机器人每天都忙于连线、下载知识，这个与众不同的小机械人 Doug 开始对人类世界感到好奇，并因缘际会认识到人类好友 Emma；遇到问题时，Doug 便从电脑系统下载新的知识，Emma 又会引领 Doug 一起体验新事物，二人互相指导，成就充满好奇心与新鲜感的学习过程。

节目选取与世界有紧密链接的湖湘青年，以自我观察的平视视角进行叙事，从“博闻、慎思、明辨、笃行”四个递进式纬度，将青年人对中外文化交融的所见、所思、所想、所行立体化呈现，塑造当代青年勇于以世界为媒，用行动影响世界、改变世界的自信形象。展现当代青年推动中外文明交流互鉴的过程，为推动构建人类命运共同体凝聚青春力量。

堕胎时，女孩从体内排出一只水母。

堕胎时，女孩从体内排出一只水母。

2013年・第5回沖縄国際映画祭コンペティション「Peace部門」で上映。クラスで浮いていた孤独な女子高生・宮下夕紀が、水族館のクラゲの水槽の前で同じクラスの叶子と出会い、唇を重ねたことから互いにひかれあっていく姿を描く青春劇。新潮社の「女による女のためのR-18文学賞」受賞作を映画化していく「R-18文学賞」シリーズの第2弾。

歡迎來到果凍石小鎮，這個迷人的小鎮，有你最喜愛的漢納巴伯拉動畫角色，他們在這裡一起生活、工作和遊玩……與此同時，還忍不住為彼此製造麻煩。

http://www.screenonline.org.uk/film/id/711817/index.html 　　This experimental animation from the Amber Film Collective stands apart from the documentaries and social realist films, mostly concerned with life and work in the North East, that would become the collective's usual stock in trade. It was the third release to appear under the Amber banner, and the second of only two animations (the other being 1969's A Film). 　　Jellyfish employs a variety of experimental approaches, combining stop-motion and pixilation techniques, freely mixing black and white photography of beach landscapes, objects and people - along with some drawings - to build a poetic, very textured montage, eliding the real and the surreal, the beautiful and the eerie, the spirited and the deadly. Figures and objects are isolated, linked together only by their presence on a beach, all exposed to direct or indirect threats. The different jellyfish are as much at threat - washing up dead, stranded in the desolate landscape - as they are a threat - appearing suddenly and making people vanish. 　　Jellyfish resonates with a sense of unseen menace prevalent in the 1970s, at the height of the Cold War. With its mushroom cloud shape (providing the film's most direct image), stinging tentacles and alien appearance, the jellyfish makes a potent symbol for the atomic bomb. The film makes at first implicit, and later explicit, references to nuclear threat: the emblematic jellyfish, a woman disappearing in a toxic cloud, anonymous suited politicians around a table, a recurring image of a man running (in terror?). The mood of urgency and anxiety is enhanced by the soundtrack and editing, which grow faster and more staccato as the film goes on. 　　In 1973, at the time of the film's making, the Vietnam War was still in progress, while the full extent of the risk of a full-scale nuclear war following Russia's intervention in that year's Egypt-Israeli war only emerged later.

Clémence has been severely injured in a car accident, leaving her unable to talk and walk normally. When her sister Romane's boyfriend takes an interest in her recovery, their relationship becomes unbearable for Romane.

一只巨大的猪躺在房前。人类住在这座房子里。住在房子里家庭由爸爸、妈妈、爷爷、六个孩子和狗组成。 　　每个人都知道这只大猪的存在，这只猪也注意到这家人。但他们每一个都不理解另一个怎么想。 　　当妈的不理解当爸的。