退休的老上校，被承诺可领到一笔退休金，但这个承诺却迟迟没有兑现。每个星期五，他会穿着正式的西装，站在码头，等着领退休金的通知书。人们都清楚，他的等待是不会有结果的，而上校依然执着于他的梦想，否则，他还有什么值得期待？抵抗饥饿、抵抗太太的怨言及永无止尽的询问：“我们要吃什么？”他终于给了一个隐忍了20年的答案……

退休的老上校，被承诺可领到一笔退休金，但这个承诺却迟迟没有兑现。每个星期五，他会穿着正式的西装，站在码头，等着领退休金的通知书。人们都清楚，他的等待是不会有结果的，而上校依然执着于他的梦想，否则，他还有什么值得期待？抵抗饥饿、抵抗太太的怨言及永无止尽的询问：“我们要吃什么？”他终于给了一个隐忍了20年的答案……

改編自綿矢莉莎的小說作品的電影《手寫信》由山田杏奈飾演校內很受歡迎的高中3年級學生木村愛，愛從高一開始就一直被在教室裏默默度過的樸素男子即若（作間龍斗）所吸引。但是，偶然看到他小心翼翼地讀著別人的信的樣子，於是偷那封信。寄信人是患有糖尿病的陰沉少女新藤美雪（芋生悠），愛是第一次知道兩個人正在秘密交往。不久，愛隱藏了自己的心情接近了美雪，於是愛、美雪和即若開始三角關係，事態朝著意想不到的方向發展。

改編自綿矢莉莎的小說作品的電影《手寫信》由山田杏奈飾演校內很受歡迎的高中3年級學生木村愛，愛從高一開始就一直被在教室裏默默度過的樸素男子即若（作間龍斗）所吸引。但是，偶然看到他小心翼翼地讀著別人的信的樣子，於是偷那封信。寄信人是患有糖尿病的陰沉少女新藤美雪（芋生悠），愛是第一次知道兩個人正在秘密交往。不久，愛隱藏了自己的心情接近了美雪，於是愛、美雪和即若開始三角關係，事態朝著意想不到的方向發展。

《骑祂》是Enema Stone的第二支个人单曲，以关于怎样骑上巨物的教程作为酷儿情欲的隐喻。创作灵感来源于Lana Del Rey的Ride，带着快意人生、向死而生、放浪形骸的态度在公路上狂奔；歌词也同时致敬了约翰·柯里尔的作品《戈黛娃夫人》，代表勇气与冒险精神。《骑祂》综合了打雷姐与马背上的戈黛娃夫人所表达的内涵：女性、酷儿与人文主义永存。每个人心里都喜欢骑一些东西，无论是一路肆意骑行还是骑上巨物。

《骑祂》是Enema Stone的第二支个人单曲，以关于怎样骑上巨物的教程作为酷儿情欲的隐喻。创作灵感来源于Lana Del Rey的Ride，带着快意人生、向死而生、放浪形骸的态度在公路上狂奔；歌词也同时致敬了约翰·柯里尔的作品《戈黛娃夫人》，代表勇气与冒险精神。《骑祂》综合了打雷姐与马背上的戈黛娃夫人所表达的内涵：女性、酷儿与人文主义永存。每个人心里都喜欢骑一些东西，无论是一路肆意骑行还是骑上巨物。

这支小CG动画来自Eaza Shukla导演，发布于TheCGBros平台。讲述了一个可爱的圆形“蛋蛋”，充满对这个世界的好奇而来到了货架上，它静静地等待被善良的主人领走。可是日复一日，他身边的小伙伴都一个个找到了自己的主人，唯独它还依然待在货架上。它的心情有点惆怅，这时，一只手向它伸了过来，它开心地咧嘴笑了。他被装进盒子里，送给了下一任主人，可是盒子刚打开，又盖上了。就这样如此循环往复，终于还是没有人要它。于是，它做出了一个大胆的决定。 　　看到这个“蛋蛋”的一生，你是否也感同身受呢？我们在一些场合里，可能也因外表而不被人喜欢，纵使你有一颗华丽而璀璨的内心，可外人无从知晓。他已经否定了你，便不会再去了解你的内心。但我们和它不同的是，我们有能力自己改变，我们有可能让自己变得更好。所以，请抛开你所有极端的想法，如果你不完美，那就让自己改变吧！

这支小CG动画来自Eaza Shukla导演，发布于TheCGBros平台。讲述了一个可爱的圆形“蛋蛋”，充满对这个世界的好奇而来到了货架上，它静静地等待被善良的主人领走。可是日复一日，他身边的小伙伴都一个个找到了自己的主人，唯独它还依然待在货架上。它的心情有点惆怅，这时，一只手向它伸了过来，它开心地咧嘴笑了。他被装进盒子里，送给了下一任主人，可是盒子刚打开，又盖上了。就这样如此循环往复，终于还是没有人要它。于是，它做出了一个大胆的决定。 　　看到这个“蛋蛋”的一生，你是否也感同身受呢？我们在一些场合里，可能也因外表而不被人喜欢，纵使你有一颗华丽而璀璨的内心，可外人无从知晓。他已经否定了你，便不会再去了解你的内心。但我们和它不同的是，我们有能力自己改变，我们有可能让自己变得更好。所以，请抛开你所有极端的想法，如果你不完美，那就让自己改变吧！

影片故事来自米兰-昆德拉的短篇小说，由Pavel Jurácek和导演Hynek Bocan共同执笔改编，是捷克新浪潮电影中的一部重要作品。获1965年德国曼海姆-海登堡国际电影节金奖。 　　In this Czech comedy, an art critic is hounded by a determined man who wishes to publish his manuscript about a famous artist. When the critic receives the author's work, he sends a letter wishing the man luck without reading a single page. The determined author forces the art critic to tell him what he thinks of his manuscript. In the meantime, the writer loses his job, his girlfriend, and falls out of favor with the Communist Party before learning his literary efforts are no good. 　　Czech filmmaker Hynek Bocan largely eschewed the conventions of his country's New Wave cinema in favor of making well-crafted, traditional literary adaptations. A graduate of his native Prague's prestigious FAMU in 1961, Bocan started out working at the Barrandov Film Studio, assisting such filmmakers as Karel Kachyna, Jan Nemec, and Jiri Weiss. In addition to directing, Bocan collaborated on the screenplays of all of his films. He made his directorial debut with Nikdo se Nebude Smat/No Laughing Matter (1965). In 1969, while working on his third film, Pastak/The Decoy, Bocan encountered political differences with his government and was prevented from completing the production; it was not until 1990 that the film was finished and released. Unable to work in features, Bocan turned to television to co-write and direct the nine-episode series Zahada Hlavolau/The Mystery of a Brain Teaser. In 1974, Bocan was allowed to return to filmmaking, and he released Muz z Lonyna/The Man From London. Bocan has subsequently divided his time between feature films and television.

影片故事来自米兰-昆德拉的短篇小说，由Pavel Jurácek和导演Hynek Bocan共同执笔改编，是捷克新浪潮电影中的一部重要作品。获1965年德国曼海姆-海登堡国际电影节金奖。 　　In this Czech comedy, an art critic is hounded by a determined man who wishes to publish his manuscript about a famous artist. When the critic receives the author's work, he sends a letter wishing the man luck without reading a single page. The determined author forces the art critic to tell him what he thinks of his manuscript. In the meantime, the writer loses his job, his girlfriend, and falls out of favor with the Communist Party before learning his literary efforts are no good. 　　Czech filmmaker Hynek Bocan largely eschewed the conventions of his country's New Wave cinema in favor of making well-crafted, traditional literary adaptations. A graduate of his native Prague's prestigious FAMU in 1961, Bocan started out working at the Barrandov Film Studio, assisting such filmmakers as Karel Kachyna, Jan Nemec, and Jiri Weiss. In addition to directing, Bocan collaborated on the screenplays of all of his films. He made his directorial debut with Nikdo se Nebude Smat/No Laughing Matter (1965). In 1969, while working on his third film, Pastak/The Decoy, Bocan encountered political differences with his government and was prevented from completing the production; it was not until 1990 that the film was finished and released. Unable to work in features, Bocan turned to television to co-write and direct the nine-episode series Zahada Hlavolau/The Mystery of a Brain Teaser. In 1974, Bocan was allowed to return to filmmaking, and he released Muz z Lonyna/The Man From London. Bocan has subsequently divided his time between feature films and television.