这支小CG动画来自Eaza Shukla导演，发布于TheCGBros平台。讲述了一个可爱的圆形“蛋蛋”，充满对这个世界的好奇而来到了货架上，它静静地等待被善良的主人领走。可是日复一日，他身边的小伙伴都一个个找到了自己的主人，唯独它还依然待在货架上。它的心情有点惆怅，这时，一只手向它伸了过来，它开心地咧嘴笑了。他被装进盒子里，送给了下一任主人，可是盒子刚打开，又盖上了。就这样如此循环往复，终于还是没有人要它。于是，它做出了一个大胆的决定。 　　看到这个“蛋蛋”的一生，你是否也感同身受呢？我们在一些场合里，可能也因外表而不被人喜欢，纵使你有一颗华丽而璀璨的内心，可外人无从知晓。他已经否定了你，便不会再去了解你的内心。但我们和它不同的是，我们有能力自己改变，我们有可能让自己变得更好。所以，请抛开你所有极端的想法，如果你不完美，那就让自己改变吧！

这支小CG动画来自Eaza Shukla导演，发布于TheCGBros平台。讲述了一个可爱的圆形“蛋蛋”，充满对这个世界的好奇而来到了货架上，它静静地等待被善良的主人领走。可是日复一日，他身边的小伙伴都一个个找到了自己的主人，唯独它还依然待在货架上。它的心情有点惆怅，这时，一只手向它伸了过来，它开心地咧嘴笑了。他被装进盒子里，送给了下一任主人，可是盒子刚打开，又盖上了。就这样如此循环往复，终于还是没有人要它。于是，它做出了一个大胆的决定。 　　看到这个“蛋蛋”的一生，你是否也感同身受呢？我们在一些场合里，可能也因外表而不被人喜欢，纵使你有一颗华丽而璀璨的内心，可外人无从知晓。他已经否定了你，便不会再去了解你的内心。但我们和它不同的是，我们有能力自己改变，我们有可能让自己变得更好。所以，请抛开你所有极端的想法，如果你不完美，那就让自己改变吧！

《女人要看的事》是日本TBS的一档关注女性的综艺节目，节目设置有恋爱顾问团，为嘉宾解决恋爱问题。也有其他话题，比如：健康、美容等等。

《女人要看的事》是日本TBS的一档关注女性的综艺节目，节目设置有恋爱顾问团，为嘉宾解决恋爱问题。也有其他话题，比如：健康、美容等等。

在一个由女人主宰的世界里苏醒后，一名无耻的大男子主义者因与一名有权势的女作家发生争执而自食苦果。

影片故事来自米兰-昆德拉的短篇小说，由Pavel Jurácek和导演Hynek Bocan共同执笔改编，是捷克新浪潮电影中的一部重要作品。获1965年德国曼海姆-海登堡国际电影节金奖。 　　In this Czech comedy, an art critic is hounded by a determined man who wishes to publish his manuscript about a famous artist. When the critic receives the author's work, he sends a letter wishing the man luck without reading a single page. The determined author forces the art critic to tell him what he thinks of his manuscript. In the meantime, the writer loses his job, his girlfriend, and falls out of favor with the Communist Party before learning his literary efforts are no good. 　　Czech filmmaker Hynek Bocan largely eschewed the conventions of his country's New Wave cinema in favor of making well-crafted, traditional literary adaptations. A graduate of his native Prague's prestigious FAMU in 1961, Bocan started out working at the Barrandov Film Studio, assisting such filmmakers as Karel Kachyna, Jan Nemec, and Jiri Weiss. In addition to directing, Bocan collaborated on the screenplays of all of his films. He made his directorial debut with Nikdo se Nebude Smat/No Laughing Matter (1965). In 1969, while working on his third film, Pastak/The Decoy, Bocan encountered political differences with his government and was prevented from completing the production; it was not until 1990 that the film was finished and released. Unable to work in features, Bocan turned to television to co-write and direct the nine-episode series Zahada Hlavolau/The Mystery of a Brain Teaser. In 1974, Bocan was allowed to return to filmmaking, and he released Muz z Lonyna/The Man From London. Bocan has subsequently divided his time between feature films and television.

影片故事来自米兰-昆德拉的短篇小说，由Pavel Jurácek和导演Hynek Bocan共同执笔改编，是捷克新浪潮电影中的一部重要作品。获1965年德国曼海姆-海登堡国际电影节金奖。 　　In this Czech comedy, an art critic is hounded by a determined man who wishes to publish his manuscript about a famous artist. When the critic receives the author's work, he sends a letter wishing the man luck without reading a single page. The determined author forces the art critic to tell him what he thinks of his manuscript. In the meantime, the writer loses his job, his girlfriend, and falls out of favor with the Communist Party before learning his literary efforts are no good. 　　Czech filmmaker Hynek Bocan largely eschewed the conventions of his country's New Wave cinema in favor of making well-crafted, traditional literary adaptations. A graduate of his native Prague's prestigious FAMU in 1961, Bocan started out working at the Barrandov Film Studio, assisting such filmmakers as Karel Kachyna, Jan Nemec, and Jiri Weiss. In addition to directing, Bocan collaborated on the screenplays of all of his films. He made his directorial debut with Nikdo se Nebude Smat/No Laughing Matter (1965). In 1969, while working on his third film, Pastak/The Decoy, Bocan encountered political differences with his government and was prevented from completing the production; it was not until 1990 that the film was finished and released. Unable to work in features, Bocan turned to television to co-write and direct the nine-episode series Zahada Hlavolau/The Mystery of a Brain Teaser. In 1974, Bocan was allowed to return to filmmaking, and he released Muz z Lonyna/The Man From London. Bocan has subsequently divided his time between feature films and television.