2011年秋天，美国天主教会EWTN（永恒圣言电视网）录制的十集系列纪录片 CATHOLICISM天主教， 探索传承2000年的天主教教会史诗般的经历和不朽的的文化遗产， 以现代的角度探索天主教会的信仰和文化的旅程。 通过一个全球旅程，去探索普世天主教文化生活。从“圣经”的土地，欧洲伟大 的圣地，和美国海岸腹地，亚洲的奥秘，丰富的景观拉丁美洲，非洲的心脏跳动来见证信德。超过十亿地球人作为自己的荣耀。 　　本片由美国芝加哥的罗伯特·巴伦神父（Fr. Robert Barron）作精彩讲解。 　　中英文分集目录： 　　1.既惊且惧-耶稣，人性神性的合一 　　2.我等喜乐-耶稣的教诲 　　3:天主临在- 不可言喻的伟大奥迹 　　4：万世芳表- 玛利亚，天主之母 　　5：教会磐石- 宗徒伯多禄和保禄 　　6：受难与光荣- 基督与教会的奇妙共融 　　7：生命灵粮- 礼仪与圣体圣事的奥迹 　　8：浩繁的见证 - 诸圣相通功 　　9：大爱之火：祈祷与灵性生命 　　10：及世之世-万民四末 　　1. Amazed and Afraid - The Revelation of God Become Man 　　2. Happy Are We - The Teachings of Jesus 　　3. The Ineffable Mistery of God - That Than Which Nothing Greater can be Thought 　　4. Our Tainted Nature′s Solitary Boast - Mary, The Mother of God 　　5. The Indispensable Men - Peter, Paul, and the Missionary Adventure 　　6. A Body Both Suffering and Glorious - The Mystical Union of Christ and the Church 　　7. Word Made Flesh, True Bread of Heaven - The Mystery of the Liturgy and Eurcharist 　　8. A vast Company of Witness - The Communion of Saints 　　9. The Fire of His Love- Prayer and the Life of the Spirit 　　10. World withiout End - The Last Things

2011年秋天，美国天主教会EWTN（永恒圣言电视网）录制的十集系列纪录片 CATHOLICISM天主教， 探索传承2000年的天主教教会史诗般的经历和不朽的的文化遗产， 以现代的角度探索天主教会的信仰和文化的旅程。 通过一个全球旅程，去探索普世天主教文化生活。从“圣经”的土地，欧洲伟大 的圣地，和美国海岸腹地，亚洲的奥秘，丰富的景观拉丁美洲，非洲的心脏跳动来见证信德。超过十亿地球人作为自己的荣耀。 　　本片由美国芝加哥的罗伯特·巴伦神父（Fr. Robert Barron）作精彩讲解。 　　中英文分集目录： 　　1.既惊且惧-耶稣，人性神性的合一 　　2.我等喜乐-耶稣的教诲 　　3:天主临在- 不可言喻的伟大奥迹 　　4：万世芳表- 玛利亚，天主之母 　　5：教会磐石- 宗徒伯多禄和保禄 　　6：受难与光荣- 基督与教会的奇妙共融 　　7：生命灵粮- 礼仪与圣体圣事的奥迹 　　8：浩繁的见证 - 诸圣相通功 　　9：大爱之火：祈祷与灵性生命 　　10：及世之世-万民四末 　　1. Amazed and Afraid - The Revelation of God Become Man 　　2. Happy Are We - The Teachings of Jesus 　　3. The Ineffable Mistery of God - That Than Which Nothing Greater can be Thought 　　4. Our Tainted Nature′s Solitary Boast - Mary, The Mother of God 　　5. The Indispensable Men - Peter, Paul, and the Missionary Adventure 　　6. A Body Both Suffering and Glorious - The Mystical Union of Christ and the Church 　　7. Word Made Flesh, True Bread of Heaven - The Mystery of the Liturgy and Eurcharist 　　8. A vast Company of Witness - The Communion of Saints 　　9. The Fire of His Love- Prayer and the Life of the Spirit 　　10. World withiout End - The Last Things

Sixteen-year-old Michael Dunn arrives at St. Basil's Catholic Boys School in Brooklyn circa 1965. There, he befriends all of the misfits in his class as they collide with the repressive faculty and discover the opposite sex as they come of age.

In late September 1975, a renowned Catholic school in Rome for sheltered, upper middle class boys is attacked in what became known as the Circeo Massacre. The film examines what triggered the violence.

1975年9月下旬，罗马一所著名的天主教学校遭到袭击，这所学校专门招收中上层男孩，后来被称为Circeo大屠杀。这部电影探讨了引发暴力的原因。

Breno awakens from a dream. Meanwhile, hundreds of years ago, a battalion of men set out to fight to death.

Sivan (Mohanlal) is a well-respected don in the area of Madurai. After his driver was killed in an altercation with a few enemies, including a rowdy cop, he takes the driver's son Shakthi (Vijay) as his own. Shakthi grows up with a vengeful hatred towards the Police uniform and any other Khaki clothing. Even towards his eventual lover (Kajal), initially hating, but then seeing her good side, But it is when his Father desires him to wear the uniform, that turn the tables on the illegal work of Sivan. How Shakthi deals with his Father, and an unknown assailant forms the crux of the story.

著名演员和唱诗班指挥Simon Russel带领观众们走进繁荣的西方圣乐。(文：life_is_good@YDY) 　　Renowned actor and former chorister Simon Russell Beale explored the flowering of Western sacred music in this four part documentary series for BBC FOUR.

著名演员和唱诗班指挥Simon Russel带领观众们走进繁荣的西方圣乐。(文：life_is_good@YDY) 　　Renowned actor and former chorister Simon Russell Beale explored the flowering of Western sacred music in this four part documentary series for BBC FOUR.

“Essay, a term from written literature: unity of science and art; unity of social and individual knowledge,” Harun Farocki wrote in a first draft of the project Erzählen. The film follows two people (played by Engström and Farocki) investigating their respective subjects: one is tracing the involvement of the German heavy industry in the rise of Nazi-Germany, the other is interested in the fate of Larissa Reissner, a young Soviet writer and revolutionary. Both of them struggle with the question of how to organize their research and find a narrative structure. Their paths cross, and the film turns into an essayistic interrogation of structuralist narratology.