三石仁和同伴们成功打倒了罗刹王英邪之后，岩手终于再次得到了和平。可是最近有一个未知力量把罗刹王给复活了。不来方乔变身为鉄神岩光，再次和这邪恶力量对抗，同时早池峰健二和其他同伴则被困入异世界里。 唯有姬身结成功逃出魔爪，带着乔托付给他的血之御手符，将御手符交托给日高见新田。“拜托！你是我们最后的希望！”现在，新田在仍然迷迷糊糊地状况之下，变身为铁神岩光NEO，并且开始了与恶人对战的道路之上。 　　Since after the King Rasha , Hideja had been defeated by Mitsuishi Jin and his friends, Iwate regained the long lost peace. However, this great evil has been resurrected by some kind of force recenty. Kosukata Joe transformed into Ganriser and fights for it, meanwhile Hayachine Kenji and the rest are trapped in another world. Only Himekami Yui manages to escape from this, with the special blood amulet which entrusted from Joe, she passes the amulet to Hitakami Arata.“Please! You’re our only hope!”And now, Arata transforms into Ganriser NEO and starts his journey in battling with the evil while in puzzled.

跟着日本知名野生动物写真摄影师，岩合光昭，用镜头捕捉巴黎、挪威、西西里、爱琴海岛屿、冲绳、台湾等美丽地区中的猫咪身影。

讲述了沈尧光接父母双亡的苏念念回家，沈南熙强烈排斥，言语刻薄却会暗中护她，如制止张妈欺负、辞退扔其画作的张妈。沈南熙知父亲与苏念念父母车祸真相后，质问父亲时撞得苏念念烫伤，处理伤口时尽显温柔，苏念念一句 “姐姐害羞了” 缓和关系。最终沈南熙让苏念念 “在沈家好好待着”，两人从敌对走向接纳，展现外冷内热与善良坚韧的特质。

《团鱼岩》拍摄的是“神话”谱系下的湖南西部村庄慢而流动的日常，村民依据基本生活的需要，做着种植、养殖、砍伐和酬神的活计，这一切，无不在巨石团鱼岩的见证和守护下。团鱼岩，是一块盖上“神话”封印的大岩石，岩石接通了“神话”和村庄之间的隐喻关系。因此，片子抛弃了一般意义上廉价的“乡愁”，进入到返灵或返祖的诗意属性上，最后抵达“我从来处来，我到去处去”的命运空山......

《团鱼岩》拍摄的是“神话”谱系下的湖南西部村庄慢而流动的日常，村民依据基本生活的需要，做着种植、养殖、砍伐和酬神的活计，这一切，无不在巨石团鱼岩的见证和守护下。团鱼岩，是一块盖上“神话”封印的大岩石，岩石接通了“神话”和村庄之间的隐喻关系。因此，片子抛弃了一般意义上廉价的“乡愁”，进入到返灵或返祖的诗意属性上，最后抵达“我从来处来，我到去处去”的命运空山......

这是一部心理惊悚片，讲述的是州立公园护林员丈夫和妻子在处理当地神秘事件的过程中，努力接受他们失踪的十几岁儿子的事实，该事件质疑了他们之间的关系，最终也质疑了他们对现实的把握。

四位不同年龄段的华裔女性，生活在不同的城市，她们有着不同的生活背景，不同的社会角色，却有着同样的攀岩爱好。深圳四岁开始攀岩的小女孩张悦彤，攀龄十年，国家攀岩队最小的队员，不久前获得全国攀岩总冠军。香港家庭主妇王琼，三十七岁时接触了攀岩，从此一发不可收拾。旧金山的生物女博士后Li ，不是在工作就是在攀岩。洛杉矶地球物理研究员，曾肋骨受伤，在丈夫的支持下，坚持攀岩并希望把户外生活体验带给她的宝宝。

ÖOLITE is a story of birth and the creative process. Birth is a facet of life often overlooked or impersonally addressed solely through medical terminology in Western culture. ÖOLITE is the story of the birth of my sister told personally from multiple perspectives. It is told by my grandmother (Louise Kimball), my mother (Bethanne Kimball-Parker), my sister herself (Bettina Geyer), and through the visual images of my remembrances of that time.

ÖOLITE is a story of birth and the creative process. Birth is a facet of life often overlooked or impersonally addressed solely through medical terminology in Western culture. ÖOLITE is the story of the birth of my sister told personally from multiple perspectives. It is told by my grandmother (Louise Kimball), my mother (Bethanne Kimball-Parker), my sister herself (Bettina Geyer), and through the visual images of my remembrances of that time.