孙杨表示：“这两年发生了很多不愉快的事情，很多事情之前在新闻上看到过没想到会发生到自己身上。我已经获得了最高的荣誉，但是一下子从巅峰跌下来确实有很大的落差。没有系统训练之后自己的体重在一直在涨，也怀疑过自己能否回到巅峰，自己很有压力。”

迪士尼影片《泳者之心》由真实事件改编，聚焦首位横渡英吉利海峡的女性运动员特鲁迪·埃德尔（Trudy Ederle）的非凡故事，将于2024年5月31日在特定影院小范围上映。影片中，由黛茜·雷德利（Daisy Ridley）饰演这名游泳健将。特鲁迪于1905年出生在纽约市的一个移民家庭中，在姐姐和教练的坚定支持下，她以无畏的勇气和决心，克服了种种困境，战胜了男权社会的偏见与敌意，不仅在奥林匹克游泳队中崭露头角，更成功完成了那项震惊世界的壮举——从法国下海，游泳横渡长达21英里的英吉利海峡。

影片改编自历史上首位横渡英吉利海峡女泳者的真实传奇经历。无惧时代禁锢和社会偏见，特鲁迪·埃德尔破纪录跨越34公里天堑，直面惊涛骇浪，克服水母刺蜇……任何质疑和危险都无法阻挡一颗勇敢的心。

为了选拔年轻短距离自由泳的优秀选手，周焘、郭帆、涂海洋等23名来自五湖四海的优秀游泳运动员受邀参加了为期百天的选拔集训。此次集训一反常规，采用高压赛制。奇招尽出的艰苦训练从入训的第一秒就锤炼着所有队员。然而争夺的出现名额只有通过“大淘杀”似的训练营。因对父亲有心结而成为游泳运动员的周焘在集训中遇到了身为教练的父亲、昔日的好友兄弟、未来的竞争对手和互相好感的女游泳运动员，展开了一段有苦、有甜、有笑、有泪的“精彩生活”。残酷的赛制、友情的考验、亲情与事业的碰撞、情感与理想的选择都在考验着周焘。他和队友们带着各自的问题和对游泳的热爱，为了梦想、为了胜利、为了荣誉，一路泳者无畏。在集训中演绎着各自独特的人生 。

福桑是一位造船主，有他职员设计的一艘帆船在比赛中获得了胜利，这引起另一家公司的关注。并欲与其职员亨利及夏莉签定合同。为了战胜对手。双方都使出了各种办法争取该两人的支持。过程中笑料百出，让人忍俊不禁。

福桑是一位造船主，有他职员设计的一艘帆船在比赛中获得了胜利，这引起另一家公司的关注。并欲与其职员亨利及夏莉签定合同。为了战胜对手。双方都使出了各种办法争取该两人的支持。过程中笑料百出，让人忍俊不禁。

Swimmer is a poetic journey through the waterways and coastline of the British Isles, following a lone swimmer through lakes, rivers and coves. The journey is framed by a soundtrack of seminal British music, combined with a sound tapestry of hydrophonic recordings and snippets of bankside conversations. The film aims to give a real feel for the diversity of landscape and people of Britain.

Swimmer is a poetic journey through the waterways and coastline of the British Isles, following a lone swimmer through lakes, rivers and coves. The journey is framed by a soundtrack of seminal British music, combined with a sound tapestry of hydrophonic recordings and snippets of bankside conversations. The film aims to give a real feel for the diversity of landscape and people of Britain.

This is a story about the attempts of three generations of men to swim a distance equal to two English Channels. At the turn of the century, Dumbadze, the oldest among the three, really swam from Batumi to Poti, however, no one registered it as a record. Dumbadze the middle, in 1947, got lost in enigmatic circumstances before the ceremonious swimming occasion. But Dumbadze, the youngest, seems to be without any swimming skills at all… Nevertheless, he wades in the sea and swims. Astonishing is the director's ability to join the phantasmal character of events with a precise characterization of each age. Presence of the shooting group in a shot is used as an artistic method, which allows a spectator to believe in the story happenings in its entirety. 　　Irakli Kvirikadze's film The Swimmer, made in 1981, but not released in its full form until 1987, traces the fates of three members of the same Georgian family through sequences set in 1913, 1947 and the film's present. It uses the metaphor of swimming to examine questions of Georgian culture and identity both within its narrow surface timescale and over the whole of Georgian history. This article seeks to examine the ways in which The Swimmer re-asserts Georgian identity in the context of Soviet experience. It looks at the film's allusions to Georgian history from the Kingdom of Colchis, visited by Jason and the Argonauts, through the Greek, Roman, Christian and Ottoman periods, to the late Tsarist era, the Russian Revolution and the Stalin years. The Swimmer is also a film about its own making, and its other central concern is the questions raised by attempts to ‘film the past'. Like other films of the period, it examines the way in which art and memory combine to attempt to provide historical understanding. 　　Irakli Kvirikadze (born in Georgia, 1939) 　　In 1968, he graduated from Moscow SFI. He is known as a director and the screenwriter both for his own and Nana Giordzadze's, as well as for other directors'films. Since 1991, he has been living in Los Angeles, he works in the USA, France, Germany, Russia.