The Armenian nation suffered two great catastrophes in the last century. In the First World War it was the genocide carried out by the Turks; in 1988 it was a devastating earthquake. After Armenia was able to finally achieve independence, over a million people left the country. Gravedigger Garnik, stonecutter Arut, orthodox priest Tatul and little Varuzh, however do not intend to leave their homes. They spend their days in the giant cemetery in the town of Giumri, which had been almost completely destroyed by the earthquake. In scenes of lyrical images, renowned documentary filmmaker Alexander Gutman effectively explores the borders between a town that is both and alive and dead and between childhood and adulthood. The combination of black and white, color, and yellow-black footage intensifies this gradually emerging insight into the Armenian soul. 　　Frescoes was shot in a small Armenian city that was almost completely destroyed by an earthquake in 1988. Soon after that tragedy, Armenia gained independence. The earthquake destroyed one city, but built another: the city of the dead, the cemetery. The central figures of the film are a young boy, a priest, a gravedigger and two stonemasons, who spend their days at the cemetery. Contrary to what one would expect, this is not only a place of death. There are conversations about the big and small things in life; people drink and laugh; a birthday celebration is held. The boy’s baptism and a flock of white doves released at a wedding ceremony symbolise the optimism and vitality of this small community and, by extension, the whole of Armenia.

Edited screen tests of Parajanov's unfinished film. On the twentieth anniversary of the liberation of Kiev from the Nazis, a film director pays a stevedore to deliver a bunch of flowers to a general. By accident the director gives the wrong address and the stevedore delivers the flowers to a war widow who is currently working at an art museum.

It’s all the rage to evoke spectacular ‘immersive’ cinema today, but nothing matches the immersion effect of a Siegfried A. Fruhauf film. Agglomerating the textures of cave surfaces with the material traces of filmic processes, Cave Painting offers a trippy visual and sonic journey for the senses that evokes an avant-garde, grunge version of the psychedelia in Stanley Kubrick’s 2001: A Space Oydssey. Don’t blink, or you’ll miss something good. As always, Fruhauf conjures a new world. 　　源自：https://iffr.com/en/iffr/2023/films/cave-painting

该剧改编自马伯庸小说《洛阳》，讲述了武周时期一群出身不同阶层的人为调查洛阳悬案而发生的一系列故事。迹于洛阳底层的不良副帅高秉烛（黄轩 饰）阴差…

一部中国历史，上下数千年的沧桑岁月；一幅中国地图，纵横几万里的广袤疆域，究竟有哪座城市曾经牵动过中国历史的脉搏，究竟有哪一方水土曾经引领过华夏文明的风骚？这就是洛阳，天造地设的千年洛阳城。悠久的历史，厚重的文化、魅力的山水、优雅的民风，无一不是洛阳独有的气质和特色。 　　《天地洛阳》是名副其实的精品之作。它融思想性、艺术性、观赏性为一体，运用最新的高清数字影视的表达方式和表现手段，整合洛阳上下五千年最优秀的历史、文化资源，用影像还原河洛历史，用影像书写洛阳记忆，全景式地展现洛阳波澜壮阔的壮丽景象、多姿多彩的人文景观和高速发展的巨大活力，以强烈震撼的视听感染力和情感冲击力，向世界展现出一个拥有深厚历史文化传统、充满和谐魅力和发展活力的洛阳城市形象。 　　《天地洛阳》是名副其实的大手笔。该片在摄制过程创下四个第一：第一次用高清摄像机拍摄；第一次用携带高清摄像机的直升机航拍；第一次运用情景再现方式重现历史宏大场面；第一次运用三维动画制作手段。这也是我市迄今为止拍摄规模最大、摄制手段最新的全面梳理洛阳历史、全景展现发展变化、全新提炼城市内涵的“电视大片”。该片由省委常委、市委书记连维良，市长郭洪昌担任总顾问，中央电视台高级编辑、著名纪录片人刘文担任总编导。摄制组主创人员均为我国大型高清纪录片《再说长江》、《香港十年》创作团队的原班人马。 　　《天地洛阳》分为“天造洛阳”、“王者之地”、“丝路千年”、“白马东渐”、“根系河洛”、“山水龙门”、“依水而盛”、“国色天香”、“秀甲山川”、“再造洛阳”共10集，每集30分钟。

2017年6月，青岛市黄岛区张家楼镇土山屯村，一处汉代家族墓地正在发掘。编号为147的墓葬封土并不特殊也不突出，打开棺盖板，里面是满满一棺清水，水中金光灿灿，器物若隐若现……之后，金缕玉衣的替代品——玉席的发现，更是引发考古队员们的猜想。

2017年6月，青岛市黄岛区张家楼镇土山屯村，一处汉代家族墓地正在发掘。编号为147的墓葬封土并不特殊也不突出，打开棺盖板，里面是满满一棺清水，水中金光灿灿，器物若隐若现……之后，金缕玉衣的替代品——玉席的发现，更是引发考古队员们的猜想。

夏令營的生態也是好殘酷的！夢中情人不看他、高年級生霸凌他，連老師都懶得理他，男孩憂鬱但並不害怕，因為他知道在森林深處，某種未知的野性力量隨時準備做他的靠山……自己也玩音樂的導演請來獨立搖滾樂團Eels跨刀，為充滿奇趣幻想的男孩心事添上獨樹一格的配樂，交織出一首個性十足的影像短詩。

夏令營的生態也是好殘酷的！夢中情人不看他、高年級生霸凌他，連老師都懶得理他，男孩憂鬱但並不害怕，因為他知道在森林深處，某種未知的野性力量隨時準備做他的靠山……自己也玩音樂的導演請來獨立搖滾樂團Eels跨刀，為充滿奇趣幻想的男孩心事添上獨樹一格的配樂，交織出一首個性十足的影像短詩。

元朝末年。清明之日，世袭洛阳侯耶律寿应邀到尼庵，饮酒作乐。他的妹妹耶律含嫣因不堪深闺寂寞，携带丫环暗自出府，到郊外踏青游春。在洛阳桥畔，恰遇猎人花云一箭双雕。她见花云英俊健壮、箭法高强，遂生爱慕之情。耶律寿回府途中，遇到民妇采桑女，见她窈窕貌美，顿生邪念。于是，他依仗权势，勾结官府，把采桑女之夫杖死公堂，并逼她为妾。采桑女悲愤难忍，欲投河自尽，被花云母子及郭广卿所救。耶律寿的暴行，激怒了花云母子及郭广卿，他们决心联合穷苦乡里，向侯府报仇。耶律夫人和含嫣得知采桑女之事，严厉斥责了耶律寿。但刁恶成性的耶律寿仍一意孤行，并以蒙汉不同族、贫富悬殊为借口，断然拒绝含嫣与花云结婚的要求。含嫣心中忿忿不平，不顾族规家法，再次暗自出府，重到洛阳桥寻找花云，终于见到了日夜思念的心上人。当花云得知她是侯府千金时，竟扬长而去。含嫣悲痛不已，既恨自己的出身，更恨兄长的胡作非为，加上她受到耶律寿的锁禁，便悒郁成疾。花母以卖野味为名进侯府探查，趁机与含嫣定计，让花云伺机混入府中相见，含嫣欣喜万分，一心等待花云的到来。耶律寿纳妾之日，郭广卿、花母等众乡邻化装成送亲的人，混进府内。这时，耶律寿已烂醉如泥，新人被安置在含嫣房中。含嫣正因不见花云到来而忧伤，见采桑女蒙头默坐，不禁对她更加怜悯，决定将她放走。没想到，蒙在盖头之下的竟是她朝思幕想的恋人花云。当他俩互诉衷情时，耶律寿酒醒找来，被花云和众乡亲捉住，得到了应有的制裁。含嫣与花云如愿以偿，结为终生伴侣。