当难民萨尔玛获得居留许可时，她发现她和她儿子没有了国籍。于是，萨尔玛为了他们失去的国籍能够重新获得承认而努力坚持。 　　When Salma, a refugee, gets her residence permit, she discovers that the authorities have withdrawn her nationality and that of her son. Salma then fights for the recognition of their lost nationality.

当难民萨尔玛获得居留许可时，她发现她和她儿子没有了国籍。于是，萨尔玛为了他们失去的国籍能够重新获得承认而努力坚持。 　　When Salma, a refugee, gets her residence permit, she discovers that the authorities have withdrawn her nationality and that of her son. Salma then fights for the recognition of their lost nationality.

A ritual in the form of a film essay that explores, through collage, the feeling of displacement when migrating in early childhood, as an initial configuration of detachment from territory, family environment, and the body, while seeking to recover the origin as a symbolic center.

A ritual in the form of a film essay that explores, through collage, the feeling of displacement when migrating in early childhood, as an initial configuration of detachment from territory, family environment, and the body, while seeking to recover the origin as a symbolic center.

《失所于时》追溯一个伊朗家庭流散于数十载光阴与不同大洲间的故事。家，成了一段支离破碎的记忆，遥远却可触。在日童年的Hi8录像，借由屏幕共度的诺鲁孜节（Nowruz），以及对已不复存在的旧室之梦，共同拼贴出一幅离散生活的私密图景。影片的核心是导演母亲的歌声——她那在伊朗被禁止的歌唱，在此成为一种抵抗之举。她的歌声如一缕游丝萦绕于影像之间，串联往昔与当下，系缚可见与未见。 　　此片最终叩问：离散所重塑的，不仅是我们的容身之地，更是我们栖居于时间的方式——唯有在影像那脆弱的疆界里，我们才得以真正重逢。

Across the European Union, access to abortion, IVF and assisted dying varies drastically from country to country. Terminations are illegal in Malta, while nations like Italy protect a woman’s right to choose. If an Italian woman wants an IVF procedure, however, she must go abroad to countries like Greece. To circumvent these border restrictions, European residents are increasingly turning to medical tourism as a solution. While logistically practical, this personal travel can make for extremely vulnerable experiences. In this bold experiment, cameras accompany those seeking prohibited treatments from the start of their journeys, and the equally dedicated opponents they meet en route. Real women, performance artists and activists from both sides of the moral divides are given voice and space in this daring social critique. As controversial as it is timely, Stray Bodies demonstrates just how arbitrary bodily autonomy can be.

Across the European Union, access to abortion, IVF and assisted dying varies drastically from country to country. Terminations are illegal in Malta, while nations like Italy protect a woman’s right to choose. If an Italian woman wants an IVF procedure, however, she must go abroad to countries like Greece. To circumvent these border restrictions, European residents are increasingly turning to medical tourism as a solution. While logistically practical, this personal travel can make for extremely vulnerable experiences. In this bold experiment, cameras accompany those seeking prohibited treatments from the start of their journeys, and the equally dedicated opponents they meet en route. Real women, performance artists and activists from both sides of the moral divides are given voice and space in this daring social critique. As controversial as it is timely, Stray Bodies demonstrates just how arbitrary bodily autonomy can be.

苏晚凝是一个被困在系统世界中的玩家，她的任务是“与所爱之人永不分离”，失败则将面临死亡。她的丈夫顾砚深执意要与她离婚，以便与白月光学妹林微月“假结婚”。苏晚凝在调查任务失败原因的过程中，发现自己曾为救顾砚深而伤残毁容，却反被指责道德绑架。系统提示她可通过极端手段挽回婚姻，但她拒绝伤害他人。 在一次车祸中，苏晚凝为救母亲周凤华受伤，却因系统规则暂保性命。她发现林微月竟是车祸真凶，并目睹顾顾深变心。绝望之下，她计划让顾砚深亲手“害死”自己，使其终生愧疚。然而意外失忆让她记忆退回七年前，她借此扮柔弱、博取顾砚深内疚，并暗中收集林微月罪证。

30世紀の未来、人類は太陽系全体に居住圏を広げ、植民惑星は50以上を数えていた。 　　大規模な戦争などは収まったものの、ブラディ・シンジケートをはじめとする巨大な犯罪組織が暗躍、表面的な繁栄と爛熟、堕落と腐敗の時代を迎えていた。 　　2911年7月8日、主人公のI・C・ブルースは、アステロイドのカジノ星・J9ランドで犯罪シンジケートの大ボス、ブラディ・ゴッドと出会い、新太陽系の主要惑星50個を1年以内で全て踏破できるかという、世紀の大勝負をすることになる。 　　ブルースとその仲間たちは、800年前の伝説的英雄・コズモレンジャーJ9にあやかってJJ9（ダブルジェイナイン）を名乗り、シンジケートの妨害と戦いながら、蒸気機関車型自家用宇宙トレイン・J9-III号を駆って賭けに挑む。

梁幼歆出车祸住院，为逗男友陆遇，想看男友着急关心自己的样子，故意装失忆，却不曾想到陆遇竟然会选自己最好的闺蜜陈月盈为女友，而将自己毫不留情地推给他的好兄弟秦晏洲。