This stylish chronicle of Morocco’s 1970s revolutionary cinema reconstitutes a vital history nearly lost to the forces of censorship and repression. Through film and newsreel fragments and a jaunty mix of printed matter, Ali Essafi recovers the impassioned output of a generation whose postcolonial flourishing was extinguished by the authoritarian crackdown of King Hassan II. Filmmaker Mostafa Derkaoui, an ongoing subject of Essafi’s research-based practice, appears in a raspy narration, joining a jazz score hip to the era’s transnational liberation movements. Shown in excerpts, Derkaoui’s legendary feature About Some Meaningless Events was created in a moment of buoyant experimentation cut bitterly short, resulting in the director being imprisoned for 11 years. That Essafi’s collective portrait can be seen alongside the earlier film’s recent restoration (and this year’s posthumous publication of Ahmed Bouanani’s landmark historiography of Moroccan cinema) highlights the tenacity of a cultural heritage across generations.

This stylish chronicle of Morocco’s 1970s revolutionary cinema reconstitutes a vital history nearly lost to the forces of censorship and repression. Through film and newsreel fragments and a jaunty mix of printed matter, Ali Essafi recovers the impassioned output of a generation whose postcolonial flourishing was extinguished by the authoritarian crackdown of King Hassan II. Filmmaker Mostafa Derkaoui, an ongoing subject of Essafi’s research-based practice, appears in a raspy narration, joining a jazz score hip to the era’s transnational liberation movements. Shown in excerpts, Derkaoui’s legendary feature About Some Meaningless Events was created in a moment of buoyant experimentation cut bitterly short, resulting in the director being imprisoned for 11 years. That Essafi’s collective portrait can be seen alongside the earlier film’s recent restoration (and this year’s posthumous publication of Ahmed Bouanani’s landmark historiography of Moroccan cinema) highlights the tenacity of a cultural heritage across generations.

在一个被世俗喧嚣遗忘的小山村，从刑警队退休的空巢老人刘铭建和留守少年小鑫被卷入一起命案，历经生死磨难，终成忘年之交。这段没有血缘关系的“父子情…

农村寡妇周秀琴含辛茹苦将女儿苏曼妮养大，却被成婚后的女儿女婿以农村人丢脸为由赶出家门。流落回乡途中，她救下昏迷失忆的陈德正，两人相依为命靠卖野菜度日。六年后，陈德正为护周秀琴重伤入院，查出肾衰竭命悬一线。周秀琴默默捐肾救活恩人，陈德正苏醒后得知真相后感动不已，决定要给周秀琴幸福，于是将周秀琴接回豪门。

为了寻找消失的声音来到故乡的秀妍，和好久没见的京敏见面聊天，发现彼此有着不同的记忆。

为了寻找消失的声音来到故乡的秀妍，和好久没见的京敏见面聊天，发现彼此有着不同的记忆。

【影片简介】 　　撩起帷幔 　　透过这隐秘的庸常 　　望到正在消逝的熙攘 　　记起了 互为彼此的延伸 　　这邂逅如此短暂 　　犹如翻转镜片中的倒影 　　稍一停顿 　　皆成记忆 　　时光穿越生命中的不同空间——居所内外的世界、北方与南方……影片尝试以个人的方式，反刍对时间和生命的感悟，踏上一次记忆的旅途。 　　【作者阐述】 　　表达和交流可以在作品中尽兴地完成，多好啊。 　　曾以为自己是那个套上铁链舞蹈的人，因为选择了纪录片。如今，在这同样宽广的领域里旅行，不只为边境的探索或穿越。种种欣喜与领悟，因他人而丰厚了。 　　【作者简历】 　　沙青：1965年生于北京，纪录电影作者。2001年拍摄第一部纪录片。现居于云南。 　　【作品年表】 　　在一起的时光（2001） 　　消逝的倒影（2011）

家里最近面对的一件事是买一套房，孩子想给父母换一个生活环境，他们或许会离开生活了大半辈子的这个城南老旧的居民区，这一家人最终是否会搬离南城，似乎是在等待生活和时间给出一个结局。