From http://theculturalgutter.com/movies/kamikaze_hearts_of_gutter_punk_lesbians.html 　　Robin Bougie is the creator of Cinema Sewer magazine. 　　Kamikaze Hearts of Gutter Punk Lesbians 　　by Robin Bougie 　　Make-believe, addiction, despair, two-bit sleaze and two-bit dreams.During the 揝haron Mitchell film festival?held at the Coolidge Corner Theater in Boston on June 6th 2000, the legendary porn queen showed clips from her XXX films spanning her 3 decades long career and provided a running commentary for the audience. Sharon held the crowd in rapt attention while she revealed the title from which each clip was taken, the director and, when she remembered, anecdotes about the cast and what drug she was on at the time the footage was shot. It was usually heroin or marijuana, and in some cases, both. One such example was the ultra-rare documentary KAMIKAZE HEARTS, which also depicted Mitchell ?then addicted ?passionately defending drug use. 　　揔amikaze Hearts? wrote the L.A. Weekly of the now-forgotten film back in 1986, 揹rags you to a certain place ?the world of lesbian-junkie porn stars ?and keeps you there for 80 minutes. If you抮e excited by that place, or even if you find that place disturbing, you抣l like this film because it抯 so relentlessly inside the world of naked bodies, make-believe, addiction, despair, two-bit sleaze and two-bit dreams.? 　　It抯 a documentary, but director Julie Bashore抯 film is harder to peg than simply that. This one-of-a-kind 16mm porn industry time capsule shifts nearly unnoticed between the real and unreal, as Mitchell and company become actors portraying themselves in reenactments of scenes leading up to and following the footage a documentary camera crew captured while behind the scenes of a cum-coated mid 80抯 porn film. 　　And when I say 慴ehind-the-scenes? I mean it. Usually unseen crew members are brought out into the open as they capture the performers either fucking one another or waiting around to get the chance to do so. Look, there抯 a young Marian Wilde holding the boom. She would later go on to be foley editor on dozens of Hollywood films such as THE PHANTOM MENACE and RAIN MAN. Sitting on the sidelines watching drug-addled Sharon flop on the carpet and contort herself into a nearly nude ball and go 揘yha nyha nyha?is still photographer Vincent Fronczek. Listen very carefully in an early scene, and hear small fry fuck-actress Jennifer Blowdryer having a background conversation where she unwittingly admits that she started in porn when she was only 17, and falsified age documents in order to work. 　　When the film premiered (and won the 揃est Feature Film?at the Torino Intl Gay and lesbian film fest) The Chicago Reader抯 Johnathan Rosenbaum called it 揂lternately distressing, instructive, contestable, and fascinating? and he抯 totally right. Mitchell comes off as seasoned and cynical, while also talks of being a shame-free exhibitionistic personality in front of the camera and otherwise. Her lover and co-star in KAMIKAZE HEARTS is Tigr (pronounced 揟igger? Mennett, production assistant and porn actress who was featured in roughly forty 70抯 and 80抯 pud-pullers of her own. Her career ended right about the time this film came out in 1986, but look for her in ball-drainers such as DR. BIZARRO, 8 TO 5 (as Chelsea McCleane), and MATINEE IDOL (as Chealsea Manchester). The unusual blend of reality and fiction she and Mitchel bring to KAMIKAZE HEARTS tastes like skid row while laying bare the stormy gutter-punk relationship between the two women. 　　揥hen I first met her I thought she was sleazy?Tigr tells the audience of Mitchell, (whom everyone calls 慚itch?for short) 揝he needed to make a living, she was fucking on camera - I thought she was just another dumb porno slut. But I was wrong.? 　　Filmed on location in San Francisco, the notorious original home of the XXX film industry, the two scrounge around in a semen-soaked seedy world colored by strip joint punch-outs, after party arguments, kinky sex, and egotistical sleaze-ball directors. These two are thrillingly unapologetic about the fact that they use heroin as a shield while traversing through this gritty 24 hour party lifestyle, and the camera is there to catch what it can, and reenact what it can抰. 　　揟he camera抯 presence?wrote Rosenbaum, 揾as a shifting role in the film, moving from seemingly impartial witness of certain events to stimulus and catalyst for certain others, and this tends to confuse and change one抯 relationship to both the film and its characters.? 　　Mitchell initially introduced Tigr to intravenous drugs years previous to the filming of KAMIKAZE HEARTS, and in one of the final scenes in the film, the two lie on a bed and hit up while on camera. Mitchell brings the point home with the kind of wisdom only found in junkie babble. 揟his is the truth.?she says as she stares into the camera after pulling the needle out of her arm, 揧ou got what you want. You did not have to put it in. You could give it to me. I抣l put it in my movie. There is no legitimate or illegitimate anything. No one dragged you into anything. This [she holds up a needle] was my dick and I fucked her with my dick. And I waited for this relationship to mature. This is a movie within a movie within a movie. This is timeless.?

Elaine is a young woman who lives in a skyscraper in a megacity. Suffering from depression and anxiety, she hasn't gone out of her room for months. One day, the thundering sound of water falling outside her window wakes her up. Outside her window is a window cleaner with soap in his eye. He needs a tissue to wipe his eye, and Elaine is the only person who can help. But that would require her to open the window and reach out. With a full anxiety flare-up, Elaine retreats behind curtains to shut him out and keep herself "safe." She tries ignoring him, but he doesn't go away. Eventually, she decides to gather up little courage to open the window. She hands the window cleaner a tissue and relieves him from pain. But it's not the window cleaner's gratitude that surprises Elaine. She realizes she opened the window by herself. It's spring outside, and things are alive and moving. The breeze wakes her up from a long slumber. She smiles for the first time because she sees the window is clear like her mind. She can finally rip the old pages from her calendar and catch up on the life she had been missing.

该剧将镜头对准中国一个极为普通的农民工家庭，讲述了一个重情重义的好男人吴天河和两个女人——前妻张玉枝、妻子杨海妹之间的情感历程，以及发生在吴天河与杨海妹身边的商战故事。

老太太的意外受伤住院，竟然引发了家庭内部的一场小台风：一向孝顺的大儿媳妇阿珍被家人误会蒙冤，和大儿子阿强在这个时候闹起了离婚。想要攒钱买房走火入魔了的小儿媳妇阿花和儿子阿勇偷了老太太的棺材本。女儿小红虽然孝顺但是做事冲动只知道火上浇油，无意中挑起了好多争端……随着一出出家庭闹剧展开，这个家还能安稳长久吗？

影片《童心无归处》讲述了世界上最轰动的一起谋杀案——美国六岁选美小皇后琼贝妮特·拉姆齐的死亡之谜。该案经过长达二十年的不休争议，屡次登上《时代》周刊和《人物》杂志封面，各大新闻媒体不断猜测凶手究竟是谁，而公众对其亲生父母及其学校一位男老师可能是凶手的指责更是甚嚣尘上。 　　影片《童心无归处》在纪实和非纪实之间游走，向观众呈现了一种非常奇特的电影风格，再现了小明星难解的死亡之谜。

故事发生在南方某座城市。吴天河和秦永昌是建筑公司的卡车司机，秦永昌不幸坠崖身亡，留下5岁遗孤秦阳，被吴天河领养。公司老板送来5千块抚养费，被队长余全偷走。吴天河没有带回钱，因担心老婆张玉枝养活不了4个孩子，将小女儿吴雪带走。秦阳改名为吴阳……

清风村宋家长媳生产那日，曾有一名云游道士路过产房，并且断言，宋家双生子中将会有一名福星，双生子哥哥诞生后村中传来噩耗田地里面颗粒无收，而弟弟诞生后十年未曾下雨的清风乡终于迎来甘霖，宋家人断定弟弟是福星。五年过去，哥哥宋安安在宋家饱受虐待，而福星弟弟宋天赐却被宋家人捧在掌心，宋家人这五年来生意越做越红火，即将搬离清风村，村中人都传宋安安是灾星，为了不被宋安安身上的霉运沾染，宋家人将年仅五岁的安安一个人丢在乡下老宅。托付邻居照顾。五岁的安安在村子里备受嫌弃，邻居昧下了宋家每月打过来的抚养费，任由安安一个人自生自灭，只有村中一个美貌且嘴毒的寡妇周艳芳愿意对他施以援手......

讲述了毫无灵力却元气满满的废柴女路卿卿与表面纨绔却睿智暖心的傲娇王爷南宫一昕的故事。

废柴小姐路卿卿遇上纨绔傲娇王爷南宫一昕，废柴女主PK大神男主，毫无灵力的菜鸟与至高无上的皇族打破屏障相恋。一个机灵且活泼，一个傲娇却暖心，两个截然不同的频道产生交集，最终凭真爱逆袭的新古风励志甜宠故事。

电影灵感源自中国冬奥金牌零的突破，讲述冬奥健儿拼搏进取、为国争光的故事。1980年中国代表团开始参加冬奥会，屡次与金牌失之交臂，失败与不甘像针一样狠狠刺痛中国人的心。为实现零的突破，秦杉组建以杨帆为代表的中国短道速滑国家队，临危受命立志一雪前耻。两人向金牌发起冲击，师徒关系也面临着激烈的碰撞和重重考验……