《艺术的游戏》在常规明星音乐竞演选秀基础上，融入股市投资概念，选手将自己的音乐才华作为资产，评委及观众以股民身份对选手进行股票交易，以此具象化歌手的音乐价值，增强形式感。 　　节目由演员电视人李尚烨担任主持人，Gary、JAY B、赵正治、梁耀燮等八位歌手作为股民代表参与到竞演点评、股票交易过程中。首期节目，48位参赛选手进行第一轮竞演。第一轮竞演，由八位股民代表各自的投资金额确定选手入市股价。竞演开始，首先，通过播放选手自创短视频的方式，介绍选手登场，随后带来他们各自的首演。八位股民代表每人有3枚金币，每枚金币代表500coin股票价格，股民代表根据选手表现给出自己认为合适的金币数，金币coin价值总和即为选手入市初始股价；若无人投票则选手入市初始股价定位10coin。在接下来的比赛中，大众可作为股民参与到这一特别的股市中，对48支股票进行股票交易，选手股价即会随着股民的买进卖出发生变化。最终，股票金额最高的选手成为本次比赛冠军，可获得1亿韩元现金奖励。

本系列片介绍了现代艺术的各个流派产生的历史背景、艺术特点及表现手法，并以大量精美的艺术作品和通俗易懂的语言，深入浅出地给观众上了一堂现代艺术欣赏课

《现代艺术大师》是英国广播公司BBC推出的一档电视系列节目，它由四部分组成，分别详细介绍了20世纪的四位重要的艺术大师：安迪·沃霍尔（Andy Warhol）、马蒂斯（Henri Matisse）、毕加索（Pablo Picasso）和达利（Salvador Dali）的工作与生活。在片中，镜头跟随主持人Alastair Sooke的脚步，走访了四位艺术家们生前的居所、艺廊及博物馆，甚至是他们最爱的餐厅等地，向观众展示了他们伟大的艺术贡献以及惊人的后世影响力。环顾四周，麦当娜的专辑封面、米菲兔的文具、甚至是你家的沙发和电话，也许就来源于这四位大师的创作……

本片将洛杉矶近年来如何建立城市艺术文化的进程纪录起来，内容则着重在发展迅速的佛若士画廊如何将洛杉矶原本并不活络的艺术活动，转变为可和世界其他艺术重镇可相比拟的盛况，并培育出如Ed Kienholz、Craig Kauffman、Wallace Berman等重要艺术家。

Monet is perhaps the most famous painter of gardens, but there were many artists who were inspired by cultivated nature including Van Gogh, Bonnard, Pissarro and Matisse.

一个落魄的贵族被迫和他的管家以及他的狗住在大篷车。

Diggin' in the Carts highlights the composers and influence of Japanese video game music

在这个名为地球的蓝色小星球上，其奇怪的居民生活和死亡只有一个主要原因：杀戮。结果，在人类令人厌恶的虚伪背后，死亡、毁灭、邪恶、致命的社会矛盾和道德荒谬都隐藏在众目睽睽之下；人类似乎与暴力有着千丝万缕的联系，陷入了血腥和战争的恶性循环。在两者之间，是无定形的无边无际的死时间虚空。

Manet is one of the main candidates for the title of the most important artist there has been. As the reluctant father of Impressionism, and the painter of Dejeuner sur l'herbe, he can probably be accused of inventing modern art. But his story is fascinating on many other levels. 　　As a piece of compelling biography, Manet's is the unlikely tale of the stubborn son of the most highly placed judge in France who decides to become an artist and embarrass his father. The resulting family tensions are the stuff of legend. His mother, by the way, was from a family that still supplies Sweden with its royalty. 　　Then there was Manet's dramatic private life, including exotic romantic affairs and a particularly horrible death when, riddled with syphilis and gangrene, Manet had to have his leg amputated. 　　But none of this would matter a jot were it not for the revolutionary art it provoked and coloured. Always cited as the father of the Impressionists, Manet stubbornly refused to show with them, and was careful to maintain an aesthetic distance from Monet, Renoir and the others. While they worshipped him, he looked down on them, preferring to continue his own remarkable departure from the traditional ways of art. The scandalous paintings with which he made his reputation - the outrageously sexy Olympia, the relentlessly paraphrased Dejeuner sur l'herbe - are the most totemic images in French 19th-century art. And the story of how Manet was rejected from the official salon, and ended up instigating the Salon des Refuses, can be understood as the epoch's key cultural event. 　　Using the life of Manet as his narrative arch, Waldemar Januszczak tells the story of a complex and difficult man who started a revolution that continues to rumble on today.