The events take place in a small Albanian village, around the 1930s. This isolated land, dominated by rituals and patriarchal relationships is the spirit that welcomes the newborn child of Abas. Servet, a co-villager, emigrant in the United States of America comes back in his homeland bringing a new vision and a new mentality, which serves as an inspiration for the 10 years old boy, Gjoleka, the son of Abas. Gjoleka founds himself in between of the ideas of his wild father, Abas and his godfather, Servet. Gjoleka symbolizes the young generation in the difficult realities that offer small and underdeveloped countries, where the outside world constitutes an irresistible attraction. The movie shows with a deep realism the human relationships, such as love, jalousie, hate, the impossibility to be integrated with another world, making this way a cruel autopsy of the weird society to which, "sometime" we belong.

The events take place in a small Albanian village, around the 1930s. This isolated land, dominated by rituals and patriarchal relationships is the spirit that welcomes the newborn child of Abas. Servet, a co-villager, emigrant in the United States of America comes back in his homeland bringing a new vision and a new mentality, which serves as an inspiration for the 10 years old boy, Gjoleka, the son of Abas. Gjoleka founds himself in between of the ideas of his wild father, Abas and his godfather, Servet. Gjoleka symbolizes the young generation in the difficult realities that offer small and underdeveloped countries, where the outside world constitutes an irresistible attraction. The movie shows with a deep realism the human relationships, such as love, jalousie, hate, the impossibility to be integrated with another world, making this way a cruel autopsy of the weird society to which, "sometime" we belong.

千堂真澄（松重丰 饰）是在高中里执教的老师，个性古板严肃的他和儿子胜喜（井之胁海饰）之间的关系非常的疏远，他甚至完全不知道胜喜整天都在忙些什么。一天，千堂意外的收到了胜喜出意外的消息，当他赶到医院时，等待着他的，是完全失去了意识，陷入了昏迷之中的儿子。 　　在这个节骨眼上，3个身穿偶像服装的可爱女孩忽然出现在千堂的面前，她们是还未出道的地下偶像组合，而她们的经纪人不是别人，正是胜喜。失去了胜喜，偶像团体面临着解散的危机，此时，被三位少女的活力所打动的千堂，决定接替儿子的工作，成为她们的制作人。

千堂真澄（松重丰 饰）是在高中里执教的老师，个性古板严肃的他和儿子胜喜（井之胁海饰）之间的关系非常的疏远，他甚至完全不知道胜喜整天都在忙些什么。一天，千堂意外的收到了胜喜出意外的消息，当他赶到医院时，等待着他的，是完全失去了意识，陷入了昏迷之中的儿子。 　　在这个节骨眼上，3个身穿偶像服装的可爱女孩忽然出现在千堂的面前，她们是还未出道的地下偶像组合，而她们的经纪人不是别人，正是胜喜。失去了胜喜，偶像团体面临着解散的危机，此时，被三位少女的活力所打动的千堂，决定接替儿子的工作，成为她们的制作人。

When Jihan was six years old, her father flew to Cairo and never returned. Mansur Rashid Kikhia was the Foreign Minister of Libya, ambassador to the United Nations, and a human rights lawyer. After serving in Qaddafi's increasingly brutal regime, he defected from the government and became a peaceful opposition leader. Kikhia was obsessively loyal to his country but ultimately, his determination to reason with Qaddafi led to his disappearance from a hotel in Egypt in 1993. 　　Jihan’s mother Baha Omary, a strong-willed Syrian-American artist, began searching for him, launching the family into an international political maze. Her mission to find justice brought her to the Libyan desert in the middle of the night, face to face with Qaddafi to negotiate her husband’s release. Yet it wasn’t until after the regime’s fall, 19 years later, that his body was found in a freezer near Qaddafi’s palace. 　　My Father and Qaddafi takes the audience on a raw and reflective journey as Jihan pieces together a father she barely remembers, while discovering the troubled history and politics of Libya. Her journey starts from fading personal memories, leading to encounters with family members, her father’s peers, and historical archive footage. 　　Hoping at first to uncover the truth, Jihan instead transforms the mystery into a curiosity that brings her closer to her father and her Libyan identity. She approaches politics not as a distant subject, but as a lived experience that penetrates into every human relationship - even between a little girl and her father. 　　Mansur Rashid Kikhia was the former foreign minister of Libya, ambassador to the United Nations, and a human rights lawyer. In 1980, he defected from the Libyan government and became the peaceful opposition leader to Qaddafi’s regime. In 2012, his body was found frozen and fully intact near Qaddafi’s palace. 　　For 19 years, Jihan and her family were living between two worlds: the political and the personal. While she and her siblings were busy memorizing dance routines and watching Disney movies at home, their mother, Baha Omary Kikhia, was navigating the often suspicious political agendas of the United States, Libya, and Egypt. Soon Baha, a Syrian-American artist, became an unexpected player in a dangerous political game with some of the most powerful political figures in the world. Her mission would eventually lead her to the Libyan Desert in the middle of the night, alone face to face with Qaddafi to negotiate her husband’s release. 　　"Searching for Kikhia" is navigated from Jihan’s perspective as she tries to understand the country that both created her father and killed him. She approaches politics not as a distant subject, but as a lived experience that penetrates deeply into every human relationship - even between a little girl and her father.

一对父子试图通过电影冻结时间。虽然父亲对自己最后的日子没有感情，但他的儿子与现实脱节，绝望地试图把父亲视为英雄。尽管在这个虚构的故事中，特拉维夫在火焰中被点燃，但父亲的现实世界并没有在一声巨响中结束，而是一声缓慢消失的呜咽。

一对父子试图通过电影冻结时间。虽然父亲对自己最后的日子没有感情，但他的儿子与现实脱节，绝望地试图把父亲视为英雄。尽管在这个虚构的故事中，特拉维夫在火焰中被点燃，但父亲的现实世界并没有在一声巨响中结束，而是一声缓慢消失的呜咽。

本节目从英国一个超级富豪家庭最年轻一代成员的视角，揭示这个家庭让人眼花缭乱的生活。德鲁伊特和巴洛一家，众所周知是英国第一个通过代理孕母育下子女的同性恋家庭。本纪录片讲述了他们一家的故事。这个家庭的子女坐拥大多数人做梦都想不到的财富。对这个家庭来说，为了举办16岁生日派对，豪掷3万英镑只是九牛一毛，而16岁最理想的生日礼物当然要是全新保时捷。我们看到，这个家庭的年轻一代尽管拥有一切，但仍想要更多。本片除了奢华炫目的镜头，还严肃地探讨了这些年轻人面对社交媒体毫不留情的质疑时，所承受的巨大压力。

父亲和母亲都已退休在家。寒暑假，大姐经常把她的孩子寄放在这里，父亲经常给他辅导课程。二姐没事儿就过来做些家务，照顾一下他们。哥哥海归，从美国回来，想在国内继续研究他的超导。三姐两次回家过年，她的美国价值观一直是家里津津乐道的话题。现实的做法改变不了60多平米的家和家里人的脾气。锅碗瓢盆，难免磕碰吵架。平时爹妈的高兴和烦心事，基本都是这下两代的工作学习和身体健康；还有，是我的婚姻。 　　大姐家的孩子上大学了；二姐家的孩子也要上大学了；哥哥去美国又回国了；三姐年休假回家吵了一架又回去工作；俺爹的脾气越来越大，俺娘也出现了老年经常出现的古怪现象…… 　　作者阐述： 　　每个家庭都有自己家庭的相册。不管是黑白，还是彩色，照片上，都露出假笑。 　　我用摄像机拍下来后，发现它不像纪录片，更不像艺术电影。 　　很长时间，家庭这个词一直是我脑袋里的阴影。 　　我看到的电影的诗意，在我的家里哪里去了呢？ 　　那些申明大义和绝对的电影也许对我和我的家从来就不适合。 　　我仍拒绝导演和剪辑出那种电视剧男女主人公般的真理。 　　我真的想研究一下我家为什么那么与众不同。 　　拿起您的摄像机，给自己的轨迹留下影子。 　　面对自己，所有人都可以放弃甚至全部身外的的功利 　　——当我们曾经或经常面对“独立”一词。” 　　胡新宇，1969年出生，独立制作人，太原师范学院音乐系讲师。作品《男人》，2004年入选新加坡国际电影节，获阿姆斯特丹影子电影节“柯达奖”提名，获云之南纪录影像展“幻面奖”。

オレは約1年ぶりに京都の実家に帰ってきた。大学は出たが、子供の頃から好きだった映画の世界に進みたいと思いながら、フリーター生活を送っている。 　　母は中学生の頃、父は3年前に亡くなった。父は男手一つで子供たちを必死で育てた。父が残した家を姉が守ってくれていたのだが、結婚が決まり、更に夫の海外出張が決まったため、姉はこの家を売ろうと思うと告げた。オレは父の遺品から「思いでの記」と題されたノートを見つけた。そこにはオヤジの恋の思い出が記されていた。 　　23歳の父。若い頃から映画が大好きな父は、 ある日映画館で勇さんという年長の男性に体を触られる。慌てて映画館を出てきた父を追いかけてきた勇さんと出会い、初めて男性との接触を体験した。その後、父は勇さんを誘って歩く中、手を繋ごうとするが、勇さんは周囲の目を気にしそれを跳ね除ける。父の恋は儚く散った。 　　それから父は行きずりの恋を繰り返した。そんな時、ゲイバーで知り合った戸田と映画の話で盛り上がり、ホテルへ行った。彼の変態的なセックスが父には新鮮だったが、彼は既婚者だったのでうしろめたさを感じた。戸田との関係を続けながらも、彼にとって父は単なるセフレにすぎず、やがて二人は別れた。父はオレの母と結婚し…。