Synopsis 　　One of the few partisan units left in Mt. Jiri after the signing of the Armistice, the unit led by a captain nicknamed "Agari" (meaning "mouth" in Korean) commits all manner of atrocities. Cheol-su(Kim Jin-kyu), who has started to grow disillusioned with the communist ideology, is troubled by the romantic feelings professed by an ideologically devout and cool-headed female comrade named Ae-ran (Lee Ye-chun). One day, another female partisan soldier named So-ju, who had been transferred to another unit, finds her way back to Piagol with a bullet wound in her shoulder. Man-su (Heo Jang-kang) rapes the injured So-ju, who dies under his assault. In order to cover up his crime, he murders his fellow soldiers, frames Dal-su for the rape, and kills him. Once the extermination of guerillas in Mt. Jiri begins, all the partisan soldiers face imminent death. Disgusted by partisan life, Ae-ran and Cheol-su discuss defection, but are discovered in the act by Agari. Cheol-su and Agari get into a fight, and Cheol-su is killed. In the end, Ae-ran kills Agari and descends the mountain alone. 　　Notes 　　"The first movie to be banned for violating the Anti-Communist Act, due to its humane portrayal of North Korean partisan soldiers." 　　Piagol, which served as the cinematic model for anti-communist humanism, depicts each of its characters, either in main or supporting roles, with vital detail. What makes Piagol at once unique and problematic as an anti-communist film is the fact that no South Korean soldier or police officer ever makes an appearance; it only features North Korean partisan soldiers. Unlike the guerilla fighters in newspapers and documentary films, who were portrayed as anonymous villains and cold-blooded killers, Piagolendowed partisan soldiers with distinctive personalities, and each unique character encounters human conflicts caused by his or her desires. The media and the government banned the film from being screened on the charge of violating the Anti-Communist Act, censuring its excessively "realistic" and human depiction of North Korean soldiers. (Critic Lee Young-il, author of The History of Korean Cinema [Hanguk yeonghwa jeonsa], cited this very fact as his basis for dubbing this film as an example of realistic anti-communist humanism and praising its artistic achievement.) Because the audience at the time held only vague ideas about the difference between dramatic films and documentary filmsi.e. between fiction and factand because anti-communism was deemed more than a simple ideology but a matter of survival, Piagol's realistic depictions might well have been considered threatening. 　　Indeed, one of the most prominent characters in the film, partisan leader Agari (Lee Ye-chun), is a good case in point. Although he is portrayed as a brutal villain throughout, a nightmare sequence conveyed through an intricate montage sequence endows him with internal conflict and feelings of guilt regarding his own cruelty and violence. Further, the expression of his obsessive devotion to ideology, which he is unable to abandon even at the end, elicits a measure of sympathy from the audience. Most of all, the character of Ae-ran (No Kyeong-hee), a capable and decisive female leader who shows rigorous dedication to the communist cause until the latter half of the movie, is represented in a considerably attractive light. Honest about her feelings and desires, and more capable than anyone else, Ae-ran exemplifies the image of an active woman even from our contemporary perspective. 　　Afterword: 　　- Piagol's initial screening license was revoked because of an anti-communist controversy, but the film received permission to re-screen thereafter. 　　- As shooting took place in Mt. Jiri soon after the Armistice was signed, when remnants of partisan bands were still hiding out on the mountain, the staff and cast testified to having actually felt a sense of danger during filming.

春秋年间，淹城城主伯淹(丁勇岱 饰)向郑王寻求治国之道却一直没有回音。突然一位名叫公孙宇(程皓枫饰)的年轻人自称是郑国王孙出现在了淹城。公孙宇在淹城边境的桑树墩识破罗敷(舒畅饰)就是淹城公主的身份，并在吴越两国挑衅桑树墩的事件中，机智的救回了公主，巩固了自己在淹城的地位。但是公孙宇只是越国大夫范蠡“兴淹治吴”策略的一步妙棋。真正的王孙，已经带着郑王给伯淹的回信葬身山谷了。 　　在桑树墩的几次劫难中，贺子丹(王泊文饰)与罗敷共患难并意外的获得了郑王的回信。为了给家嫂治病，心比天高的贺子丹不得已卖身为奴成为公孙宇的家仆。二人为了罗敷几经较量之后，公孙宇的身份被识破，只得被迫离开淹城。而误打误撞献上郑王遗信的贺子丹却被伯淹委派监督双河双城的工程。 　　此时淹城正腹背受敌：内臣谋逆，吴越楚三国虎视眈眈。楚王被伯淹的寿礼激怒，越国勾践为了剥夺石买的兵权逼他攻打淹城。公孙宇、贺子丹两人只好分头行事，各自以自己的才能化解了淹城的危机。 　　淹城的三河三城的水利结构的完工与三国贸易边境市集的地位的建立使淹城赢得了短暂的祥和。三河三城的庆典之上，春秋的诸位贤人都来到了淹城，罗敷与伯淹都希望能够通过贸易的方式，使淹城在吴越楚三国争雄的局面中获得中立，并得以保全。 　　吴越之战，吴王阖闾败走淹城被罗敷所救，却又被贺子丹所伤终于伤重不治。吴越两国视同水火。越国遭遇饥荒，范蠡来淹城贩粮意外遇到公孙宇。公孙宇念及旧情倾囊相借。殊不知却酿下大祸。 　　始料未及的是淹城在丰收年间出现蝗灾，由于贺子丹征用劳动力大兴军备使得抢收无望。淹城颗粒无收之际却发现公孙宇的粮仓空空如也。公孙宇成为千夫所指，最后一线希望只能是前往越国催粮。谁料范蠡与越王背信弃义不肯还粮。伯淹万般无奈只得掘开老夫人的墓葬，将殉葬的宝玉取出，用以向楚王换粮以解救淹城的燃眉之急。 　　仗势相欺的楚王想借此机会夺取淹城，扣压了伯淹。吴越两国此时也趁势起兵。三军压境眼看淹城将毁于一旦。贺子丹兴建的军备在强敌面前不堪一击自己也战死杀场。最后罗敷献出了自己年轻的生命，在乱世春秋保全了这座千年古城。 　　公元2003年，春秋遗址——淹城所在地江苏省常州市武进区政府向联合国科教文组织审报，淹城遗址为世界文化遗产。

春秋年间，淹城城主伯淹(丁勇岱 饰)向郑王寻求治国之道却一直没有回音。突然一位名叫公孙宇(程皓枫饰)的年轻人自称是郑国王孙出现在了淹城。公孙宇在淹城边境的桑树墩识破罗敷(舒畅饰)就是淹城公主的身份，并在吴越两国挑衅桑树墩的事件中，机智的救回了公主，巩固了自己在淹城的地位。但是公孙宇只是越国大夫范蠡“兴淹治吴”策略的一步妙棋。真正的王孙，已经带着郑王给伯淹的回信葬身山谷了。 　　在桑树墩的几次劫难中，贺子丹(王泊文饰)与罗敷共患难并意外的获得了郑王的回信。为了给家嫂治病，心比天高的贺子丹不得已卖身为奴成为公孙宇的家仆。二人为了罗敷几经较量之后，公孙宇的身份被识破，只得被迫离开淹城。而误打误撞献上郑王遗信的贺子丹却被伯淹委派监督双河双城的工程。 　　此时淹城正腹背受敌：内臣谋逆，吴越楚三国虎视眈眈。楚王被伯淹的寿礼激怒，越国勾践为了剥夺石买的兵权逼他攻打淹城。公孙宇、贺子丹两人只好分头行事，各自以自己的才能化解了淹城的危机。 　　淹城的三河三城的水利结构的完工与三国贸易边境市集的地位的建立使淹城赢得了短暂的祥和。三河三城的庆典之上，春秋的诸位贤人都来到了淹城，罗敷与伯淹都希望能够通过贸易的方式，使淹城在吴越楚三国争雄的局面中获得中立，并得以保全。 　　吴越之战，吴王阖闾败走淹城被罗敷所救，却又被贺子丹所伤终于伤重不治。吴越两国视同水火。越国遭遇饥荒，范蠡来淹城贩粮意外遇到公孙宇。公孙宇念及旧情倾囊相借。殊不知却酿下大祸。 　　始料未及的是淹城在丰收年间出现蝗灾，由于贺子丹征用劳动力大兴军备使得抢收无望。淹城颗粒无收之际却发现公孙宇的粮仓空空如也。公孙宇成为千夫所指，最后一线希望只能是前往越国催粮。谁料范蠡与越王背信弃义不肯还粮。伯淹万般无奈只得掘开老夫人的墓葬，将殉葬的宝玉取出，用以向楚王换粮以解救淹城的燃眉之急。 　　仗势相欺的楚王想借此机会夺取淹城，扣压了伯淹。吴越两国此时也趁势起兵。三军压境眼看淹城将毁于一旦。贺子丹兴建的军备在强敌面前不堪一击自己也战死杀场。最后罗敷献出了自己年轻的生命，在乱世春秋保全了这座千年古城。 　　公元2003年，春秋遗址——淹城所在地江苏省常州市武进区政府向联合国科教文组织审报，淹城遗址为世界文化遗产。

仙界，神仙与人类所居住的那个世界迎来了毁灭的危机。掌握改变世界关键的正是寻找着凶神・四凶的歌士一叶与其使役神滇红。两人隐瞒着各自的目的寻找着四凶。倍受束缚的家族与其失去的过去，为了取回重要之物，一叶与滇红将走遍世界。以长年广受阅读的高山忍的人气漫画为题材所改编，描写歌士一叶与其使役神滇红的战斗的奇幻动作片！倍受束缚的家族与其失去的过去。为了取回重要之物，歌士一叶与其使役神滇红的战斗即将展开！

曾经有这四位凶神与八百万神灵的国家[实际是中国]，被封印在四方的山中的四凶神中的两神逃走后，八百万神灵也离开奔向世界各处。自此这个国度就被伟人们守护着。这个没有了神话的国度为了找回奔向各地的八百万神灵设立了一种职业——歌士官。主人公，一叶，正是这其中的一员。

曾经有这四位凶神与八百万神灵的国家[实际是中国]，被封印在四方的山中的四凶神中的两神逃走后，八百万神灵也离开奔向世界各处。自此这个国度就被伟人们守护着。这个没有了神话的国度为了找回奔向各地的八百万神灵设立了一种职业——歌士官。主人公，一叶，正是这其中的一员。

1979年10月26日，时任韩国总统的朴正熙被自己的亲信射杀，局势顿时波谲云诡。为调查此事，陆军保安司令官全斗光（黄政民 饰）被任命为联合调查总部部长，而这个天生反骨的男人趁机扩大自己的势力，拉帮结伙，培植亲信，狼子野心昭然若揭。为了牵制全斗光，参谋总长任命将军李泰信（郑雨盛 饰）担任首都警备司令官，以防肘腋之变。与此同时，全斗光感受到来自总长的威胁，于是纠集亲信密谋逮捕总长，试图先下手为强。谁曾想全的人马急于求成，在未能逼迫代总统签署逮捕令之前便展开行动。成王败寇，一旦失败就会成为韩国的叛国者。一不做二不休的全斗光索性揭竿而起。 　　而孤军奋战的李泰信，将秉承最朴素的信念与叛军展开对抗……

影片聚焦1979年12月12日在首尔爆发的军事叛乱：在朴正熙被遇刺后，大韩民国陆军少将全斗焕发动了一场军事政变，从而结束了第四共和国并开启第五共和国。这也是世界历史上持续时间最长的政变，史称双十二政变。

这个故事描述了1941年纳粹践踏波兰期间，一个犹太裔家庭避难到村庄并发生的一段错综复杂的爱情故事。凯雅（克莱儿·希金斯 Clare Higgins 饰）是一位犹太裔的大提琴家，她和丈夫亚达（约瑟夫·费因斯 Joseph Fiennes 饰）及他们的女儿在面对纳粹迫害时被迫逃离城市，寻找避难之地。在村庄中，他们得到了杂货店女主人艾美娜的帮助和庇护。为了保护他们的身份，亚达被要求冒充艾美娜的丈夫，而凯雅和女儿则躲藏在阁楼上。 　　在这段逆境中，亚达与艾美娜之间产生了情感上的联系和吸引力。然而，凯雅作为观察者，只能默默忍受这个错综情感三角关系。外面是战乱残酷的世界，而内部则是充满了灵魂的交战。在这艰难的时刻，这个三角错爱是否成为了患难中真情的展现，抑或是死亡的阴霾，或者是对生存意愿的一种追求。

1941年，当纳粹的铁蹄正在践踏波兰的时候，犹太裔大提琴家凯雅和本为医生的丈夫亚达及女儿从城市避走到一村庄。村庄的杂货店女主人艾美娜愿意收容他们，并叫亚达冒称她上了战场的丈夫，凯雅和女儿则躲在阁楼内。亚达和艾莲娜日久生情，凯雅从阁楼中目睹一齐，但只可哑忍无言……外面是纷乱的世代，裡面是灵慾的交战。到底这三角错恋是患难见真情，是死亡的阴霾，抑或是求生的意慾？