男爵大人北川岸为了妹妹被推下楼梯事件，来摔跤部寻找“凶手”。部长马糖糖上前交锋，被霸道高冷闪了腰，两人相看生厌。北川岸怀疑马糖糖就是凶手，为了维护正义，以学员身份加入摔跤部，两人针锋相对，矛盾升级。与此同时，真正凶手林峰，满怀愧疚地照顾妹妹，本就单恋林峰的妹妹享受其中，无条件隐瞒了下来。可怜马糖糖被冤枉被折磨，两人在斗智斗勇中感情升温。北川岸也逐渐打消怀疑。妹妹得知北川岸要向马糖糖求婚，嫉恨之下谎称马糖糖就是凶手。北川岸和马糖糖对峙不欢而散。马糖糖得知真相后为了维护林峰和妹妹，选择了离开。北川岸得知真相后，追悔莫及。比赛当天，马糖糖惊喜现身。两人相视而笑。

“黑曼巴蛇”是“致命毒蛇”刺杀小组成员，而“黑曼巴”不想继续这种打打杀杀的日子，想退出刺杀小组。他们训练的地方非常黑暗，受到了教官的严厉教育，他们退役后就会服务于一个黑帮组织。

SherDil follows it's lead character Haris Mustafa, as he journeys from the academy to becoming a Flt Lt in the PAF, chasing his goals that are layered with personal and professional challenges.

A Lebanese gay couple decides to take a road trip to Ramallah. The film is recorded with their camera as they chronicle their journey. The protagonists and the viewers are invited through the couple's conversations into the universe of a fading city. (Berlinale 2014)

根据作家尤凤伟短篇小说《白莲莲》改编

艾伦蒂拉（艾琳·帕帕斯 Irene Papas 饰）和奶奶住在拉丁美洲的荒漠地带，过着相依为命的日子。虽然奶奶是艾伦蒂拉唯一的亲人，但是她对待自己的孙女十分的冷漠和粗暴，常常打骂，艾伦蒂娜终日生活在非常压抑的气氛之中。 　　一天，艾伦蒂拉不小心引发了一场火灾，导致整个家都被付之一炬。暴怒的奶奶要艾伦蒂拉赔偿她所造成的的损失，甚至逼迫她去出卖身体，手无缚鸡之力的艾伦蒂拉只得从命。在经历了一段非人的岁月之后，艾伦蒂拉幸运的遇见了一个善良的小伙子，两人之间碰撞出了爱情的火花。小伙子勇敢的带领艾伦蒂拉套出了奶奶的火坑，奔向新的生活。

Randy reads excerpts from his new book, but not before going on lengthy tangents on veganism, artistic expression, Gumtree and so much more.

《让娜·迪尔曼》是一部怎样的电影呢？它是阿克曼1975年的一部长达三个半小时的电影，它又是一部著名的“女权主义”电影，它还是一部在形式与内容上都极富革命精神的电影。总之，阿克曼这位拍片数极少的比利时女导演凭借她二十出头拍出的这部电影，就足以让无数的影评人、电影史学家为她 树碑立传了。它的独特、先锋已远远超出了我们的想象，我相信，以前没有，以后也不会再有如此奇妙的观影体验了！ 　　影片内容用一句话就可以概括：一个中年寡妇三天的日常生活（影片其实是从第一天下午到第三天的下午，仔细算下来也就两天多一点），影片的拍摄手法也十分“简单”——固定长镜头（影片中的机位选择非常严格，比如说厨房是正面、侧面两个机位，算下来全片也就只有十几个机位），影片场景同样十分“单调”——超过90%是在让娜?迪尔曼所住的公寓里拍摄的。

Simon, a painter, regains the use of his hands thanks to therapy administered by Ren. Later, when Simon is kidnapped by communists and forced to paint a portrait of Stalin, Ren again helps him by assisting in his escape. Simon's wife, however, is less than pleased at their growing friendship and becomes determined to keep them apart.

This sixty-nine-minute documentary, shot by Sami Frey and edited by Agnès Ravez and Chantal Akerman, was made during the shooting of Jeanne Dielman and looks at the on-set relationship between Akerman, Delphine Seyrig, and the crew.