Arhingsaka was born in India to a noble family. Despite his noble birth, his horoscope showed to be born under the sign of thieves, and thus was preordained for a wicked life. On his 16th birthday his father sent him to complete his education and Arhingsaka became the teacher's favorite; the other jealous students told the master that Arhingsaka was flirting with the teachers wife. Deciding to punish his former star pupil, he told Arhingsaka : "You have almost completed your training; there is just one thing left to do. Once you finish your life of suffering will be over, and you will become a Bodhisattva. You must single-handedly kill 1,000 people"

民国超级杀手王亚樵是三十年代叱吒风云世英雄。血指是系列剧独立的一卷。该剧以1935年震惊世界的一大悬案为背景情节跌宕起伏，出入意外，人物错综复难，性格各异，场面宏壮，扑朔迷离，交际花、五毒俱全的的神秘富翁，魔幻莫测的记者

"You can go back to the past on the night of the meteor shower." Sze meets Fai on the ferry on just one of those nights and goes back to 10 years ago, when she was still in a relationship with the man. On the night when she should have left him, she chooses to continue the relationship, with results far from her expectations.

Yoso is truly a lost classic, set in the Nara Era (710-794), from Kinugasa Teinosuke the same writer/director who gave us the recognized classic Gate of Hell (Jigokumon, 1952) & the milestone silent surrealist masterpiece A Page of Madness (Kurutta Ippeji, 1926). 　　Yoso means "esoteric priest" which implies "sorcerer." For such a rarely screened film, it seems to have attracted an unwieldy number of English titles: The Sorcerer, Ghostly Priest, Bronze Magician, Phantom Priest, & on the subtitled 35 mm print the only fully apropos title, Priest & Empress, not to be confused with another Raizo Ichikawa film called The Priest & the Beauty (Anchin to Kyohima, 1960). 　　Japan of the Nara Era had a sovereign female emperor or Mikado, Koken-Shotoku Tenno, who fell under the sway of a Buddhist priest named Dokyo. His influence over her proved so untoward that Empress Koken-Shotoku gave him titles which implied the imperial line might actually pass to him should the Empress die, despite that the imperial line had been preserved as a single dynasty back into prehistory. 　　The crisis engendered by Dokyo led to the banning of women ever again becoming Mikado, a decision periodically revisited including in our own generation when there stood a strong threat of no authentic male heir. 　　The film takes this historical reality & makes of it a believable though tough & very odd love story. Dokyo, who has indeed been called "the Japanese Rasputin," is here played by Raizo Ichikawa. Though Dokyo clearly uses the affections of the Empress (played by the ethereally beautiful Yukiko Fuji) for personal gain & power, his intense devotion to Shotoku is nevertheless no falsehood. When it comes time for his assassination, it is very much Rasputin-like, as he is damnably difficult to kill. It's portrayed quite horrifically but it remains simultaneously sorrowful because his love of Shotoku was no pose.

当一位年轻僧人接触到“博阿健身房”的健美运动员时，他重新连接到了自己身体的力量，引发了一场彻底的转变。

领主的女儿进入到修道院里进行修行，可是在修道院里卷进了欲望的漩涡，和放浪的贵族合谋害死了老院长，终于被其他的僧尼所揭发……

领主的女儿进入到修道院里进行修行，可是在修道院里卷进了欲望的漩涡，和放浪的贵族合谋害死了老院长，终于被其他的僧尼所揭发……

1982年7月27日、日本テレビ系列の「火曜サスペンス劇場」枠（21:02-22:54）にて放映。視聴率28.0％（ビデオリサーチ調べ、関東地区）。「火曜サスペンス劇場」歴代最高視聴率作品であり、松本清張原作テレビドラマ最高視聴率作品の一つとなっている。