Sourced from content from the Great North Run film archive, concentrating on the audience rather than the runner. Frame layers are arranged across the screen in the direction of the natural panning of the original shots, revealing a unique panoramic view of the content.

Two children go behind the scenes of a small circus.

Two children go behind the scenes of a small circus.

"Taratata is a tribute to the parades that used to be held on Saint-Jean-Baptiste Day, Quebec's national holiday. These parades were an occasion to honour traditional values or demonstrate progress by way of allegorical floats. Presented each year on June 24 in cities and towns all over Quebec, they gave local musicians and brass bands a chance to display their talents. Children adored the pageant with its splendid uniforms. The day would end with a great fireworks display. I wanted to evoke this popular celebration once again, emphasizing what was charming, ridiculous or pretentious." 　　F.B.

"Taratata is a tribute to the parades that used to be held on Saint-Jean-Baptiste Day, Quebec's national holiday. These parades were an occasion to honour traditional values or demonstrate progress by way of allegorical floats. Presented each year on June 24 in cities and towns all over Quebec, they gave local musicians and brass bands a chance to display their talents. Children adored the pageant with its splendid uniforms. The day would end with a great fireworks display. I wanted to evoke this popular celebration once again, emphasizing what was charming, ridiculous or pretentious." 　　F.B.

华鹏是妈祖的信徒、男同志、也是爱滋病带原者，在多场的台湾妈祖绕境场合，他总是一个人默默地在街头举办“爱滋抱抱”…

A parade for three managers and four performers, mixing quotes taken from French composer Erik Satie's essays on the music he composed for the 1916 ballet "Parade". The famous realist ballet is brought back to life.

A parade for three managers and four performers, mixing quotes taken from French composer Erik Satie's essays on the music he composed for the 1916 ballet "Parade". The famous realist ballet is brought back to life.

本作以死后、聚集了人类的灵魂的不可思议的酒吧“奎因德基姆”为舞台，每同时死亡的两名死者都会根据记忆进行筛选，再作为客人送至不同的酒吧（灵魂裁定处）。而在其中 15F 的”奎因德基姆“酒吧，迎接他们的是拥有一头白发的酒保德基姆和在此处作为助手的黑发女。因为死亡的冲击会导致客人暂时性遗忘自己已死的事实，而德基姆要做的则是：诱导客人们在不知情的情况下参加游戏，使用技巧使客人们的本性暴露出来，并对其进行裁定，是“天堂（即因为有心愿未了等情况送至转生）”或者“地狱（由于人性丑陋而导致虚无，沉于黑暗）”。红脸为地狱,白脸为天堂。游戏的最后，德基姆会说出自己是“裁定者”，在客人裁定结束后也引发了对人性以及生命的思考……随着故事的展开，德基姆以及其他裁定者的身份也渐渐明朗，而一直作为助手存在的黑发女究竟与酒吧有何关系，在背后接近他们的计划又会如何展开……

根据2013年“动画未来计划”上映的ova动画《死亡台球》改编而成的电视动画。 　　在相同时间去世的两名死者的灵魂被邀请来到不可思议的酒吧“奎因德基姆”。德基姆和金蒂分别是15层和20层的裁定者，蓝发少女容貌的诺娜是二人的上司，在90层管理着负责各楼层的裁定者们。 　　所谓裁定，即是由客人在轮盘选定的游戏结束之后裁定“死者”去留——天堂即是转生，地狱即是虚无。游戏的胜负需要客人拥有赌上生命的觉悟才能进行下去，“死者”的本性在游戏过程中暴露无遗。