吴昊昊采访自己电影学院各个系的同学，对自己的电影学院进行批判。 　　Haohao Wu interviewed some of the classmates in the film academy and criticized the film academy.

上海国际频道的《Screen Talk——看电影学英语》节目，所选电影均为国外优秀的英语影视作品，节目融赏、析、演、学于一体，精彩好看，易学实用，为英语爱好者提供了一个鉴赏精彩电影和学习英语的平台。

吴昊昊采访自己电影学院各个系的同学，对自己的电影学院进行批判。 　　Haohao Wu interviewed some of the classmates in the film academy and criticized the film academy.

第65届英国电视电影学院奖(BAFTA)于当地时间2月12日揭晓，《艺术家》成当晚最大赢家，斩获了包括最佳影片和最佳男主角在内的7项大奖，最佳女主则由出演了前英国首相撒切尔夫人的梅丽尔·斯特里普夺得。当晚的红毯可谓群星闪耀，在颁奖现场，更有上届BAFTAs影帝科林·费斯单膝跪地为“梅姨”穿鞋的经典时刻。

第65届英国电视电影学院奖(BAFTA)于当地时间2月12日揭晓，《艺术家》成当晚最大赢家，斩获了包括最佳影片和最佳男主角在内的7项大奖，最佳女主则由出演了前英国首相撒切尔夫人的梅丽尔·斯特里普夺得。当晚的红毯可谓群星闪耀，在颁奖现场，更有上届BAFTAs影帝科林·费斯单膝跪地为“梅姨”穿鞋的经典时刻。

"Das Kino und der Tod/Cinema and Death"(1988), is one of his 'Cinema Anthology' ,which was made by extraordinary Bitomsky's voice and movement of his hands that turn over photos of murder in films.It's 'a film noir as a film essay which analyzes film noir'. When he analyzes classic films like Hitchkock's "Torn Curtain",Lang's "Hangmen also die", Siegel's "The Killers",Aldrich's "Kiss me deadly",etc, each viewer tries to remake the images that always becomes uncertain in the memory,with the movement of Bitomsky's hands and voice as a detective showing photos of evidence of murders. There is an astonishing moment of new discovery of the image which we remember as a movement of the film.

"Das Kino und der Tod/Cinema and Death"(1988), is one of his 'Cinema Anthology' ,which was made by extraordinary Bitomsky's voice and movement of his hands that turn over photos of murder in films.It's 'a film noir as a film essay which analyzes film noir'. When he analyzes classic films like Hitchkock's "Torn Curtain",Lang's "Hangmen also die", Siegel's "The Killers",Aldrich's "Kiss me deadly",etc, each viewer tries to remake the images that always becomes uncertain in the memory,with the movement of Bitomsky's hands and voice as a detective showing photos of evidence of murders. There is an astonishing moment of new discovery of the image which we remember as a movement of the film.

《黑色电影与电影黑色》是一部按时间顺序拼贴的作品，它挪用了那些来自所谓的经典好莱坞时代的大量影像——也就是在1950年代，法国评论家称之为“黑色电影”的作品，这个特殊的类型，被认为是20世纪人类心理史及战争史黑暗景观的表征。这部拼贴作品涵盖了从美国1940年代早期到1950年代后期横跨20年、近310部黑色电影，同时也采用了一些其他国家的黑色电影。它将黑色电影们化作自己的“操作领域”，重现于当代语境，并以极具破坏力的剪辑再创造，与历史上的黑色电影交相辉映形成了一次闭环，像一只在历史和欲望的门槛上游荡的“衔尾蛇”，那可见和不可见的光与影的交织令我们沉迷。