当电影人马克得知，下一部作品若不包含犯罪、性和大明星就拉不到投资时，他决定拿起摄像机，以自家为阵地拍摄电影。两个前来更换篱笆的英国建筑工人暂时移除了他和邻居之间的屏障，随后，一个巴基斯坦女邻居入镜，善良的哥伦比亚家政被街旁斯洛文尼亚流浪汉的困境打动，五组人在客厅热闹地交谈起来。然而，接下来发展的事却越过了善意的边界，也大大出乎了所有人的意料。影片以看似随意的纪录视频准确地浓缩和描绘了英国当今的移民现状和阶级冲突，并在结尾才揭露了令人深思的讽刺内核。

当电影人马克得知，下一部作品若不包含犯罪、性和大明星就拉不到投资时，他决定拿起摄像机，以自家为阵地拍摄电影。两个前来更换篱笆的英国建筑工人暂时移除了他和邻居之间的屏障，随后，一个巴基斯坦女邻居入镜，善良的哥伦比亚家政被街旁斯洛文尼亚流浪汉的困境打动，五组人在客厅热闹地交谈起来。然而，接下来发展的事却越过了善意的边界，也大大出乎了所有人的意料。影片以看似随意的纪录视频准确地浓缩和描绘了英国当今的移民现状和阶级冲突，并在结尾才揭露了令人深思的讽刺内核。

《只是影畫》（2024）既為記錄自學成才的著名畫家楊東龍（1956年生於福建），亦處處流露着被拍攝者的自我反思。楊東龍以大型具象繪畫而聞名，多為描繪香港的繁華都市風景和人誌。他的作品極具電影感，以多視角方式將不同場景在畫布上合為一體，吸引觀眾同時採用不同的角度觀賞。 　　拍攝團隊花了三年多時間跟隨楊東龍，並記錄了他於2021年在香港刺點畫廊舉辦個展「日課」的過程。電影主要在楊東龍位於石塘咀的工作室取景，寧靜且光線充沛的背景營造出沉思默想的氛圍。楊東龍拉開畫布、抽煙、繪畫、聽音樂，以及與畫像模特兒討論藝術、記憶和語言在其創作中扮演的角色，讓觀眾得以一窺這位藝術家的敏銳及創作過程之堂奧。片中亦不乏楊東龍對年輕藝術家的循循善誘，反映出繪畫與電影皆有集體創作的性質。

一位导演聘请了一位年轻女演员，根据他生活中的一段插曲拍摄一部电影。他刚刚离开的女人死于一场神秘的车祸......

A young writer retreats to an isolated cabin to work on a mystery thriller. One night, a mysterious stranger arrives at his door needing help.

A young writer retreats to an isolated cabin to work on a mystery thriller. One night, a mysterious stranger arrives at his door needing help.

A young writer retreats to an isolated cabin to work on a mystery thriller. One night, a mysterious stranger arrives at his door needing help.

In rural Southern Spain Antonia, a fifteen-year-old mother, disappears in the middle of the night. 50 years later and much further North, Carmen, an introverted casting director, is looking for people to share their experiences when arriving in a new city. In her search, she meets Antonia, whose impulsiveness intrudes into Carmen’s solitude. Who said time heals all wounds? 　　源自：https://www.locarnofestival.ch/festival/program/film.html?fid=304fbf18-7c82-48e7-ab5e-1c62573f7d3a

In rural Southern Spain Antonia, a fifteen-year-old mother, disappears in the middle of the night. 50 years later and much further North, Carmen, an introverted casting director, is looking for people to share their experiences when arriving in a new city. In her search, she meets Antonia, whose impulsiveness intrudes into Carmen’s solitude. Who said time heals all wounds? 　　源自：https://www.locarnofestival.ch/festival/program/film.html?fid=304fbf18-7c82-48e7-ab5e-1c62573f7d3a

The film depicts the Lumière Brothers discussing and examining their Cinématographe machine. The sequence was filmed by the Paris-based cameraman Frédéric Fesneau in the Lumière's laboratory in Lyon, France, on July 14, 1925. A portion of the film was used for a Fox News story on the Lumières, which would have been screened as part of a longer newsreel program shown before a silent feature in 1925-6. Over the 93 years since it was first shot, this film has been stored in several facilities. Since the early 1980s, the film has been archived at the Moving Image Research Collections at the University of South Carolina, as MVTN A8398 8399 Lumiere Brothers. During that time, the nitrate film stock originally used to record the Lumières has begun to deteriorate. All the degradation to the image seen here has been caused organically as a result of its natural decomposition.