该片讲述了在不神山上修炼多年的小妖女左冰清下山历劫，遇上“菜鸟”捉妖师鱼三，两个人在不断了解彼此的过程中，暗生情愫，却不知还有一场更大的阴谋在等着他们

五一路，太原市的一条老街。1955年开业的华义美发厅已经成为这条路上最后一家国营理发老店。没有人能说得清美发厅所在的小二楼是哪一年建成，据说已经百年的历史。时年66岁的武占梅和45岁的李世敏一直承包经营着这家美发厅，以传统的理发手艺，为周边的老顾客提供着“原汁原味”的服务。2016年，太原市政府计划对五一路进行道路改造，如果华艺美发厅因此而被拆迁，不仅会使这家老店从此淡出，也意味着武占梅和李世敏的生计将受到冲击，当然已经被人们认为是绝活的理发手艺或许就此湮灭。 　　One of the last state-owned hair salons in China's Shanxi province had just celebrated its 60th birthday before words came in that the street was about to be reconstructed and renovated, putting the old-fashioned salon on the verge of closing down. The film documented two barbers' struggle in protecting their salon, their jobs, and their traditional way of living and working, reflecting their helplessness and confusion in the wave of the city's civilization and modernization.

Andy French is an aspiring cartoonist who has trouble holding a job or a girlfriend even while he rooms with two other eccentric roommates in an apartment in the Mission Hill area of the city of Cosmopolis. The fact that he has to house his obnoxiously precocious younger brother, Kevin, is no help. However, this quartet of disparate individuals manages to struggle through life's bizarre trials even as they learn to get along. Written by Kenneth Chisholm {[email protected]}

4座遥远的圣山，一次难忘的旅程。跟随著名摄影师和探险家白锐匀（Ryan Pyle）到中国西部，他花了几个月的时间探索和摄影，让你更深刻了解西藏地区。他的这一次超极限的探险旅程是“前所未有”的，旅程中他探索了中国偏远的省区包括青海，西藏，四川和云南。 　　第1集：冈仁波齐峰 　　第2集：贡嘎山 　　第3集：阿尼玛卿山 　　第4集：梅里雪山

本剧讲述银行职员元子（米仓凉子饰）被发现盗用了银行一亿两千万日元。当行长要求她返还所有数额的时候，她拿出了一本黑色皮革封套的笔记本，而在这本笔记本里，记录了多年来银行内部所有利用空头账户偷税漏税的人的名单。看着目瞪口呆的行长，元子勒索行长说：“行长，请以我挪用金额的价格来购买这本笔记本。”不过，这位行长仅仅是元子所持有的“黑皮革的笔记本”的第一位牺牲者…… 　　而后在银座开酒店的她更是利用自己特殊的身份搜集与金钱有关的情报，而这些秘密都记录在她的“黑皮革的笔记本”里。

本剧讲述银行职员元子（米仓凉子饰）被发现盗用了银行一亿两千万日元。当行长要求她返还所有数额的时候，她拿出了一本黑色皮革封套的笔记本，而在这本笔记本里，记录了多年来银行内部所有利用空头账户偷税漏税的人的名单。看着目瞪口呆的行长，元子勒索行长说：“行长，请以我挪用金额的价格来购买这本笔记本。”不过，这位行长仅仅是元子所持有的“黑皮革的笔记本”的第一位牺牲者…… 　　而后在银座开酒店的她更是利用自己特殊的身份搜集与金钱有关的情报，而这些秘密都记录在她的“黑皮革的笔记本”里。

Émilie Serri was born in Canada. She had only visited Syria, her father’s country, a few times prior to the start of the civil war. Following her grandmother’s death, a desire grew within her to form a stronger connection to this country of which she knew so little. Serri studied old family photos and films, interviewed members of her family and other Syrians forced to flee their homeland, and in this documentary mixes her own memories with theirs. For some, Syria remains as alive and present as the scent of jasmine, while others' memories have already faded. They don’t usually talk about it, wishing to spare their children the traumas of the past: “They must look to the future.” 　　Damascus Dreams is a record of a personal odyssey, yet this filmic essay also gives a broader view of the memories and dreams of the displaced. For people who had to leave so much behind, it sometimes seems easier to forget. In this way, Serri ties in the fate of refugees to her own dreamt homeland.

饱受战争侵扰的叙利亚女性还遭受着延续世代的父权压迫和虐待，五个年轻的叙利亚女人在一间破败不堪的小屋，以匿名采访到的无数妇女故事为蓝本，编排一出关乎女性的戏剧。创作过程中考验重重：失业的危险、家庭的阻挠、成员内部的纷争，她们奋力冲破禁忌讨论女性的真实处境。本片曾入围第73届柏林国际电影节“全景纪录”单元。