Anand Patwardhan's passionate, detailed chronicling of injustices in India has made him the filmmaking conscience of his nation. In The Name of God, Jai Bhim Comrade, and Father, Son, and Holy War stand not only as first-rate documentaries, but as direct interventions on behalf of justice and compassion. After years of work, Patwardhan is back with perhaps his most urgent and thorough film yet. 　　Divided into eight chapters, Reason sets out to chart what Patwardhan sees as India's slide away from the complex tumult of a secular democracy towards hardening divisions of power, caste, and religious belief — lines that are enforced increasingly by violence.

当执法者深陷犯罪的谜团时，他是否想过自己将要面对的是怎样的境遇，当自己还是一个懵懂无知的嫌疑犯时，其实正义的机器已经开始了行动，目的只有一个就是要将他绳之以法，正义和法律在这一刻显示出自己强大的魅力，原来我们敬畏的永远是制度本身，其实到最后只是你想多了而已…… 　　故事由一次肇事逃逸开始：一位地方检察官因卷入一起肇事逃逸案件，导致其生活发生了翻天覆地的变化，而恰巧另一名男子被误认为是肇事者后因谋杀罪被捕...... 　　年轻的律师酒后开车不慎撞倒行人，却驾车而逃。无辜之人，蒙冤入狱，在道义面前，检察官最终选择自首，事后，却发现，事件另有隐情。然而，事情的发展已经超出了他的控制，一次次的谋杀案件都与他扯上了关系，他该如何解决重重危难。

"Come on down!" The Price Is Right features a wide variety of games and contests with the same basic challenge: Guess the prices of everyday (or not-quite-everyday) retail items.

安吉丽娜·朱莉将出任传记题材片[不合理行为]的导演，影片聚焦英国著名战地记者唐·麦库宁的战地拍摄生涯，根据麦库宁的同名自传改编，编剧为[迷失1971]的编剧格雷戈里·伯克，汤姆·哈迪的制片公司将参与制作，哈迪也有望出演本片。麦库宁本人将担任影片执行制片人之一，他对朱莉此前执导的[他们先杀了我父亲：一个柬埔寨女儿的回忆录]非常欣赏，故而非常期待此次合作。

安吉丽娜·朱莉将出任传记题材片[不合理行为]的导演，影片聚焦英国著名战地记者唐·麦库宁的战地拍摄生涯，根据麦库宁的同名自传改编，编剧为[迷失1971]的编剧格雷戈里·伯克，汤姆·哈迪的制片公司将参与制作，哈迪也有望出演本片。麦库宁本人将担任影片执行制片人之一，他对朱莉此前执导的[他们先杀了我父亲：一个柬埔寨女儿的回忆录]非常欣赏，故而非常期待此次合作。

Experimental film, white specks and shapes gyrating over a black background, a light-striped torso, a gyrating eggcrate. One of the first Dadaist films.

Experimental film, white specks and shapes gyrating over a black background, a light-striped torso, a gyrating eggcrate. One of the first Dadaist films.

The earth, life and death, indifference and affection, abandonment, faith. Words and silence, light and shadow, the endless survival, the inability to love. A trilogy set in 2017, 2028, 2037. Three women of different generations and backgrounds cross paths; their tentative steps to fully exist evoke fragments of stories, bringing real life experiences and events into each character.

Foča is a municipality in eastern Bosnia and Herzegovina where women were raped and abused on a large scale during the Bosnian war. Women, and girls as young as 12 years old, were imprisoned at various locations to be gang-raped, mostly by Serbian fighters. This was cause for the Yugoslavia Tribunal to designate “systematic rape” and “sexual slavery”—war crimes that frequently went unprosecuted—as torture and crimes against humanity. As a result, these crimes can now be universally prosecuted. 　　The so-called Foča case called on great courage from the countless women who testified about their horrific experiences. To preserve their anonymity the women were identified using numbers or letters. In this forensic video essay, filmmaker Kumjana Novakova uses mostly written testimonies by the women to explore the collective memory of the rape camps. In grainy video footage, the camera explores the places where these inhuman crimes took place, while the women speak about the unspeakable. 　　源自：https://festival.idfa.nl/en/film/c925f7a5-aa96-42aa-a222-4f9276df0821/silence-of-reason/

Foča is a municipality in eastern Bosnia and Herzegovina where women were raped and abused on a large scale during the Bosnian war. Women, and girls as young as 12 years old, were imprisoned at various locations to be gang-raped, mostly by Serbian fighters. This was cause for the Yugoslavia Tribunal to designate “systematic rape” and “sexual slavery”—war crimes that frequently went unprosecuted—as torture and crimes against humanity. As a result, these crimes can now be universally prosecuted. 　　The so-called Foča case called on great courage from the countless women who testified about their horrific experiences. To preserve their anonymity the women were identified using numbers or letters. In this forensic video essay, filmmaker Kumjana Novakova uses mostly written testimonies by the women to explore the collective memory of the rape camps. In grainy video footage, the camera explores the places where these inhuman crimes took place, while the women speak about the unspeakable. 　　源自：https://festival.idfa.nl/en/film/c925f7a5-aa96-42aa-a222-4f9276df0821/silence-of-reason/