Flesh of the Void is a terribly disturbing experimental horror film about what it could feel like if death truly were the most horrible thing one could ever experience. It is intended as a trip through the deepest fears of human beings, exploring its subject in a highly grotesque, violent and extreme manner.

The autistic Václav is regarded as a harmless enough soul but, as the years pass, he causes increasing problems, and his neighbours in the village and his colleagues in the agricultural cooperative are running out of patience. Locked in his own playful, poetic world, he lives with his aging mum who fondly accepts her son’s madcap ideas and excesses. But the majority think that someone who shoots at passers-by with an air rifle and tries to drive a tractor for fun belongs in an institution. Even the man’s respectable younger brother František refuses to take him under his wing anymore. Then one of Václav’s reckless exploits lands him in prison. Who will find the courage to sign the petition for his release? This tragicomedy is inspired by a real story from the 1990s which received considerable exposure when the protagonist was granted clemency by former President Václav Havel. Ivan Trojan and Jan Budař won Czech Lions for their performances. 　　About the director 　　Jiří Vejdělek (b. 1972, Šluknov) graduated in film direction from FAMU after studying at the Teaching College in Ústí nad Labem. He attracted attention with his student films (Sweets / Sladkosti, 1999, selected for the short film programme at the Cannes IFF). He signalled his interest in comedic material straight away with his feature film debut Holiday Makers (Účastníci zájezdu, 2006), an adaptation of Michal Viewegh’s bestselling novel that became the biggest Czech box office hit of 2006 and won Eva Holubová a Best Actress award at the Tribeca Film Festival in New York in 2006 and a Special Jury Prize for the entire cast. Last year, in addition to Václav, Vejdělek directed the poetic comedy Roming, also written by Marek Epstein. He also works in television (the series The Office / Redakce).

HBO is developing a series adaptation of nonfiction book Empty Mansions, about a wealthy recluse. The story follows Huguette Clark, an elderly, fabulously wealthy recluse who is hospitalized for a number of seemingly minor ailments and a series of events is set into motion regarding her fortune and an unsigned will. Empty Mansions: The Mysterious Life of Huguette Clark and the ...

Sasha Waltz 惊世之作 探索皮膚在肉體中的意義，以及對於身體本質的重組關係

Benoît is a coward and a voyeur, who gets his kicks from watching other couples make out. He cajoles his two new companions to attempt what he has never dared do: rob the safe in his father's factory, seduce his stepmother to blackmail her for money and finally go so far as committing murder. Thus begins a wild ride that takes them to the very edge of madness.

Benoît is a coward and a voyeur, who gets his kicks from watching other couples make out. He cajoles his two new companions to attempt what he has never dared do: rob the safe in his father's factory, seduce his stepmother to blackmail her for money and finally go so far as committing murder. Thus begins a wild ride that takes them to the very edge of madness.

两个韩国屌丝男中奖逆袭，出国旅游把妹，遇到了两个身材超正的妹子，两人喜不自胜，沉浸在肉体的欢愉中，却不料这两个女人还有另外的身份....

Even though the images were shot before a large part of the world was petrified by the pandemic in the spring of 2020, the new film by Sebastian Mez (Metamorphosen, VdR 2013) inevitably refers to it. Consisting of a series of static shots emptied of all living presence, The Great Void looks without blinking, no more, no less, at the agony of our civilisation.

Even though the images were shot before a large part of the world was petrified by the pandemic in the spring of 2020, the new film by Sebastian Mez (Metamorphosen, VdR 2013) inevitably refers to it. Consisting of a series of static shots emptied of all living presence, The Great Void looks without blinking, no more, no less, at the agony of our civilisation.

Sebastián (17), empieza a cuidar solo el pequeño motel de su tío que está en la desolada costa tropical de Veracruz. Miranda (35) una corredora de inmuebles de la zona se encuentra ocasionalmente en el motel con Mario, su amante. Mario siempre llega tarde al encuentro amoroso por lo que Miranda tiene que esperarlo. Durante esos tiempos muertos, Sebastián y Miranda se van a conocer y poco a poco se irán aproximando a pesar de que en el fondo ambos saben que esa posible historia es solo pasajera. (FILMAFFINITY)