Nineteen people of varying age, race and sex gather in tight physical proximity, as a compact human mob, when without warning a gushing onslaught of water from both sides of the screen knocks them into one another and down to the ground.

Nineteen people of varying age, race and sex gather in tight physical proximity, as a compact human mob, when without warning a gushing onslaught of water from both sides of the screen knocks them into one another and down to the ground.

Busan’s representative director Jeon Soo-il’s eight full feature film is set around 'Pink', a shabby bar, and captures in detail the low lives with the director’s characteristic static style. The performance by Seo Gap-suk, who returns to the big screen for the first in over 10 years since [Bongja], music by artist Kang San-eh, and the picturesque scenery of Goon-san beach, complete with the flying seagulls, add make the film an unquestionably memorable experience.

Busan’s representative director Jeon Soo-il’s eight full feature film is set around 'Pink', a shabby bar, and captures in detail the low lives with the director’s characteristic static style. The performance by Seo Gap-suk, who returns to the big screen for the first in over 10 years since [Bongja], music by artist Kang San-eh, and the picturesque scenery of Goon-san beach, complete with the flying seagulls, add make the film an unquestionably memorable experience.

This is a brilliant surrealistic film. 　　But also a fully realistic story about a time when the brave avant-guarde artists were trying to explore the unknown landscapes of human possibilities. 　　The contrast between two realities: the poor village and the dadaist artists is shown very smart and brings the possibility of changing the world by the art. 　　Unfortunately, that progressive ideals of making the world better by revealing new areas of imagination, that ruled in the first half of XX century, were crushed by the war. 　　And, the tragedy finishes: the artistic ideals are dead, international art brotherhood also, but, as a real disaster: Yugoslavia is also dead, as a country, but as an artistic vision of nation's brotherhood, too. 　　So, the art falls apart

This is a brilliant surrealistic film. 　　But also a fully realistic story about a time when the brave avant-guarde artists were trying to explore the unknown landscapes of human possibilities. 　　The contrast between two realities: the poor village and the dadaist artists is shown very smart and brings the possibility of changing the world by the art. 　　Unfortunately, that progressive ideals of making the world better by revealing new areas of imagination, that ruled in the first half of XX century, were crushed by the war. 　　And, the tragedy finishes: the artistic ideals are dead, international art brotherhood also, but, as a real disaster: Yugoslavia is also dead, as a country, but as an artistic vision of nation's brotherhood, too. 　　So, the art falls apart

男主是豪门继承人，小时候因母亲去世养成了叛逆狂傲的性格，后来见到女主对她一见钟情，然而当他看到父亲带回来的新妻子的女儿就是女主的时候，一腔爱意化为怒火，对女主展开各种折磨，伪兄妹的虐恋故事就此展开。

江边小城，高二女孩张鹤的日记被人当众念了出来，她与陈雪这两个女孩之间的暧昧关系由此被公开。此后张鹤在学校不断受到舆论的伤害和欺凌。张鹤的同桌李波，一直暗恋着她，目睹发生在张鹤身上的一切，很是心疼，为了张鹤，懦弱的他甚至跟人打架。二人慢慢靠近，李波心中升起希望，也许自己的爱可以改变张鹤，使张鹤彻底摆脱困境。

男主是豪门继承人，小时候因母亲去世养成了叛逆狂傲的性格，后来见到女主对她一见钟情，然而当他看到父亲带回来的新妻子的女儿就是女主的时候，一腔爱意化为怒火，对女主展开各种折磨，伪兄妹的虐恋故事就此展开。

The story of Aisha Chaudhary and her family.