HBO全新喜劇影集《救世鼎立戰》第一季共10集將在6月22日（一）早上10點30分於HBO和HBO HD頻道與美國同步首映，晚間10點30分再次播出。這部史詩級黑色喜劇影集，故事關注在一場地緣政治危機，以及其對於三個完全不同且絕望的人的影響，包括國務卿Walter Larson、卑微的外交事務官Alex Talbot，以及王牌海軍戰鬥機飛行員Zeke Tilson，他們三人必須想辦法解決圍繞在它們周圍的各種難題，以避免第三次世界大戰的發生。《救世鼎立戰》由傑克布萊克（Jack Black）、提姆羅賓斯（Tim Robbins）、帕布羅薛伯（Pablo Schreiber）、阿西夫曼迪維（Aasif Mandvi）、瑪莉貝絲夢露（Maribeth Monroe）、艾瑞克拉汀（Eric Ladin）、伊塞莫瑞（Esai Morales），以及喬佛里皮爾森（Geoff Pierson）主演。傑利溫特萊布（Jerry Weintraub）、羅貝托本那比（Roberto Benabib），以及傑羅奇（Jay Roach）擔任執行製作；羅貝托本那比（Roberto Benabib）和金本那比（Kim Benabib）則負責創作。

故事由一名少年被杀案开始，很明显是吸食毒品死亡，同时下院议员史迪·柯林(大卫·莫瑞瑟饰演)的助理索妮娅·贝克死了。《先驱报》的记者卡尔·麦菲(约翰·西姆饰演)和他的同事（包括凯莉·麦克唐纳饰演戴拉·史密斯，比尔·奈伊饰演的编辑卡梅隆·福斯特）调查死亡时，发现两起死亡不仅仅有关联，还牵连到英国政府大臣背后财力支持的石油公司种种腐败。

故事由一名少年被杀案开始，很明显是吸食毒品死亡，同时下院议员史迪·柯林(大卫·莫瑞瑟饰演)的助理索妮娅·贝克死了。《先驱报》的记者卡尔·麦菲(约翰·西姆饰演)和他的同事（包括凯莉·麦克唐纳饰演戴拉·史密斯，比尔·奈伊饰演的编辑卡梅隆·福斯特）调查死亡时，发现两起死亡不仅仅有关联，还牵连到英国政府大臣背后财力支持的石油公司种种腐败。

宫女璃月是个东宫传菜婢女，跟着太子流放干里之外， 得凭着本事养太子，先前好吃好喝的原来福气被她吃完了，哭都没人可怜。不过没关系，大菜做起来，酒楼开起来，生意干起来，红红火火过大年。

从父子之间亲密而复杂的关系切入，《梦与父亲》探讨了来自上帝、诸神与幽灵的记忆与幻象，以及它们在家庭生活中的回响。

Massimo Lucantoni (Gianfranco Manfredi) is a film writer in Rome, who is having some trouble with writing his first novel, beacuse he feels too much distraction. There are noisy neighbours and his wife who has actually been seperating from him. He takes the chance to rent a luxurious poolhouse from an excentric but obviously no more so rich as they pretend to be aristocratic couple. Living in that poolhouse he meets Nastienka (Nastassja Kinski), who is waiting for her prince charming in the near of the pool. She obviously beliefs in the supernatural world, as she explains to Massimo that her lover will soon arrive on a horse to take them both to a faraway place. Nastienka also has the ability to talk to animals (at least to her own dogs). Massimo falls in love with Nastienka and tries to win her love.

Massimo Lucantoni (Gianfranco Manfredi) is a film writer in Rome, who is having some trouble with writing his first novel, beacuse he feels too much distraction. There are noisy neighbours and his wife who has actually been seperating from him. He takes the chance to rent a luxurious poolhouse from an excentric but obviously no more so rich as they pretend to be aristocratic couple. Living in that poolhouse he meets Nastienka (Nastassja Kinski), who is waiting for her prince charming in the near of the pool. She obviously beliefs in the supernatural world, as she explains to Massimo that her lover will soon arrive on a horse to take them both to a faraway place. Nastienka also has the ability to talk to animals (at least to her own dogs). Massimo falls in love with Nastienka and tries to win her love.

赫尔曼因黑魔法惨死八年后，斯里和女儿迪娜以及已嫁给拉妮的安迪一起重新开启生活。斯里的父亲告知她，她母亲病情严重。他们前去探望，没想到这竟成了他们厄运的起始。斯里一直隐瞒的过往罪孽如今对她的家庭构成了威胁。

It’s not uncommon for a film to have a moving love story at its core. Yet this particular set-up is unusual. The lovers here are Ingeborg Bachmann and Paul Celan, both important representatives of post-war German-language poetry. The story of the relationship between the Austrian and the Jew from Czernowitz is told through their nearly 20-year correspondence (1948–1967). Or, more precisely, by a young woman and a young man reading from their letters in a studio in Vienna’s venerable Funkhaus. You hear longing, accusations, doubts, expressions of intimacy and alienation, news of separations and lengthy silences. You sense their struggle for words. What these words trigger can be seen in the faces of those reading them out. It’s not only the text but also its effects that are being performed and occasionally discussed. The intensity of the relationship drama is generated via the fascinating language, the actors’ presence, and the camerawork and editing, which break up the dialogue via changing perspectives and shot sizes. Chats during cigarette breaks, in the stairwell and the canteen, lead into the present. History, which was stronger than love, never slips out of focus. berlinale 2016