本片展示了加沙四名年轻人的生活，他们试图在以色列-哈马斯战争中幸存下来，因为他们希望停火——这是对战区生活的生动而坚定的看法。以色列不允许外国记者在加沙独立报道。为了制作这部电影，两名驻伦敦的制片人在加沙的地面上远程指导了两名摄影师，历时九个月，他们进入了外国媒体无法到达的关键地点。这部戏剧性的纪录片为加沙人道主义“安全区”内的生活提供了新的视角，展示了持续空袭的日常生活，以及在唯一一家正常运作的永久医院阿克萨为让人们活着所做的努力。

Salma, Laila and Nur will never fit in. Palestinians with Israeli citizenship, they choose to live a life of freedom in Tel Aviv, away from their home villages. Each is looking for love, but as young Palestinian women they learn that a relationship of their choosing is not easy to fulfill. They have to choose their place, either in the city or in the village.

讲述智障画家屋内透和出版社杂志编辑小向春的恋爱物语。 小向春（小西桜子）是一名在出版社工作的杂志编辑，她的日子在工作和爱情上都不太顺利。一天，春因采访而遇到了以“只画蓝色画”而闻名的画家屋内透（宮沢氷魚）。春对屋内透坦率地说出自己的想法、不隐藏情感且不说谎的性格感到困惑，但同时也被他吸引。屋内透的纯真是他的“发展障碍”的一部分。然而，对于一直只懂得察言观色的小向春来说，屋内透的举止显得非常新鲜且有魅力。 尽管周围人都很担心，尽管被恋人怀疑，春的情感还是逐渐倾向于屋内透，但屋内透无法理解“别人的感受”，这让春感到困扰。在各种“间隙”中摇摆不定的春，第一次决定诚实地面对并决定自己的内心。

本片由现役漫画编辑葛里华担任导演，这是她首部长篇作品。故事讲述了智障画家屋内透和出版社杂志编辑小向春的恋爱物语。

After being ghosted by a romantic partner during a trip to Bangkok, the artist situates a contemporary act within a timeless SouthEast Asian cultural gesture, transforming personal heartbreak into a surreal exploration of ghosthood while reimagining its embodiment through ten playful yet haunting guidelines. Shifting between satire and introspection, the film contemplates the fragility of relationships and the futility and opacity of communication in the hyper-connected digital age.

After being ghosted by a romantic partner during a trip to Bangkok, the artist situates a contemporary act within a timeless SouthEast Asian cultural gesture, transforming personal heartbreak into a surreal exploration of ghosthood while reimagining its embodiment through ten playful yet haunting guidelines. Shifting between satire and introspection, the film contemplates the fragility of relationships and the futility and opacity of communication in the hyper-connected digital age.

记忆如何形成？难道这不是一个涉及遗忘和再创造的过程吗？电影使用碎片化的建筑影像来象征这一记忆构建的过程。摄影机穿越既像电影布景也像废弃地点的结构。我们想起曾经去过的地方，我们在联想。从黑暗的某处传来的澳大利亚配音演员的声音诉说着他在墨尔本上学的细节，讲述了他在异域城市的冒险，并描述了他记忆中的那些建筑。他的声音在渐渐消失，但被录音机所记住。

Six interconnected stories tell the rapid rise and violent fall of rock band 'Stack of Corpses'

本片导演以一种难能可贵的幽默之情戏剧化的重现了当年南斯拉夫分崩离析的最初原因和经过, 以夸张的人物造型和超现实的镜头角度极尽挖苦讽刺调侃之能事, 将当年政客的丑陋虚伪, 军人的蛮横冷血刻画得相当戏谑, 让人们在笑声中又感觉到一丝辛酸和苦涩. 实属难得的东欧黑色喜剧佳作. A MUST-SEE! 　　Although being one of the first movies to take humoristic approach towards violent break-up of Yugoslavia, this motion picture is partly based on real events that took place in September of 1991. Few months after Croatia seceded from Yugoslavia, Federal military installations are still present with previously recruited Croatian boys trapped inside. One such installation is a garrison on a small Dalmatian island, commanded by Major Aleksa Milosavljevic. Besieged by local militia, Major Aleksa threatens to blow up ammunition depots with half an island in case of any hostile action. During the stalemate, art historian Blaz Gajski comes from Zagreb in order to rescue his son from the barracks. 　　In the beginning of 1991, the Yugoslav National Army, which does not acknowledge Croatia's independence, is still holding the military barracks throughout Croatia. Blaz Gajski travels to an island in order to retrieve his son from the barracks situated on this island. The atmosphere on the island is intense. The local government has besieged the barracks, and local people have organized a festival in front of it. With their singing and recitals, they plan to force major Aleksa and his soldiers to surrender. But, Aleksa has planted explosives in the barracks and threatens to blow up the island.