由王彩樺跟徐韜詮釋殘缺孤獨靈魂的邂逅，因怪病而無法發出聲音的中年魚販淑鳳，遇見來市場賣鮮奶的青年建斌，歲數差距但關係卻自然貼近。然而，現實總是不盡理想，當建斌不得不離開市場，淑鳳拚盡全力發聲，只求抓緊心之所向。

傑克是一個有遠見的浪漫主義者，他在北方小鎮的生活，因失業和內部紛爭而顯得黯淡，直到「老女人」蘇珊搬到了隔壁…不可思議的影響了他，以及好友兩人的生活…

馨蓮正面臨著母親角色的挑戰，她與女兒曉莉的疏離關係，以及丈夫君寧的迫在眉睫。當她發現自己懷了第二胎時，母親的地位充滿著不確定性。君寧突然在曉莉的生日出現，引發了一場對抗，顯露了他們對育兒方式的不同看法。

Jung-kyoung is looking for her younger sister Hoo-kyoung while Chang is a computer whiz who stays on at the rest stop after losing his job. KIM Bak is a reporter and photographer for the local Tongyeong media who frequents the rest stop. Onna is a famous blogger who works at the rest stop and dreams of a new Asian highway. It is also the virtual journey of the 880-thousand-won generation. They show the sense of loss, loneliness, and communication in this digital age. An older sister searching for a young sister who has run away from home, an animator who wanders around aimlessly after leaving his job, a reporter, and the employees of the rest stop.

本劇講述作曲家鄧雨賢、歌手純純等人，1930年代為古倫美亞唱片公司所延攬，締造台灣日治時期閩南語流行歌曲的黃金年代。未久，日本發動戰爭，殖民地皇民化運動開始，漢文歌曲被禁唱，絢爛的跳舞時代走到了尾聲。

本劇講述作曲家鄧雨賢、歌手純純等人，1930年代為古倫美亞唱片公司所延攬，締造台灣日治時期閩南語流行歌曲的黃金年代。未久，日本發動戰爭，殖民地皇民化運動開始，漢文歌曲被禁唱，絢爛的跳舞時代走到了尾聲。

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。