影片由三部分组成，围绕“顺从”这一主题展开。第一个故事中，找不到人生方向的女演员发现自己一味地遵从父母的希望和导演的强烈意愿。第二部分里，一名警察和他的机器人搭档为了对付罪犯，采取了出格的方式来阻止罪行，沦为另一种“为达目的不择手段”。最后一个故事里，日本广播系统执行着有关自我规制的方针，旨在提高社会敏感度，这种类似“政治正确”的做法却慢慢走向荒唐的结尾。

Based on real events, the story follows a father and son (Offerman and Tremblay) who identify as Sovereign Citizens, a group of anti-government extremists, as they venture across the country and find themselves in a standoff with a chief of police (Dennis Quaid) that sets off an intense manhunt with tragic consequences.

美丽的少妇和丈夫到一处有蓝蓝的海，白白的沙的海边渡假。一个优美的声音激起了她的好奇心，当她找到这个声音的男主人时，深深吸引的已不是声音，而是这个男人——一个性感的男人……，她陷入了情网，背叛丈夫……

Based on real events, the story follows a father and son (Offerman and Tremblay) who identify as Sovereign Citizens, a group of anti-government extremists, as they venture across the country and find themselves in a standoff with a chief of police (Dennis Quaid) that sets off an intense manhunt with tragic consequences.

大學二年級的春天，突然接到一通高中時戲劇社的葉山老師打來的電話。至今仍對老師抱持單戀情感的泉在心跳不已的同時，回想起畢業前老師所說的不為人知的心傷過去。宛如電影獨白般，敘述過去的仰慕回憶與現在若有似無的情愫交織，深深的扣人心弦。

大學二年級的春天，突然接到一通高中時戲劇社的葉山老師打來的電話。至今仍對老師抱持單戀情感的泉在心跳不已的同時，回想起畢業前老師所說的不為人知的心傷過去。宛如電影獨白般，敘述過去的仰慕回憶與現在若有似無的情愫交織，深深的扣人心弦。

A famous docking: Algiers, the White City, in a radiant light. The picture darkens with a voice-over reading of the text of the surrender of the Dey of Algiers in 1830. About the Conquest confronts us with a page of the French national novel that was too hastily turned. Franssou Prenant audaciously gathers a community of complicit voices who read a succession of archives (reports, testimonies, memoirs, historical, geographical, and urbanistic considerations) in a matter-of- fact tone. Recounting the stages of France’s colonisation of Algeria between 1830 and 1848, they outline the ideological landscape of a staggering annihilation effort. The film could just as well have been entitled About Destruction. Franssou Prenant thus constructs a memorial with a technique common to History and cinema: montage. A montage of texts: the words of Victor Hugo, Ernest Renan, Tocqueville are interwoven with those of military men, senior officials, brigadiers, without any way of distinguishing the authors. Then, a montage of images through which yesterday’s acts of violence and dispossession echo in the present: in contrast to an account of murders, the film presents a desolate desert landscape or the frank and innocent smiles of teenagers. The promises of riches offered by colonized Algeria are accompanied by shots of an opulent, Haussmann-style Parisian city centre. We are plunged into a reflection on the nature of this extraordinary violence, through a pictorial meandering into contemporary Algeria, entwined with archival extracts heard in an interplay of convergence and divergence. The piling up of texts brings to light both the ethnocentric and racist imaginary and the cold logic of economic exploitation that dictated the colonization of Algeria and its irreversible consequences, from which Algerian society still suffers today. 　　源自：https://fidmarseille.org/en/film/de-la-conquete-about-the-conquest/

Michel Piccoli stars as an amorous dentist whose philandering seemingly knows no bounds. He is no sooner shooing such lovelies as Anna Karina and Elsa Martinelli out the back door than he is welcoming such "new blood" as Joanna Shimkus into his living room. When Shimkus demands a commitment, Piccoli runs home movies of his past girlfriends, insisting all the while that he has forgotten them and that Joanna is the only woman in his life. The very next day he's running his movies for still another woman, and the song continues. De L'Amour is based on an 1822 novel by Stendhal (who would have been visionary indeed if he'd included all those home movies!)

从心灵哲学的角度看，“平行论”是一种身心相互作用的二元论，它认为精神事件与物质事件发生在平行的存在过程中，两者以特定的方式相互作用着，当然这并不意味着其中一个可以诱导另一个去做和它同样的事。电影用同样的方式展示了两个世界，两座城市。它们看似独立存在，但实际上它们通过走廊、时空隧道和跨维度桥梁相互交流着。这两个相反的世界，乌托邦和反乌托邦，终将在一个“混血”的世界中统一。那不是两个世界单纯的加总，而是两个世界的某种融合。在那里，由两个相反世界融合诞生的新世界就有了一个新的身份。在意大利语中，“meccio”(混血)源于晚期拉丁语mixtīcius，意思是“混合”，由此很可能衍生出了法语里的成语métis，意为我们每个人融合多重身份，多重个性于一身的能力。影片的主人公是一个的“聚合”，是一个眼睛上长有拉链，脸颊上生长着玫瑰花瓣的女人，她看上去就像花。影片由她介绍给大家，也由她落幕，好像她的存在引导着和谐的融合之路——那也是一个“混血”的存在——似乎她的故事就是通往希望与满足世界的必经之路，这个过程充满可能性，起始的两条平行道路即象征了一种获得新融合身份、兼容发展和成就独特的可能性。