Albert and Bruno are in the red, compulsive consumers, over-indebted, they live between petty schemes for one and a personal life adrift for the other. It is in the associative path, which they both take to get their heads above water, that they will come across young rebellious activists, climate alarmists, lovers of social justice and eco-responsibility. More attracted by beer and free crisps than by their arguments, Albert and Bruno will gradually integrate the movement without conviction, if not that of taking advantage of each action and each rebellion to schem and profit from it. Between ideological or suffered minimalism, between overconsumption and happy sobriety, we face the complex simplicity of our future, the oppositions and paradoxes of our time, in short, everything is fine.

Albert and Bruno are in the red, compulsive consumers, over-indebted, they live between petty schemes for one and a personal life adrift for the other. It is in the associative path, which they both take to get their heads above water, that they will come across young rebellious activists, climate alarmists, lovers of social justice and eco-responsibility. More attracted by beer and free crisps than by their arguments, Albert and Bruno will gradually integrate the movement without conviction, if not that of taking advantage of each action and each rebellion to schem and profit from it. Between ideological or suffered minimalism, between overconsumption and happy sobriety, we face the complex simplicity of our future, the oppositions and paradoxes of our time, in short, everything is fine.

2006年西班牙戈雅奖提名最佳女主角 　　2005年圣塞巴斯蒂安电影节“塞巴斯蒂安”奖 　　关于重获新生的几个故事。安娜从事为难民提供帮助的工作，却不知道如何应对儿子关在他自己房间的决定。第二个故事讲述一名曾 　　被判刑的棋迷努力修补与一个监狱同窗的关系。最后是一个古巴走私者的故事，他与自己最好客户的妻子发生一段暧昧关系。 　　Compite por el Premio Altadis-Nuevos Directores y el Premio Montblanc de Nuevos Guionistas. 　　Es la historia, enclavada en el corazón de Madrid, de Mikel, Ana y Carlos, personas que buscan su lugar en el mundo, un lugar que cada vez se aleja más del idealizado, y la única solución es partir de lo real para empezar a construirlo. Gente a la que el destino ha terminado llevando por caminos inesperados. Ana trabaja para una ONG de ayuda a los refugiados. Carlos, un cubano exiliado que se gana la vida contrabandeando puros, fue piloto en Cuba y también el último amor de Ana, pero ahora ya sólo son amigos. Mikel acaba de salir de la cárcel y se obsesiona por restablecer su relación con un antiguo compañero de celda. Las vidas de Ana, Carlos y Mikel se irán relacionando cada vez más. Cada uno tendrá que enfrentarse a sus propios problemas y tomar sus propias decisiones, pero todos ellos se influirán y se ayudarán. Pasarán una mala temporada y lucharán por superarla.

2006年西班牙戈雅奖提名最佳女主角 　　2005年圣塞巴斯蒂安电影节“塞巴斯蒂安”奖 　　关于重获新生的几个故事。安娜从事为难民提供帮助的工作，却不知道如何应对儿子关在他自己房间的决定。第二个故事讲述一名曾 　　被判刑的棋迷努力修补与一个监狱同窗的关系。最后是一个古巴走私者的故事，他与自己最好客户的妻子发生一段暧昧关系。 　　Compite por el Premio Altadis-Nuevos Directores y el Premio Montblanc de Nuevos Guionistas. 　　Es la historia, enclavada en el corazón de Madrid, de Mikel, Ana y Carlos, personas que buscan su lugar en el mundo, un lugar que cada vez se aleja más del idealizado, y la única solución es partir de lo real para empezar a construirlo. Gente a la que el destino ha terminado llevando por caminos inesperados. Ana trabaja para una ONG de ayuda a los refugiados. Carlos, un cubano exiliado que se gana la vida contrabandeando puros, fue piloto en Cuba y también el último amor de Ana, pero ahora ya sólo son amigos. Mikel acaba de salir de la cárcel y se obsesiona por restablecer su relación con un antiguo compañero de celda. Las vidas de Ana, Carlos y Mikel se irán relacionando cada vez más. Cada uno tendrá que enfrentarse a sus propios problemas y tomar sus propias decisiones, pero todos ellos se influirán y se ayudarán. Pasarán una mala temporada y lucharán por superarla.

A comedian whose movie and sitcom deals have dried up heads back on the road to try and discover his love of stand up. 目前影片正在后制阶段。

一位传奇枪手及其密友在 1876 年前往达科他领地的戴德伍德，一路伴随着行动与死亡。

Action and death follow a legendary gunfighter and his close friends to 1876 Deadwood, Dakota Territory.

一群在西弗吉尼亚山区逃亡的罪犯发现自己陷入了统治白天的怪物和统治夜晚的生物之间的古老恩怨之中。

DESEO looked very promising. A movie about the political situation by the end of WWII and also a forbidden love story between a married communist woman and a NAZI sympathizing in a very convoluted Spain; but the movie is unable to get the point almost completely. This is really a pity, because movies about WWII are generally no more than war scenes and NAZIS portrait as psychopaths but rarely mentions the reasons why many countries were allied or passive with Germany (even USA before Pearl Harbor). 　　In 1945; a woman belonging to a communist family fallen from grace, find a job in the house of a very seductive Argentinean magnate who is secretive helping important members of the NAZI regime escape to Argentina under protection of General Peron (and also General Franco) governments. The woman has several reasons to hate the fascism; her husband is in prison for political reasons, his father was killed in front of his family by the FALANGE (Franco's army), his mother is paraplegic because of that and they lost everything their had and living in absolutely misery. For all these reasons, the temptation of an elegant world, fancy clothes and good sex seems quite logical, even when she had to betray her own ideas and husband. 　　The story looks very good, but the development is poor and flipping from the light social history to the soap opera model. The beginning showing misery and desperation and the seductive tycoon, are well conceived albeit slow moving. But after that, things never really get convincing. The political situation is described using a few dialogs. The obsessive love story loose credibility every second. Sex scenes are as hot as candle six feet away. Moments like the notice of Hitler's dead are so bad acted that they should be left in the cutting room. 　　The cast composed of very important and well-known Spanish and Argentinean actor's fails almost completely. Leonardo Sbaraglia starts very seductive, but when things get dramatic he is unable to deliver. Leonor Watling has a one facial expression character; even when she looks very nice and unprotected, is hard to believe somebody could get so obsessed about her. Cecilia Roth is a caricature, absolutely miscast. Norma Leandro unnecessary as Sbaraglia mother and head of the organization. Sarda, Cava and Alterio are the only ones able to get some credibility in their small parts. 　　It is really sad, because with all the misses, there are a few intelligent details. The story never tries to create a heroine out of Watling role. The fears and persecution of communist under Franco regime are very well described and touching, as is the misery those peoples were condemned. 　　In sum, if you do not know history or if you are looking for something trying to show history realistic, take a look otherwise do not loose your time, read a book about the subject.

浪漫和原始的接触，如当帅逃犯从疯人院想念女孩的更衣室里，使这所有真正情电影。