A man whose search for his biological family leads him and his girlfriend Ryley to a magnificent villa high in the mountains of Northern Portugal.His excitement at meeting his long-lost mother and twin brother soon turns to horror when he discovers he is linked to them by a monstrous secret.

A man whose search for his biological family leads him and his girlfriend Ryley to a magnificent villa high in the mountains of Northern Portugal.His excitement at meeting his long-lost mother and twin brother soon turns to horror when he discovers he is linked to them by a monstrous secret.

The Return of the Prodigal Son/Humiliated (Il Ritorno del figlio prodigo/Umiliati), Dirs. Jean-Marie Straub and Danièle Huillet, Italy, 2001–03, 64 min., Italian with English subtitles 　　The diptych The Return of the Prodigal Son/Humiliated (Il Ritorno del figlio prodigo/Umiliati) (2001–03) is a segue from Workers, Peasants (2001) and Straub and Huillet’s third film based on the writings of Elio Vittorini. The film returns to Vittorini’s Marxist novel The Women of Messina (1973) about a community founded after World War II by workers and peasants from different regions of Italy. In the film, the commune is threatened by the pressures of a restructured post-war world, of its laws and politics, and by the forces of history from which they had hoped to protect themselves. 　　 　　Dolando (2003), was made as a gesture from the filmmakers to their crew. One of the film’s actors, Dolando Bernardini – who also starred in From the Cloud to the Resistance (1979) – sings a capella three verses from Torquato Tasso’s Jerusalem Delivered (1581). 　　 　　The Return of the Prodigal Son/Humiliated will be screened in its original 35mm format. 　　 　　Programme 　　 　　The Return of the Prodigal Son/Humiliated (Il Ritorno del figlio prodigo/Umiliati), Dirs. Jean-Marie Straub and Danièle Huillet, Italy, 2001–03, 64 min., Italian with English subtitles. 　　 　　Incantati, Dirs. Jean-Marie Straub and Danièle Huillet, 2002, Italy/France/Germany, 35mm, 6 min., Italian with English subtitles. 　　 　　Dolando, Dirs. Jean-Marie Straub and Danièle Huillet, 2003, Italy/France/Germany, 7 min., Italian with English subtitles. 　　https://archive.ica.art/whats-on/return-prodigal-sonhumiliated-incantati-dolando/

The Return of the Prodigal Son/Humiliated (Il Ritorno del figlio prodigo/Umiliati), Dirs. Jean-Marie Straub and Danièle Huillet, Italy, 2001–03, 64 min., Italian with English subtitles 　　The diptych The Return of the Prodigal Son/Humiliated (Il Ritorno del figlio prodigo/Umiliati) (2001–03) is a segue from Workers, Peasants (2001) and Straub and Huillet’s third film based on the writings of Elio Vittorini. The film returns to Vittorini’s Marxist novel The Women of Messina (1973) about a community founded after World War II by workers and peasants from different regions of Italy. In the film, the commune is threatened by the pressures of a restructured post-war world, of its laws and politics, and by the forces of history from which they had hoped to protect themselves. 　　 　　Dolando (2003), was made as a gesture from the filmmakers to their crew. One of the film’s actors, Dolando Bernardini – who also starred in From the Cloud to the Resistance (1979) – sings a capella three verses from Torquato Tasso’s Jerusalem Delivered (1581). 　　 　　The Return of the Prodigal Son/Humiliated will be screened in its original 35mm format. 　　 　　Programme 　　 　　The Return of the Prodigal Son/Humiliated (Il Ritorno del figlio prodigo/Umiliati), Dirs. Jean-Marie Straub and Danièle Huillet, Italy, 2001–03, 64 min., Italian with English subtitles. 　　 　　Incantati, Dirs. Jean-Marie Straub and Danièle Huillet, 2002, Italy/France/Germany, 35mm, 6 min., Italian with English subtitles. 　　 　　Dolando, Dirs. Jean-Marie Straub and Danièle Huillet, 2003, Italy/France/Germany, 7 min., Italian with English subtitles. 　　https://archive.ica.art/whats-on/return-prodigal-sonhumiliated-incantati-dolando/

拉曼是一个送牛奶的小男孩，住在伊朗的西北方，同时也在村里的教堂的唱诗班。他的妈妈在他出生时就过世了，使得他对地方教堂里的圣母玛莉亚像情有独钟，并因此和教堂里的老神父建立了深厚的友情。有一天，老神父发生意外，拉曼和失明的朋友大伍必需面对新的责任…… 　　伊朗片的演员包括成年、少年及儿童，大都是非职业演员，在片中扮演拉曼的男孩，今年十二岁，是导演在数十所中学当中，面试了数百位学生才挑选出来的。大多数伊朗电影都是走低调而悲凄的风格，但本片却一反伊朗片的常态，不墨守成规，反而独创风格，虽然是笃信伊斯兰教的国度，却阐扬天主教神父的博爱。本片虽以男孩与神父为中心，但其中的隐喻却颇发人深省，透过两人的互动，我们看见了世界与人生。本片获得伊朗儿童影展最佳影片/最佳剧本；开罗儿童影展最佳影片；东京影展/印度影展/美国影展/加拿大影展/法国影展/义大利影展等多国影展观摩片。

拉曼是一个送牛奶的小男孩，住在伊朗的西北方，同时也在村里的教堂的唱诗班。他的妈妈在他出生时就过世了，使得他对地方教堂里的圣母玛莉亚像情有独钟，并因此和教堂里的老神父建立了深厚的友情。有一天，老神父发生意外，拉曼和失明的朋友大伍必需面对新的责任…… 　　伊朗片的演员包括成年、少年及儿童，大都是非职业演员，在片中扮演拉曼的男孩，今年十二岁，是导演在数十所中学当中，面试了数百位学生才挑选出来的。大多数伊朗电影都是走低调而悲凄的风格，但本片却一反伊朗片的常态，不墨守成规，反而独创风格，虽然是笃信伊斯兰教的国度，却阐扬天主教神父的博爱。本片虽以男孩与神父为中心，但其中的隐喻却颇发人深省，透过两人的互动，我们看见了世界与人生。本片获得伊朗儿童影展最佳影片/最佳剧本；开罗儿童影展最佳影片；东京影展/印度影展/美国影展/加拿大影展/法国影展/义大利影展等多国影展观摩片。

After becoming the best-selling female comedian of all time with her debut stand-up DVD, Sarah Millican is back with Thoroughly Modern Millican Live. Sarah’s had a phenomenal twelve months. She was crowned the Queen of Comedy (People’s Choice) at the 2011 British Comedy Awards, launched her own series on BBC2 and her second national tour, Thoroughly Modern Millican, was a complete sell-out with extra dates added due to the phenomenal demand. Thoroughly Modern Millican Live is Sarah’s brand new live DVD. Ever wondered how to make a home-made treadmill? Or the practicalities of an orgy. Wonder no more. If your glass is half full, she’ll top it up.

一部关于已故歌手艾米·怀恩豪斯工作、生活的写实纪录片，主角艾米·怀恩豪斯曾一度享誉国际，被誉为骚灵歌后，却因嗜毒酗酒而悲剧性地于27岁早逝人间。

曾获得7座格莱美奖杯的艾米·怀恩豪斯，于2011年7月23日，因饮酒中毒而去世，享年27岁。此纪录片公开了一些艾米生前的私人影像，并且希望从艾米本人的角度来揭开这场悲剧的背后真相。制片人James Gay-Rees表示：“这样一部拥有当代性的影片，能够抓住时代精神，以其 他电影无法达到的方式来解读我们所处的世界。” 　　艾米·怀恩豪斯被认为是这个时代最杰出的爵士女歌手之一，除了慵懒沙哑的嗓音，她总是顶着高耸蓬乱的蜂巢头，化着极致夸张的烟熏妆，穿着凌乱暴露的衣衫，让所有人的视线都被她吸引。她的歌曲仿佛来自深不可测的心底，有一种蛊惑的魔力。然而可悲的是，艾米却成为了自己的成功、媒体、情感和生活方式的囚徒。这个社会中，人们一方面赞赏她的才华，在另一方面也毫不留情地在伤害和消费着她。

Artist-turned-filmmaker Milisuthando Bongela offers up a personal and visually striking self-portrait of a life that grapples with the legacy of South Africa’s past. 　　In her poetic debut feature documentary, Bongela takes us on a sensory journey, opening up a memory chest that explores the far-reaching consequences of Apartheid. Narrated in chapters by the filmmaker, she moves beyond the grand symbolic gestures of a ‘rainbow nation’ to convey what it actually means to be born Black in South Africa, and to explore the thorny blanket of freedom that was laid at the feet of its citizens. Powered by Bongela’s memories of a youth spent in the all-Black Xhosa homeland of Transkei, this skilfully edited film charts South Africa’s recent past, less as a history lesson, and more as poetic reflection on a nation borne out of a violent system. 　　源自：https://www.sheffdocfest.com/film/milisuthando