韩国光州电视台TBC制作播出的韩江特辑纪录片。 　　오는 12월 10일 노벨문학상 수상을 앞둔 한강 작가는 세계적으로 인정받은 작가로서, 맨부커 국제문학상을 비롯해 수많은 문학상을 통해 한국 문학의 세계적 위상을 높였다. 그녀의 작품은 고통과 치유라는 인간 본질에 대한 깊은 탐구를 통해 독자들에게 보편적 감동을 전한다. 　　본 다큐멘터리는 한강 작가의 성장 배경, 작품 세계, 그리고 그녀의 문학이 세대와 지역, 그리고 전 세계 독자들에게 미 영향을 중심으로 구성된다. 특히, 광주와 장흥을 비롯한 지역 사회의 문화적 움직임과 독서클럽에서의 활발한 반응을 소개하며 문학이 가진 힘과 사회적 역할을 조명한다.

韩国光州电视台TBC制作播出的韩江特辑纪录片。 　　오는 12월 10일 노벨문학상 수상을 앞둔 한강 작가는 세계적으로 인정받은 작가로서, 맨부커 국제문학상을 비롯해 수많은 문학상을 통해 한국 문학의 세계적 위상을 높였다. 그녀의 작품은 고통과 치유라는 인간 본질에 대한 깊은 탐구를 통해 독자들에게 보편적 감동을 전한다. 　　본 다큐멘터리는 한강 작가의 성장 배경, 작품 세계, 그리고 그녀의 문학이 세대와 지역, 그리고 전 세계 독자들에게 미 영향을 중심으로 구성된다. 특히, 광주와 장흥을 비롯한 지역 사회의 문화적 움직임과 독서클럽에서의 활발한 반응을 소개하며 문학이 가진 힘과 사회적 역할을 조명한다.

有一个成绩不错的高中生小男孩，他的名字叫“小薇”不对不对，他的名字叫梅尔文，他的同学经常作弄他欺负他就连他的邻居也经常恶搞他，甚至连他的女朋友也看不起他，他非常气愤可他没有办法，有天上完晚自习回家路过树林里的墓地，竟然有一个丧尸从墓地里爬了出来将他的腿部咬伤，无奈之下不知道从哪里找来一把铁锹，把丧尸脖子铲烂吓得的跑回了家，谁知身体发生变化自己变成了僵死，想着欺负他的人，接下来他的复仇开始了

有一个成绩不错的高中生小男孩，他的名字叫“小薇”不对不对，他的名字叫梅尔文，他的同学经常作弄他欺负他就连他的邻居也经常恶搞他，甚至连他的女朋友也看不起他，他非常气愤可他没有办法，有天上完晚自习回家路过树林里的墓地，竟然有一个丧尸从墓地里爬了出来将他的腿部咬伤，无奈之下不知道从哪里找来一把铁锹，把丧尸脖子铲烂吓得的跑回了家，谁知身体发生变化自己变成了僵死，想着欺负他的人，接下来他的复仇开始了

通常，家庭旅游就是为了享受生活，寻找乐趣。但是，“寻找乐趣”到了几个花栗鼠活宝那里往往就成了“制造灾难”的代名词。戴夫-斯威（杰森-李 饰演）带着…

BBC Four拍摄的纪录片，谈苏维埃政权如何介入国家运动，东欧的足球场如何成为共产主义政客利用的战场，俄罗斯、匈牙利与前东德共产主义领袖的操控，以及在铁幕背后不愿合作者的一些案例。 　　After the Russian Revolution, the Soviet authorities sought to exercise control over every aspect of social, political and cultural life, including Russia's national sport, football. Throughout the 20th Century, the football grounds of Eastern Europe became battlegrounds as ruthless politicians tried to use football to lend legitimacy to communist rule. In this film, footballers from Russia, Hungary and East Germany recall how the beautiful game was manipulated by ruthless communist leaders, and reveal how the careers of several great footballers from behind the Iron Curtain were destroyed simply because they refused to co-operate with the Eastern Bloc's most brutal totalitarian regimes. The central tale is of the George Best of Russian football, a seventeen-year-old slinky, skilled forward with a teddy boy haircut, Eduard Streltstov, who was the inventor of a back-heeled pass, still known as "The Russian Pelé", whose career was wrecked by the KGB.

BBC Four拍摄的纪录片，谈苏维埃政权如何介入国家运动，东欧的足球场如何成为共产主义政客利用的战场，俄罗斯、匈牙利与前东德共产主义领袖的操控，以及在铁幕背后不愿合作者的一些案例。 　　After the Russian Revolution, the Soviet authorities sought to exercise control over every aspect of social, political and cultural life, including Russia's national sport, football. Throughout the 20th Century, the football grounds of Eastern Europe became battlegrounds as ruthless politicians tried to use football to lend legitimacy to communist rule. In this film, footballers from Russia, Hungary and East Germany recall how the beautiful game was manipulated by ruthless communist leaders, and reveal how the careers of several great footballers from behind the Iron Curtain were destroyed simply because they refused to co-operate with the Eastern Bloc's most brutal totalitarian regimes. The central tale is of the George Best of Russian football, a seventeen-year-old slinky, skilled forward with a teddy boy haircut, Eduard Streltstov, who was the inventor of a back-heeled pass, still known as "The Russian Pelé", whose career was wrecked by the KGB.

The Genius of Charles Darwin is a three-part television documentary, written and presented by evolutionary biologist Richard Dawkins. 　　In the first episode Richard Dawkins explains the basic mechanisms of natural selection, and tells the story of how Charles Darwin developed his theory. He teaches a year 11 science class about evolution, which many of the students are reluctant to accept. He then takes them to the Jurassic Coast in Dorset to search for fossils, hoping that the students can see some of the evidence for themselves. Dawkins also visits Nairobi, where he interviews a prostitute who seems to have a genetic immunity to HIV, and talks to microbiologist Larry Gelmon. He goes on to predict that genetic immunity is a trait that will become more prevalent in the community over time. 　　In the second episode Richard Dawkins deals with some of the philosophical and social ramifications of the theory of evolution. Dawkins starts out in Kenya, speaking with palaeontologist Richard Leakey. He then visits Christ is the Answer Ministries, Kenya’s largest Pentecostal church, to interview Bishop Bonifes Adoyo. Adoyo has led the movement to press the National Museums of Kenya to sideline its collection of hominid bones pointing to man’s evolution from ape to human. The collection includes the Turkana Boy discovered by Kamoya Kimeu, a member of a team led by Richard Leakey in 1984. 　　Dawkins discusses social Darwinism and eugenics, explaining how these are not versions of natural selection, and that “Darwin has been wrongly tainted”. He then meets with evolutionary psychologist Steven Pinker to discuss how morals can be compatible with natural selection. He goes on to explaining sexual selection, with peafowls as an example. To find out whether sexual selection plays a role for altruism and kindness among humans, he visits women who are looking for sperm donors, as well as a sperm bank manager. Dawkins also explains kin selection and selfish genes. 　　In the third and final episode, Dawkins explains why Darwin’s theory is one of history’s most controversial ideas. Dawkins uses this episode to discuss the opposition that evolution has experienced since it was first discovered. He starts by approaching various anti-evolutionists, ranging from John Mackay from Creation Research, Wendy Wright, President of Concerned Women for America, to English school teacher Nick Cowen. In order to address concerns they bring up, he shows the evidence for evolution, including fossil and DNA evidence. He also talks to the science students of the school he taught in during the first episode, asking them why they aren’t adequately teaching the ideas of science properly, instead allowing their students to believe that truth is personal and that science is merely a point of view. 　　Dawkins also describes Darwin’s personal journey from Christianity to atheism, based not only on the natural mechanisms he saw, but also on the cruelty in the world which seemed to deny a loving God, in particular the loss of his daughter Annie. While Dawkins does address the bleakness of the Darwinian view, he spends the last part of this episode describing how Darwin and he himself address it, ending by saying: “In the perspective of the universe, the vastness of the universe and of geological time, we are insignificant. Some people find the thought disturbing, even frightening. Like Darwin, I find the reality thrilling.”