克勤克俭的打工一族杨小沫，几经打拼之后，没能混成打工皇后，反而成了大龄剩女。在各方面的刺激下，小沫一番赌咒发誓，决定必须在奔三之前把自己嫁出去。通过一个山寨版的婚介网，小沫认识了“完美男人”李瑞明。就在小沫以为自己离幸福不远的时候，却发现瑞明仅仅是个被人哄骗来帮忙的婚托。小沫拼命想甩脱这个“骗子”，但命运似乎在跟她开玩笑，接二连三的巧合竟让她们越走越近。更让小沫头疼的是，她发现自己正处处被善良本分的瑞明吸引着。瑞明对小沫的真情故作视而不见，小沫则意外引来了富家子弟林家栋的爱慕。经历了冲突与挣扎过后，他们选择了坚守真爱。

Afghanistan 2014. While troops are on the verge of withdrawal, Captain Antarès Bonassieu and his section are assigned a control and surveillance mission in a remote valley of the Wakhan, on the Pakistan border. Despite their determination, Antarès and his men gradually lose control of what is supposedly a calm sector. Then one September night, soldiers in the valley mysteriously disappear.

阿富汗2014。当部队即将撤离时，Antarès Bonassieu上尉和他的部队被指派在巴基斯坦边境的Wakhan偏远山谷执行控制和监视任务。尽管他们下定决心，但安塔利斯和他的手下逐渐失去了对本应平静的地区的控制。九月的一个晚上，山谷里的士兵神秘地消失了。

Kim和柳延是一對男同志好友，Kim對柳延有好感，但柳延只對大肚子的中年大叔有興趣。某天他們在家裡閒閒沒事，柳延竟要Kim幫他叫中年按摩師到家裡來。

Kim和柳延是一對男同志好友，Kim對柳延有好感，但柳延只對大肚子的中年大叔有興趣。某天他們在家裡閒閒沒事，柳延竟要Kim幫他叫中年按摩師到家裡來。

Elliot is staying with her ex’s new girlfriend while attending a medical trial for her recent, unexplained loss of hearing. As she reconfigures her relationship with her (sonic) environment and herself, an intimate connection sparks between the two women. With captivating performances by Victoria Pedretti and Maya Hawke, this loose adaptation of director Eliza Barry Callahan’s semi-autobiographical novel The Hearing Test captures the uneasy process of letting go and embracing change with sensitive warmth.

4.3 사건으로 상처 입은 제주도와 제주사람들... 　　그리고 지금 아프게 부서져 가는 강정마을의 이야기 　　제주시 애월읍 납읍에 살고 계신 강상희 할머니, 할머니의 남편 김봉수는 4.3으로 희생되었다. 해군기지 문제로 떠들썩한 서귀포시 강정마을. ‘4.3의 원혼이 통곡한다’ 와 같은 수많은 현수막이 제주 4.3과 해군기지 문제가 다르지 않음을 말한다. 카메라는 유령처럼 제주도 납읍리, 가시리, 강정마을, 일본 오사카 등을 돌며 그 흔적과 균열들을 드러내기 시작하고 다시 강상희 할머니가 혼자 살고 있는 집 앞마당으로 돌아온다. 언제부터인지 알 수 없지만 잠자리 밑에 녹슨 톱을 두고 살아온 할머니의 삶... 가늠할 수 없는 깊은 슬픔을 짊어진 제주도와 제주사람들의 삶에서 녹슨 톱은 언제쯤 치워질 수 있을까. 　　Focusing on Mrs. Kang sang-hee's life, she lost her husband in Jeju Uprising (March 3rd, 1948). The film views the dark-side of Jeju Is land, a huge grave, which is completely opposite of the other side of the island, the famous tourist attraction. It says that the tragedy has been going on about the recent Gang-jeong village situation.

In 1964 author Samuel Beckett set out on one of the strangest ventures in cinematic history: his embattled collaboration with silent era genius Buster Keaton on the production of a short, titleless avant-garde film. Beckett was nearing the peak of his fame, which would culminate in his receiving a Nobel Prize five years later. Keaton, in his waning years, never lived to see Beckett’s canonization. The film they made along with director Alan Schneider, renegade publisher Barney Rosset, and Academy Award-winning cinematographer Boris Kaufman, has been the subject of praise, condemnation, and controversy for decades. Yet the eclectic participants are just one part of a story that stretches to the very birth of cinema, and spreads out to our understanding of human consciousness itself. 　　NOTFILM is a feature-length experimental essay on FILM’s production and its philosophical implications, utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.