村里的“环村鹦城”火了，这里有只据说很灵的能替人求姻缘的鹦鹉，游客们慕名而来，导致一旁粱婆的菜地惨遭破坏，而菜地的承包者财哥却提出了天价赔偿，这其中隐藏的真相即将浮现。

It's an experimental documentary film about German capitalism and the history of various prominent German industrialists from the late 19th to the late 20th century. What makes the film most interesting is its use of contradictions between the soundtrack and the images. Very rarely does what one sees clearly relate to what one hears from the very dry narrator, who mixes historical facts, scandalous affairs and tabloid trivia without discerning one from the other, and jumping sometimes seemingly arbitrarily on the historical timeline. While this narrator demonstrates how interwoven and opaque the Capital is, the screen shows various sites from all over Europe, sometimes relating to economy or politics, sometimes not. The viewer has to create relations between what he sees and what he hears himself, often resulting in very intriguing connections, notions and questions. The film's director Gerhard Friedl committed suicide this year in July, this film was his only feature film.

故事讲述一个男人寻找自己走失的狗狗，在这个过程中他遇到了慕男狂披萨快送女、一个热爱慢跑的邻居以及一件神秘的怪事……如果你看过《橡皮轮胎》绝对不难想象这部《全错了》的调子，奇怪的电子乐，钟表上7：60的时间，还有每个人不停的问“Why”，充满了神经质的快感。

故事讲述一个男人寻找自己走失的狗狗，在这个过程中他遇到了慕男狂披萨快送女、一个热爱慢跑的邻居以及一件神秘的怪事……如果你看过《橡皮轮胎》绝对不难想象这部《全错了》的调子，奇怪的电子乐，钟表上7：60的时间，还有每个人不停的问“Why”，充满了神经质的快感。

九十年代初，在柬埔寨一个农村里，有一对普通的农民夫妇以及七个女儿。一条毒蛇的出现，给这个家庭平静的生活带来了危险。为了维持生活，他们还是冒险下地干活，结果丈夫无可避免遭到了毒蛇的侵咬，在医治条件极为恶劣的情况下，痛苦地死去。失去了家里的顶梁柱，农妇无法接受，不久就疯了。他们的大女儿挑起了生活的重担，照顾全家，可母亲的病情却并没有好转。农妇最终跑出了他们的小屋，消失在庄稼的尽头。 　　幕后/花絮 　　柬埔寨作为亚洲小国，一直被视为文化沙漠，然而这个电影产量稀少的国家，却出现了一位大师：潘礼德。他的电影具有悲天悯人的情感，有人把其代表作《谷农》与前苏联名片《无粮的土地》并成为“双璧”。此片获得1994年戛纳电影节金棕榈奖提名，它是“一部劳动人民的辛酸历史”，

一个神秘的飞行器坠毁在塞浦路斯一个名不见经传的小村庄里。坠毁点既是男主角家门口的土豆田，又和联合国控制的缓冲区相毗邻。于是平日安静的小村庄顿时变得鸡犬不宁。一边是国际组织暗中来取飞行器，一边是男主暗自计划把飞行器挖出来抵债。本就忙于选举和土豆节的小村庄里，上演了一出荒诞又可笑的好戏。影片时而如警匪片般扣人心弦，时而又如喜剧片令人忍俊不禁，塞浦路斯小村之景也在观众面前徐徐展开。

美国作家塞林格是当代最神秘也最有争议的作家。在发表了广为人知的小说《麦田里的守望者》后，他在半个多世纪一直隐退于大众的视野之外。他在1965年出版…

A tontine is established for a dozen children, a tontine being a kind of bet/insurance, money is put in for each to grow with interest and the last survivor is to get the lot. We watch the group dwindle until only two brothers are left. One brother is watched by his nephews who will keep him alive at all costs, the other lives in ill health and poverty as the only support of his fairly stupid grandson. Statues and bodies are switched, in the wrong boxes until everyone is sure someone has died. Now if they can only make it seem as if the other brother died first, hundreds of thousands of pounds (in Victorian England when a pound was a pound) will be theirs.

A tontine is established for a dozen children, a tontine being a kind of bet/insurance, money is put in for each to grow with interest and the last survivor is to get the lot. We watch the group dwindle until only two brothers are left. One brother is watched by his nephews who will keep him alive at all costs, the other lives in ill health and poverty as the only support of his fairly stupid grandson. Statues and bodies are switched, in the wrong boxes until everyone is sure someone has died. Now if they can only make it seem as if the other brother died first, hundreds of thousands of pounds (in Victorian England when a pound was a pound) will be theirs.

该剧讲述了千娇百媚、复仇归来的“红玫瑰”杜幽梦（化名）与体弱病娇，多智腹黑的“玉面郎”裴玉泽因复仇结盟，更因彼此依靠而相恋的民国倾城爱恋。