方罗兰回到乌镇成为县政府的办事员，与小学教师陆梅丽结婚。怀有隐秘个人动机的特派员胡抱素来到乌镇，准备大捞一笔，被点燃梦想的方罗兰和从上海来的女协干部孙舞阳被其利用……

Fisherman Choon-sam (Yoon Buk-yang) is suffering financially because of a prolonged scarcity of fish. Pestered by miserly Mr. Jang to pay back his debt, Choon-sam goes out to sea in hopes of a catch but meets a watery end instead. As payment for the debt, Mr. Jang tries to take Choon-sam's daughter In-soon as his second wife. Meanwhile, In-soon (Park Noh-kyung) is mutually in love with Chun-suk (Park Hak), but torn about the suggestion of Ok-bun (Chun Hyo-bong), who lives in Seoul, to join her in the city. In order to get a job and pay back her father's debt, In-soon follows Mr. Jang's son Chul-soo to Seoul, not knowing that he harbors illicit intentions toward her. Violated by Chul-soo and emotionally distraught, In-soon goes to live with Ok-bun. However, she fails to find employment and is so tormented by the burden she is imposing on her friend that she decides to become a gisaeng. Chun-suk, who has come to Seoul to find In-soon, finds out what happened between her and Chul-soo and returns home with a broken heart. In the end, In-soon tries to commit suicide but is saved by Chun-suk's love for her, and the two of them return home together. 　　Fisherman's Fire is one of the films from the late Japanese colonial period that the Korean Film Archive (KOFA) obtained through the China Film Archive (CFA) in 2004. Along with Homeless Angel (Jib-eobsneun cheonsa), Story of Sim-chung (Sim Cheongjeon), and Military Train (Gun-yong-yeolcha), it is one of just four films from the 1930s whose existence in Korea has been verified. However, since a mere 10 minutes or so of footage remains from Story of Shim Cheong and Military Trainwas the first film to serve as a government mouthpiece, it would not be an exaggeration to say that there are only two movies in the true sense of the term dating from 1930s Korea. Although it is hardly a polished masterpiece, Fisherman's Fireis an important work that allows us to judge the level of technique, form, and content that characterized Korean films of the period. The abundant sights of Seoul (called Kyeongsungat the time) that crop up in the latter half of the film alone are sufficient to endow Fisherman's Fire with historical value. The film alsoprovides fleeting glimpses into the values and practices of so-called "modern boys" and "modern girls" at the time.

这里是五十万，立刻离开我儿子！

民国24年，曾祖父在杭州泛舟并留影纪念。2023年，我探寻并重游了部分照片中的地点：从富春江到钱塘江，又名之江。这条河流是记忆的隐喻，也是一根联结时间的线索。漂浮在水面上，我静静地凝视着摇曳的波涛，反射出迷人而又刺眼的阳光。近百年的历史变迁，最终汇集在一条弯曲、发光的线条里，如同汹涌的洪流在不断地变化着。 　　In the 24th year of the Republic of China, my great-grandfather travelled on a boat in Hangzhou and captured the moment in photographs. In 2023, I explored and revisited some of the locations depicted in the photos: from the Fu Chun River to the Qiang Tang River, also known as Zhi Jiang. This river is a metaphor for personal memories and also as a thread connecting through time. Drifting on the water, I gazed at the rippling waves, reflecting the captivating yet dazzling sunlight. The historical changes of nearly a century ultimately converge into a curved and luminous line, resembling the surging torrent that ever-changes.

天空微白，已是黎明时分。可对于里卡多（弗朗西斯科·拉瓦尔 Francisco Rabal饰）来说，这却是痛苦而残酷的一夜。无论里卡多怎样苦苦哀求维多利亚（莫尼卡·维蒂 Monica Vitti饰）回心转意，她已然心意已决，执意离去。维多利亚来到罗马证券交易所找她的母亲，远远地就看见母亲与经纪人皮耶罗（阿兰·德龙 Alain Delon饰）兴奋地聊着股票。皮耶罗年轻潇洒，风度翩翩，很会讨女人欢心，而这对维多利亚来说毫无兴趣。但一种莫名的强大吸引力在两人之间慢慢滋生，然而两人谁也未曾踏出第一步。当她再次来到交易所时，却遇到股票狂跌，维多利亚的母亲也亏了很多钱。不安的维多利亚，觉得皮耶罗可以成为自己可靠的保护人。然而当两人终于在一起时，隐藏在他们背后的复杂关系又使他们彼此疏远。 　　由意大利现代主义电影导演米开朗基罗·安东尼奥尼执导的《蚀》，与《夜》、《奇遇》共同构筑了安东尼奥尼的《现代爱情三部曲》。安东尼奥尼的作品一直关注着人类精神状态的病态与疏离，本片的背后依旧是他所要传达出的人文道德危机和精神的空虚。本片荣获1962年第15届戛纳电影节评审团特别奖，入围1962年第15届戛纳电影节金棕榈奖。

天空微白，已是黎明时分。可对于里卡多来说，这却是痛苦而残酷的一夜。无论里卡多怎样苦苦哀求维多利亚回心转意，她已然心意已决，执意离去。维多利亚来到罗马证券交易所找她的母亲，远远地就看见母亲与经纪人皮耶罗兴奋地聊着股票…

郑熙晟导演处女作，崔泰俊、金时厚、文佳煐主演，影片以平凡的高中学生们为中心，是部包含冲击案件的犯罪惊悚电影，讲述转到某间高中的允宰，与有着微妙氛围的「世俊」变亲近后所发生的事情。

罗马的一个夏日，维多丽娅（莫尼卡·维蒂 饰）决定与他的情人里卡多尔断绝关系。但是狂热而多情的里卡多尔无法忍受这一打击，因而对她施行种种的威胁，逼得维多丽娅只好避居朋友家里。此后她在交易所偶遇经纪人的皮埃罗（阿兰·德龙 饰），他是一位年轻潇洒、风度翩翩、富有魅力的美男子。维多丽娅依然感到受到威胁，它不仅仅来自里卡多尔，同时也来自一种无名的危险感。此后发生的一些事情，使不安的维多丽娅觉得性格倔强的皮埃罗可以成为她可靠的保护人。但是要和他和谐相处也不太容易，皮埃罗耽心走得太远不好收场，而维多丽娅觉得他野心太大，为人冷漠。他们虽曾发誓永远相爱，可是隐藏在他们背后的复杂关系又使他们彼此疏远。皮埃罗能够为了一个女人而牺牲他的交易所事业和自己的独立吗？而维多丽娅能够接受这种新的束缚吗？

Hae-in is kidnapped by Dong-yub who had a crush on her when she lived in their hometown. Her blissful life in Seoul with Korean-American Johan is ruined. Dong-yub locks her in a villa and begs her acknowledge that they once had a relationship back hometown but Hae-in pines away after Johan and tries to escape repeatedly. Johan, at first, tries to find Hae-in but soon gives up and begins to see other women. Dong-yub finds out and ensnares one of Johan's women and meets him. But Johan sarcastically bids happiness of Dong-yub and Hae-in, Hae-in, unaware of the truth, thinks of ways to escape the villa. Dong-yub is tormented by Hae-in and finally lets her go. She returns to Johan only to find out the truth. Finally realizing that Dong-yub was sincere, she goes back to him but finds that he has killed himself from heartbreak.