SYNOPSIS 　　Wealthy businessman Sang-cheol is crippled in a construction site accident. As a result, he becomes sexually handicapped. His young wife Hye-mi suffers under his suspicious gaze. She begins to feel alienated by her husband and his physical therapist Hee-joo's close relationship. She meets and begins to fall for Woo-yeob, an automobile mechanic. Woo-yeob attempts to kill Sang-cheol for his abusive hold on Hye-min but finds that someone has killed him. Woo-yeob is framed for the murder. The culprits are none other than Hye-mi and Hee-joo. Finding out that Sang-cheol was planning to donate most of his money to society, they decided to kill him and frame Woo-yeob. 　　故事 　　手段的伟人郑某Sangcheol是一个公认的性摧残创伤到施工现场的安全。他年轻的妻子Hyemi住danghamyeo被迫寻求身体和精神压力，挫折和这样的症状与她的丈夫一些uicheojeung。此外，让物理治疗师汇聚成就业标称sikindaneun许仙起死回生的需求与她的丈夫，而频繁的身体接触，感到疏远和绝望感。然后一个Hyemi在车上摆弄服务修理工肝右叶满足自己感觉他的身体和积极的纯洁的感情。右叶意在Hyemi结束再也无法丈夫去世前做杀相铁线，但他已经被打死的人，右叶的苦涩指责。然而，令人惊讶的凶手将被揭示同谋Hyemi和茨·溪，女生会想知道它们是相铁减少财产关注的是，他们的市场份额较小质量的社会拖动，并且相铁肝右叶杀人后。肝右叶离开公路漫无目的的虚荣爱的背叛知道所有的事实。

情色小说作家Cox对她正在创作的最新小说进行了深入研究。

ETHNIC NOTIONS is Marlon Riggs' Emmy-winning documentary that takes viewers on a disturbing voyage through American history, tracing for the first time the deep-rooted stereotypes which have fueled anti-black prejudice. Through these images we can begin to understand the evolution of racial consciousness in America. Loyal Toms, carefree Sambos, faithful Mammies, grinning Coons, savage Brutes, and wide-eyed Pickaninnies roll across the screen in cartoons, feature films, popular songs, minstrel shows, advertisements, folklore, household artifacts, even children's rhymes. These dehumanizing caricatures permeated popular culture from the 1820s to the Civil Rights period and implanted themselves deep in the American psyche. Narration by Esther Rolle and commentary by respected scholars shed light on the origins and devastating consequences of this 150 yearlong parade of bigotry. ETHNIC NOTIONS situates each stereotype historically in white society's shifting needs to justify racist oppression from slavery to the present day. The insidious images exacted a devastating toll on black Americans and continue to undermine race relations. ETHNIC NOTIONS has quickly become a mainstay of university, high school, and public library collections. It is a basic audio visual text for American History, Sociology, Black Studies, Anthropology, Social Psychology, Media Studies, and any training program concerned with stereotyping and cross-cultural understanding. Approaching a complex and delicate subject with great sensitivity, ETHNIC NOTIONS equips viewers to view media and other cultural representations with a more critical eye. It's a direct challenge to those who say, "It was just a joke."

Dr James Fox has never really got conceptual art. And he's not alone. Conceptual art has been treated with suspicion and incredulity by virtually everyone outside the art world for nearly a hundred years. Ever since Marcel Duchamp first displayed a signed urinal and claimed it was art in 1917. So was he taking the piss? Or was he on to something, creating a whole new approach to art that has now lasted a century? 　　Dr Fox embarks on an open-minded guide for the perplexed and asks 'What is conceptual art?' 'How should we approach it?' and crucially, 'Why should we care?'. Roaming between the past, present and future he examines a mind-bending selection of the most influential conceptual ideas and artworks, alongside meeting the leading movers and shakers of today. And who knows? In the end, Dr Fox might find himself unexpectedly seduced by this trickiest of art forms.

The year 2017 marks the 500th anniversary of one on the most important events in Western civilization: the birth of an idea that continues to shape the life of every American today. 　　In 1517, power was in the hands of the few, thought was controlled by the chosen, and common people lived lives without hope. On October 31 of that year, a penniless monk named Martin Luther sparked the revolution that would change everything. 　　He had no army. In fact, he preached nonviolence so powerfully that — 400 years later — Michael King would change his name to Martin Luther King to show solidarity with the original movement. 　　This movement, the Protestant Reformation, changed Western culture at its core, sparking the drive toward individualism, freedom of religion, women's rights, separation of church and state, and even free public education. Without the Reformation, there would have been no pilgrims, no Puritans, and no America in the way we know it. 　　The film follows the dramatic story of Martin Luther's life: the massive lightning storm that nearly killed him, the bleak self-punishment of his time in the monastery, the corruption that unleashed his anger, his trial before the most powerful man in Europe, and the staged kidnapping that helped him escape the death penalty. 　　This is a highly-visual documentary with elaborate full-scale dramatizations that were filmed in the castles, monasteries and cobblestone streets of eastern Europe. Dozens of historians from Europe and the Americas were interviewed, with a careful eye to ensure all sides of the story are represented. The film is narrated by Hugh Bonneville ("Downton Abbey") and stars Padraic Delany ("The Tudors," "The Man Who Knew Infinity").

NHK 现代大特写 亚洲的眼泪 AV女优之死 ~与“扭曲性观念”的斗争~

小时候，日向翔阳从电视上看见排球比赛，乌野高中的一名小个子在球上的英姿，简直就是个“小巨人”。他对此印象非常深刻，并开始迷上排球，一直想成为“小巨人”一样的人。初中时排球部不够人数，他只好默默等待，后来在终于有新成员加入后，参与了第一次也是最后一次的比赛，然而他们不幸与最强队伍对决，结果当然落败了。单凭自己的话，是绝对没办法看见那景色的，不是自己一人的话，或许就能看见了。为了能够打出“胜利”的比赛，翔阳努力考入乌野高中，为实现成为“小巨人”的排球梦想而努力着！

由一则男友陈放的策展报道引爆的隐离婚事实，让南飞备受“小三”舆论围剿，更由于陈放在家庭责任与爱人名分之间两难选择而导致南飞单方面提出分手，投奔上海婚期将近的闺蜜齐家宜，不料正撞上闺蜜的临阵悔婚，助其“解套”短暂婚姻之后，两人联名买房，缔结闺蜜同盟。为了躲避父母催婚，在齐家宜的“拉郎配”下，患有抑郁症的华尔街海归邻居焦岳与南飞组成临时假情侣。不料蒙在鼓里的双方父母轮番上阵逼婚大战，不明真相千里追爱的陈放与以男闺蜜自居实则暗恋南飞多年的凌骄阳也化敌为友联手对焦岳开展“鉴渣”行动，由此引发了一系列啼笑皆非的误会……

因一则陈放的策展报导，无意间抖出南飞（宋茜 饰）与陈放（陆毅 饰）的各自前史，选择隐离婚的陈放，让南飞冠以“小三”被众人谴责与诬蔑，南飞有口难辩…

（本片全部由手机及DV拍摄）游戏开始。在想象中，我回到了这片熟悉又陌生的土地，这里的一切——人群、烟雾、船舶似乎永远停滞，又不停飘荡。这里是我的故乡吗？我已许久没闻过童年的味道了，也许他们早已凝固......回到当下，一位挚爱多年的音乐人突然离世，让我突然觉察死亡对日常生活的突袭——像一场无声的暴雨。当重大冲击发生在无法抽身思索的忙碌时刻，当告别被迫成为日常生活的必修课，我们能否在他人消逝的裂痕里，触摸到自身存在的确证？记忆凝固，现实回响；发生的，未来的，正在静默流淌......是否存档？是否退出？