一个看起来呆头呆脑的男孩（Fernando Garcia Marin 饰）正被母亲（Guadalupe Del Toro 饰）责骂，原来他刚刚弄砸了几何考试，母亲无情的奚落让他无地自容。暴风雨过后，母亲倚靠在客厅观看电视里播放的恐怖片，男孩则默默走入自己的房间。他找出一 本古老的咒语书，上面记载了召唤魔鬼并实现愿望的方法：即用自己的鲜血划出五星图案，站在五星中以防魔鬼加害，然后向魔鬼提出要求。男孩照此行事，然而却犯了一个致命的错误…… 　　本片为西班牙导演吉尔莫·德尔·托罗（Guillermo del Toro）学生时代的短片作品，该片拍摄于1987年，而直至2010年才算最终完成。片中母亲的扮演者则由吉尔莫现实中的母亲来担任。

一个看起来呆头呆脑的男孩（Fernando Garcia Marin 饰）正被母亲（Guadalupe Del Toro 饰）责骂，原来他刚刚弄砸了几何考试，母亲无情的奚落让他无地自容。暴风雨过后，母亲倚靠在客厅观看电视里播放的恐怖片，男孩则默默走入自己的房间。他找出一 本古老的咒语书，上面记载了召唤魔鬼并实现愿望的方法：即用自己的鲜血划出五星图案，站在五星中以防魔鬼加害，然后向魔鬼提出要求。男孩照此行事，然而却犯了一个致命的错误…… 　　本片为西班牙导演吉尔莫·德尔·托罗（Guillermo del Toro）学生时代的短片作品，该片拍摄于1987年，而直至2010年才算最终完成。片中母亲的扮演者则由吉尔莫现实中的母亲来担任。

梦是不可理喻的?荒谬的?怪诞离奇的?释梦者往往被披上神秘而又神圣的面纱。但梦却具有一定的意义，即使那是一种用晦涩的“隐意”来取代某种思想的过程。本片通过一系列梦境的再现来试图解释弗洛伊德抽象的“潜意识”理论，使观众们能够更简单、更直接、更清楚地去了解人类深奥难懂的精神领域。

梦是不可理喻的?荒谬的?怪诞离奇的?释梦者往往被披上神秘而又神圣的面纱。但梦却具有一定的意义，即使那是一种用晦涩的“隐意”来取代某种思想的过程。本片通过一系列梦境的再现来试图解释弗洛伊德抽象的“潜意识”理论，使观众们能够更简单、更直接、更清楚地去了解人类深奥难懂的精神领域。

Primal Matter, the entire work in seventeen minutes, is a condensed cinematic summary of Dimitris Papaioannou’s original production, Primal Matter, presented in 2013 at the Athens Festival. Originally spanning one hour and fifteen minutes, this live performance featured Dimitris Papaioannou and Michalis Theophanous and was filmed by Stefanos Sitaras and edited by Dimitris Papaioannou. Primal Matter is Dimitris Papaioannou’s personal response to a new political, social, and ethical reality, where issues of national identity are re-interpreted. The challenge that lies ahead is how to face a wounded national identity, the trauma continues, but so does the resistance of creativity. Papaioannou employs the simplest means, the body itself. Primal Matter offers a universal language of decoding, and a shortcut to the truth – the fusion of the two bodies through optical illusions is a fusion of attitudes, of identities and a struggle between the matter and the mind, the shadow and the light, the creator and its creation. (源自: TIDF 2024)

Hak-jin and Mi-sun spend a happy honeymoon on Jeju Island. But power hungry Hak-jin, leaves Mi-sun and gets remarried to a wealthy corporate chairman's only daughter. Mi-sun begins to work in a kisaeng (courtesan) house. Hak-jin runs into Mi-sun while having dinner with his colleagues and finds himself feeling guilty. He asks Mi-sun to meet him for business purposes. He asks her to sleep with a potential buyer for business. Mi-sun agrees on one..

公交站台上每个等车的人都有自己故事，旁白逐个诉说着他们的经历，然而事实并非如此，而且与之相反。

公交站台上每个等车的人都有自己故事，旁白逐个诉说着他们的经历，然而事实并非如此，而且与之相反。

Hak-jin and Mi-sun spend a happy honeymoon on Jeju Island. But power hungry Hak-jin, leaves Mi-sun and gets remarried to a wealthy corporate chairman's only daughter. Mi-sun begins to work in a kisaeng (courtesan) house. Hak-jin runs into Mi-sun while having dinner with his colleagues and finds himself feeling guilty. He asks Mi-sun to meet him for business purposes. He asks her to sleep with a potential buyer for business. Mi-sun agrees on one..

In The Nightmare, director Rodney Ascher (Room 237) has done just that. The film explores the condition commonly referred to as “sleep paralysis.” That’s a condition where someone is in bed, but totally physically immobilized. Some who suffer from the condition – including the eight subjects in this documentary – feel they are visited by something evil during these periods. Ascher lets these subjects tell their stories, then we watch them play out on screen. It’s absolutely horrifying, if not wholly rewarding.