法国人查理•西蒙（Philippe Torreton 饰）独自一人驱车来到中亚边境，车子故障后，他弃车而行。在一家夜总会他与一群年轻人度过狂乱之夜，护照和欧元都在酒醉时分赠与他人。次日，独自上路孑然一身的查理被警察当作间谍拘捕，一番波折后得到释放，他却拒绝补办护照，仍继续无尽的旅程。 　　在路上，查理遇见了专门收集和贩卖词语的萨满人，也邂逅了美丽善良的女教师乌尔詹（Ayanat Ksenbai 饰），他们和查理结伴而行，一同完成这荡涤灵魂的朝圣之旅……

勇敢的热血好青年立花直树从安莫伦星人处得到威力无穷的机器人JUMBOG A和JUMBOG9，并和保卫地球的PAT队一起同妄图侵略地球的哥斯军団战斗。 詹伯格艾斯不属于奥特曼系列，是圆谷公司的特摄作品，与奥特曼的任何一世界观没有任何联系。

勇敢的热血好青年立花直树从安莫伦星人处得到威力无穷的机器人JUMBOG A和JUMBOG9，并和保卫地球的PAT队一起同妄图侵略地球的哥斯军団战斗。 詹伯格艾斯不属于奥特曼系列，是圆谷公司的特摄作品，与奥特曼的任何一世界观没有任何联系。

以单元剧的形式集青春偶像悬疑推理爱情等一体，侦探詹天远（俞灏明饰）和伙伴们在调查一系列错综复杂的案件过程中，抽丝剥茧，将真相大白于天下。

以单元剧的形式集青春偶像悬疑推理爱情等一体，侦探詹天远（俞灏明饰）和伙伴们在调查一系列错综复杂的案件过程中，抽丝剥茧，将真相大白于天下。

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

这部犯罪系列剧完全符合萨克森演员和歌舞表演艺术家Wolfgang Stumph冷静、幽默和讽刺的风格，他在剧集一开始就从德累斯顿来到汉堡，以总督察威尔弗里德·斯图伯（Wilfried Stubbe）的身份展开调查。他的同事贝恩德·齐默尔曼（ Lutz Mackensy 饰）为他提供了帮助。齐默尔曼主要关注事实和数字，而斯图贝喜欢依靠自己的直觉，这种搭档反而会使案件大有进展。调查员与女儿克里斯蒂安娜（Stephanie Stumph 饰）以及小姨子夏洛特（ Margret Homeyer 饰）的私生活也在剧中扮演着重要角色，主要集中在两代人之间的大小问题上。