载仁（河锡辰 饰）是圣贤集团会长李贵哲的孙子，幼年丧父的他从小在爷爷的严厉教导之下长大，个性迥异的爷孙两人在很多事情上都存在着分歧，随着时间的推移，矛盾慢慢积累最终爆发，在和爷爷大吵一架后，载仁离开了家，开始了独自一人的生活。 　　某日，载仁意外得知爷爷立下遗嘱，上书如果载 仁不能迎娶名为多贤（全昭旻 饰）的女子，将会失去所有遗产的继承权。愤怒的载仁将多贤当成了是欺骗和迷惑爷爷的骗子，两人之间产生了诸多的矛盾。然而，随着时间的推移，载仁渐渐发现了多贤善良温柔的一面，一直扮演着纨绔子弟的载仁，内心深处感受到了强烈的悸动。

载仁（河锡辰 饰）是圣贤集团会长李贵哲的孙子，幼年丧父的他从小在爷爷的严厉教导之下长大，个性迥异的爷孙两人在很多事情上都存在着分歧，随着时间的推移，矛盾慢慢积累最终爆发，在和爷爷大吵一架后，载仁离开了家，开始了独自一人的生活。 　　某日，载仁意外得知爷爷立下遗嘱，上书如果载 仁不能迎娶名为多贤（全昭旻 饰）的女子，将会失去所有遗产的继承权。愤怒的载仁将多贤当成了是欺骗和迷惑爷爷的骗子，两人之间产生了诸多的矛盾。然而，随着时间的推移，载仁渐渐发现了多贤善良温柔的一面，一直扮演着纨绔子弟的载仁，内心深处感受到了强烈的悸动。

某中学国文老师金多贤下班在地铁上见到一位两手提着包袱步伐蹒跚的老人，她赶紧把座位让给了老人，从此以后怪事接踵而来。多贤是个相貌一般但心肠极好的女孩，她可怜老人吃力的样子就跑上前帮老人提起了包袱，她陪老人在一站下了车，直到把老人送上郊区客车才离开，这件事多贤没多想，随即就忘掉了。其实这个老人就是“圣玄集团”的会长，后来老人更改了自己的遗嘱内容，在遗嘱里添加了“子孙中能娶到多贤的人，才有权利继承大部分家产”，于是载仁开始到处寻找这个叫多贤的女人……

某中学国文老师金多贤下班在地铁上见到一位两手提着包袱步伐蹒跚的老人，她赶紧把座位让给了老人，从此以后怪事接踵而来。多贤是个相貌一般但心肠极好的女孩，她可怜老人吃力的样子就跑上前帮老人提起了包袱，她陪老人在一站下了车，直到把老人送上郊区客车才离开，这件事多贤没多想，随即就忘掉了。其实这个老人就是“圣玄集团”的会长，后来老人更改了自己的遗嘱内容，在遗嘱里添加了“子孙中能娶到多贤的人，才有权利继承大部分家产”，于是载仁开始到处寻找这个叫多贤的女人……

"男主穿越到大乾王朝，成为一个拉二胡的瞎子，解锁系统，会发布任务，任务完成后，会获得相应奖励，改编主线为护送公主入京，闯关，前期主线为奖励按时间到账，对标倒计时的套路，午时已到，奖励到账，嘎嘎乱杀！中期也是已发布任务，完成任务为主线，男主带女主闯关同时，解锁各种牛逼奖励，意外之下，救下当朝公主，并在任务提示下护送公主回京城，一路之上遇到无数艰难险阻，杀死敌人，成功护送公主入京，回京之后，各方云涌，大皇子联合无数势力对公主施压，准备出之而后快，老皇帝年老瘫痪，眼看就要归西，皇位之争愈发愈烈，大皇子突然发难，准备让公主名声扫地。

《#COMPASS 战斗天赋解析系统 》是一款集策略、卡牌技能组合和动作系统于一身的3V3即时战斗模式手游。近日官宣动画化决定！

《#COMPASS 战斗天赋解析系统 》是一款集策略、卡牌技能组合和动作系统于一身的3V3即时战斗模式手游。近日官宣动画化决定！

维多利亚是一名单身母亲，和女儿阿丽娜过着相依为命的生活。维多利亚买下了一套苏联时期的高层公寓，这间公寓地段好房型好装修好价格还低，为了得到这套公寓，维多利亚不惜向老板借了一笔巨款，发誓以后天天做牛做马来还债。 　　实际上，在这间公寓里，住着一个家养小精灵（彼得·纳塔罗夫 Pyotr Natarov 饰），房产经纪人利用小精灵的存在来赶走买下公寓的人，再用低价将公寓专卖出去，如此往复，牟取暴利。维多利亚母女两入住没多久，小精灵就开始了他的捣乱，但是善良的阿丽娜并没有将小精灵视为邪恶的化身，而是始终以童真的单纯的眼光看待他，久而久之，小精灵被阿丽娜感化了。

维多利亚是一名单身母亲，和女儿阿丽娜过着相依为命的生活。维多利亚买下了一套苏联时期的高层公寓，这间公寓地段好房型好装修好价格还低，为了得到这套公寓，维多利亚不惜向老板借了一笔巨款，发誓以后天天做牛做马来还债。 　　实际上，在这间公寓里，住着一个家养小精灵（彼得·纳塔罗夫 Pyotr Natarov 饰），房产经纪人利用小精灵的存在来赶走买下公寓的人，再用低价将公寓专卖出去，如此往复，牟取暴利。维多利亚母女两入住没多久，小精灵就开始了他的捣乱，但是善良的阿丽娜并没有将小精灵视为邪恶的化身，而是始终以童真的单纯的眼光看待他，久而久之，小精灵被阿丽娜感化了。

Another amazing find from our friends at Cine-Clasico, "Vier um die Frau" is a 1921 Fritz Lang film found in the Brazilian film archives. The period intertitles are in Portuguese but the plot is not difficult to follow, particularly with the assistance of the invaluable Herr Graf Ferdinand Von Galitzien, whose blog entry on the film (link) follows : 　　The merchant Yquem buys his dear wife a beautiful jewel with matching earnings in a place where the city's underworld trades in fake and stolen jewelry. By chance, Yquem spots a man with whom his wife had an affair in the past. Yquem follows him to a hotel where he will write him a letter imitating his wife's hand writing. The letter invites the man to a public place where Yquem can spy on them and try to discover whether there is still something between them. 　　This early Fritz Lang film, "Vier Um Die Frau" (Four Around a Woman) was found by chance some years ago at the "Cinemateca De Sâo Paulo", a great present for the German aristocracy and even for the longhaired moviegoers, because it prefigures much of "Dr. Mabuse", (corruption in the upper class-a very habitual practice-unscrupulous upstarts, blackmail, low class criminals, social tension.) and in the opinion of this German aristocrat, provides one of the most outstanding titles of Lang's first period. This film has excellent editing that gives vigour, speed and emotion to a story of an underworld rife with treachery and betrayal as well as a complex tale of unrequited love. The film builds to a crescendo of narrative strength that reminds one of episodes of "Die Spinnen" made by Herr Lang a year before. 　　The acting is exceptional and the performers resist the temptation to overacting that might be expected in such melodrama. As the heroine, Carola Toelle is especially good and admirably conveys the doubts, secret desires and frustration that her character suffers. An excellent counterpoint is provided the character of her friend and confidant, a perfect vamp, who provides bad advice and is without scruples, quick to use flirting to build up her social position... Rudolf Klein-Rogge has to be mentioned, as his performance makes one recall the exceptional character Dr Mabuse, that he will immortalise two years later. The excellent main actors are given equally good support in the minor roles. 　　It is worth mentioning as well the great photography of Otto Kanturek and the film production by Ernst Meiwers and Hans Jacoby. The importance of "Decla-Bioscop"'can be seen in the first rate production values that are so abundant in the film (great manors, hotel lobbies, the stock exchange, etc) and on the other hand the realistic depiction of less auspicious surroundings: ragged and wretched slums streets filled with the kind of characters you might expect in such places. A minor point but also a real curiosity is the inclusion of a poster for another "Decla Bioscop" production that can be glimpsed in a theater lobby.