沈南秋3岁被拐成陈家童养媳，改名陈欣月受尽虐待，后因香茅草桂花糕与寻女20年的生母沈墨重逢。陈平川假意求婚骗财被揭露真面目，婚礼上沈墨与女儿沈南秋相认，揭开拐卖真相，最终人贩子伏法，母女在破碎记忆中重建亲情。

海归千金闪婚武林至尊，总裁加玄学的双重buff，让复仇之路增添更多神秘色彩。

苏念安与顾晏清协议婚姻到期时，因误会顾晏清背叛， 又遇火灾重生三年前，决心离婚。顾晏清也重生，假装破产、瘫痪接近她。顾明泽暗中害两人，苏念安发现其是前世真凶。两人联手揭露阴谋，解开心结相爱。

赋闲在家的电影厂老导演突发奇想，组建了集知识性、娱乐性与幽默性为一体的“好梦可圆编辑部”，公开招聘了侯大成、张光南、郉燕燕与小赵为主体的编辑业务人员...... 他们不仅出版月刊杂志，而且还针对性的“为民服务”与“替人圆梦”，先在“雷鸟A行动”中让人捧腹大笑，继而又为光顾名人精子库的关富婆协调借精行动；阿甘家的保姆专横跋扈，但她却是阿甘小时的救命恩人，所以他最大的的愿望就是请“好梦编辑部”替他请走保姆......

安宁的日常——背后却暗藏秘密 将犯罪防患于未然的秘密组织——“DA（Direct Attack）” 隶属于DA的少女特工——“莉可丽丝” 理所当然的日常，都要归功于她们。 咖啡厅“莉可莉可” 作为DA支部，员工有号称史上最强莉可丽丝的精英·锦木千束、优秀却暗藏隐情的莉可丽丝·井上泷奈。 这里供应的不光是咖啡和甜品，还有照顾孩子、代为购物、教外国人日语等服务，全都不像是“莉可丽丝”会做的事。 自由随性又乐天的和平主义者·千束和效率至上的泷奈，反差巨大的两人组成搭档，开始了忙忙碌碌的每一天。

墨西哥母亲玛格达勒娜在前往美墨边境寻找失踪儿子的路途中，遇到了不久前被美国驱逐出境的男子米格尔。玛格达勒娜寻子，而米格尔则希望能再见他母亲一面…

《캐치! 티니핑》은 삼지애니메이션이 만든 애니메이션으로, 2020년 3월 19일부터 매주 목요일 오후 5시 15분에 KBS 2TV에서 방영하고 있다.

The story of Barocco is about a girl in love with a boxer. They plan to went abroad after making a lot of money by cheating in a match. But the boxer is killed before, and the killer, little by little, fall in love with the girl that accept him finally at the condition that he looks like the boxer he killed.

The story of Barocco is about a girl in love with a boxer. They plan to went abroad after making a lot of money by cheating in a match. But the boxer is killed before, and the killer, little by little, fall in love with the girl that accept him finally at the condition that he looks like the boxer he killed.

Marisol (Alejandra Herrera) is caught between her possessive and aggressive cousin, Mauro (Eduardo Mendizábal), and passionate but inert lover, Mundo (Noé Hernández). Violence is a constant presence in their rural Mexican town, with gangs and guerilla fighters a steady presence. When Mundo has to flee, their connection turns from physical to digital even when Marisol is held captive by her cousin. Their communication via text, voicemail, and video is sporadic and frustrating, but is nevertheless a source of comfort, and their longing remains intense despite the distance. When Mundo returns, the stakes for Marisol are even higher, and it’s no longer a question of whether things will come to a head, but how and when. Might their desire and desperation ultimately play to her advantage? 　　In turns paradisiacal and nightmarish, the setting director Gerardo Naranjo (Miss Bala) created is mesmerizing. The craggy, sunny seaside alternates with electronic messages, shaky video calls and crashing waves. The air seethes with pent-up emotions as Marisol longs for freedom.—Frederic Boyer