乔治·史威兹贝尔(Georges Schwizgebel)1944年生于瑞士，是世上极为重要的实验动画导演。1966年成立GDS工作室，制作数部极为重要的动画影片。他的作品形式具有强烈的实验性及音乐性，影像流动的美学形式是其一大特色。曾在东京、罗马、纽约、安锡、蒙特娄地等举办回顾展。

Few are aware that even before Huszárik’s Elegy, a similar poetic film was made in Balázs Béla Studio, in which János Tóth was also the cinematographer. This pioneering work was Fascination, the product of István Bácskai Lauró who later became known for his popular movies. Imagery of the heavy physical labour conducted in a steelworks contrasted with creative activity lends a tension to the structure, but the appearance of Miklós Mészöly also serves to make the film interesting for the modern viewer

天才画家陆黎为查父母血案，潜入式伦集团接近私生女秦月白。两人互相利诱合作，一步步发现彼此秘密与真实身份。从交手到交心，从相互利用到患难与共，以爱治愈彼此的不完美。

天才画家陆黎为查明父母遇害真相，潜入式伦集团，与式伦集团继承人秦月白携手合作，两人在前有狼后有虎的局面下，不同寻常的事件里似乎暗藏着有关彼此的秘密，陆黎的真实身份被揭晓，二人如宿命般的关系在暗流涌动的任务中逐渐生出暧昧情愫。从“交手”到“交心”，两人从相互利用到坠入爱河，在互相救 赎中，以爱治愈彼此的“不完美”。

玛格丽特·杜拉斯 谈论她的作品“写作”，纪录片，时长43分钟，彩色，video。

一个偶然的午后，于亮平遇到了一个叫“扳手”的神秘女子，此后他们以及于亮平的妻子，余妮三个人的关系产生了微妙的变化

《树木写作颂》是由Jessye Wdowin-McGregor创作的“视频诗”，与著名诗人、小说家、学者、编辑和翻译家欧阳昱（Ouyang Yu）合作完成。该作品反思了欧阳昱长期以来在澳大利亚墨尔本东北郊的布杜拉公园（Bundoora Park）树干和树叶上写诗的日常实践。布杜拉公园是一个大型开放的公园，是欧阳昱近三十年来不断回访的灵感来源地。 　　该作品是在2023年“Correspondences”（墨尔本，澳大利亚）的合作艺术家驻地项目期间创作的，该项目由Emma Thomson策展。视频中所朗读和书写的诗歌均来自欧阳昱，除了两首古代中国诗歌——分别是王之涣的《登鹳雀楼》和李白的《静夜思》。王之涣的诗《登鹳雀楼》/“White Sun”出现在树上，欧阳昱朗读李白的诗《静夜思》/“Thoughts on a Still Night”。注：上述诗歌的标题由欧阳昱翻译。

“Continued explorations of automatism as a practical guide to negotiating the mysterious zone where light and no-light flutter in a fecund equipoise. A homemade rocket to realms unknown to any movie camera or photo lens. In the end, perhaps nothing more than a search for an experience of continuity, a kind of sanity. Failing sanity, a wild ride at least.”

1984 PISMAK / WRITE AND FIGHT (screenplay by Wladyslaw Terlecki based on his own novel) - Set in a prison during World War I, the film centers on a journalist who aspires to be a writer and is imprisoned with a safe-robber and a monk. His cellmates appear to him to be the perfect topic for a novel. Critic Jan Slodowki described the film as "a study in isolation told through the three voices of three people condemned to be with each other; among them, the writer, a maturing artist, his gaze fixed on himself, proves the central figure."