Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’ 　　The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.

Baal, a young artist whom society regards as a genius, does not want to be monopolized by the culture and business.

搜查一课·继续搜查班的刑警·田川信一(织田裕二)受鉴识课的木幡祐子(樱庭奈奈美)之托，调查身份不明的死者名单。田川看穿了名单“903”上的男子被杀害时，伪装成一氧化碳中毒自杀。田川和木幡对男子的死进行了细致的调查，终于查出男子是冲绳县出身的派遣劳动者仲野定文(满岛真之介饰)。另一方面，特殊班搜查系的鸟居(伊藤英明)一边密切关注着田川的行动，一边暗中与人才派遣大公司hopness holdings的森社长(高岛政宏)、汽车制造商hiragata的松崎社长(鹤见辰吾)建立了紧密的关系。系在一起。然后田川知道仲野生前在希望系列的人才派遣公司注册，在希拉加汽车的汽车工厂工作。仲野想要在网上告发什么的事也…事件的真相是什么?

搜查一课·继续搜查班的刑警·田川信一(织田裕二)受鉴识课的木幡祐子(樱庭奈奈美)之托，调查身份不明的死者名单。田川看穿了名单“903”上的男子被杀害时，伪装成一氧化碳中毒自杀。田川和木幡对男子的死进行了细致的调查，终于查出男子是冲绳县出身的派遣劳动者仲野定文(满岛真之介饰)。另一方面，特殊班搜查系的鸟居(伊藤英明)一边密切关注着田川的行动，一边暗中与人才派遣大公司hopness holdings的森社长(高岛政宏)、汽车制造商hiragata的松崎社长(鹤见辰吾)建立了紧密的关系。系在一起。然后田川知道仲野生前在希望系列的人才派遣公司注册，在希拉加汽车的汽车工厂工作。仲野想要在网上告发什么的事也…事件的真相是什么?

本片改编自意大利漫画家Andrea Pazienza的漫画作品《Paz. Scritti, disegni, fumetti》。 　　本片讲的是上世纪70年代间，一群住在意大利北部小城博洛尼亚的学生，他们3人合租一间屋子，他们在每一天里都过着日复一日相同的生活。在他们的生活中，不可避免的出现着大麻、校园生活、性爱以及政治等，围绕在这群学生的生活中。而观众能在这群学生的身上，看到那个时候的学子们和谐以及丰富的生活画卷。他们的身上有着疯狂、幻想，影片带有浓烈的“意大利版《猜火车》”的韵味。而电影的改编十分忠实于原著，带有强烈的Andrea Pazienza的气氛和风格。 　　影片出现了4个男主角，电影分别叙述了4个男主角的故事，通过室友关系逐步展开并独立叙述了4个故事，却又被关联在一起，整合成一部103分钟的剧情电影。 　　原著简介： 　　《Paz. Scritti, disegni, fumetti》 　　di Andrea Pazienza (Autore), 　　V. Mollica (a cura di) 　　L'antologia personale che Pazienza non ebbe tempo di raccogliere in vita, messa insieme da Vincenzo Mollica come omaggio all'amico scomparso, e come vademecum indispensabile per chi non ha mai conosciuto Paz, e avrà la sorpresa di scoprire un autentico narratore del nostro tempo, con statura di classico. Dal Pazienza fumettaro (presente con tre delle storie lunghe più belle, compresa la prima delle tre del ciclo di Zanardi) a quello delle fulminanti storie di una pagina, degli indimenticabili ritratti. Con una scelta organica di scritti (celebre, e introvabile, quello sul fumetto), poesie e racconti inediti compresi. Per capire come mai si è tanto prolungata nel tempo l'eco di quella generazione che nelle storie di Zanardi si rispecchiava, e "che non ha mai realmente creduto in niente, se non nella propria dannazione".

17岁的扎克刚刚出狱。被母亲遗弃的他在马赛鱼龙混杂的街区闲逛，后来，他遇到了少女山鲁佐德……

在古阿拉伯的海岛上，有一个萨桑王国，国王名叫山努亚。有一天，山努亚和他的弟弟萨曼来到一片紧邻大海的草原，当他们在一棵树下休息时，突然海中间冒起一个黑色的水柱，一个女郎来到了他们身边，并告诉他们天下所有的妇女都是不可信赖、不可信任的。 　　国王山努亚和弟弟萨曼回到萨桑王国后，发现王后行为不端，他们便杀死王后。从此，山努亚深深地厌恶妇女便又杀死宫女，他存心报复，又开始每天娶一个女子来过一夜，次日便杀掉再娶，完全变成了一个暴君。这样年复一年，持续了三个年头，整整杀掉了一千多个女子。 　　宰相的大女儿舍赫拉查德，自愿进宫，每天给国王讲一个故事，讲到最精彩的时候就停住。从小熟读历史文学书籍，藏书上千册，所以她的故事无穷无尽，而且都有教益蕴涵。一千零一个故事之后，国王终于感动而醒悟，不再滥杀无辜，并娶了舍赫拉查德做王后。

During the 70's, this film was banned in Brazil by the military government's censorship, and even its exportation was prohibited. When there's a crisis in power, the man who holds this power is also personally disturbed. His defeat is thorough and complete. A dictator, in a moment of serious national crisis, confronted in the streets and countryside by revolt and guerilla, makes a long speech on TV, looking for an illusionary peace. But reality is stronger than his fiction, and control gets out of hand. For him, there's only one way out: a pathetic confession and going off the air.

When her mother dies, 40-year-old Helena now has time for herself after years of taking care of her family. She works at a film production company, dances boisterously, gets drunk. A quiet film about letting go morphs into a coming of middle age story. 　　源自：https://www.berlinale.de/en/2023/programme/202309161.html

When her mother dies, 40-year-old Helena now has time for herself after years of taking care of her family. She works at a film production company, dances boisterously, gets drunk. A quiet film about letting go morphs into a coming of middle age story. 　　源自：https://www.berlinale.de/en/2023/programme/202309161.html