In 1899, a photographer at American Mutoscope & Biograph mounted his camera on the front of a trolley traveling over the Brooklyn Bridge. The three 90-foot rolls he created were edited together to complete the journey from Manhattan to Brooklyn, entitled Across the Brooklyn Bridge. As a commission by the Museum of Modern Art for the re-opening of their facility in a new design by architect Yoshio Taniguchi, Bill Morrison took this remarkable footage and recombined it with itself to form a new split-screen extrapolation.

In 1899, a photographer at American Mutoscope & Biograph mounted his camera on the front of a trolley traveling over the Brooklyn Bridge. The three 90-foot rolls he created were edited together to complete the journey from Manhattan to Brooklyn, entitled Across the Brooklyn Bridge. As a commission by the Museum of Modern Art for the re-opening of their facility in a new design by architect Yoshio Taniguchi, Bill Morrison took this remarkable footage and recombined it with itself to form a new split-screen extrapolation.

入围第四届柏林中国文化节纪录片展映单元 - “中国新生代纪录片导演作品展” 　　2016年广州国际纪录片节“最佳实验纪录片” 　　2017年北京大学生电影节纪录片单元“最佳剪辑奖” 　　2017年上海大学生电视节“紫丁香评委会奖” 　　2017年半夏的纪念北京国际大学生影像展“最佳剪辑奖” 　　2017威尼斯国际电影节“聚焦中国”单元影片类单元入围展映影片奖。 　　此纪录片讲述了一群走在生命边上的人的故事。 　　在北京东五环，坐落着一家由佛教净土宗与居士李松堂合资建立的临终关怀医院-北京松堂医院。 　　松堂医院，就如同一艘即将驶向终点的时空之舟。病房就是一间间船舱 。岁月长廊里面推进推出的老人，则是这艘船上的匆匆过客。面对死亡，他们抱有不同的态度，并因此展现出各式各样的生命状态。 　　生命是一场缓慢瓦解的庆典。风烛明灭，长如瞬间。听一群走在生命边缘的人娓娓道来……

There was once an invisible optician, trapped in a strange and lonely world. Her story starts with a broken lens and the woman who taught her to see things differently.

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There was once an invisible optician, trapped in a strange and lonely world. Her story starts with a broken lens and the woman who taught her to see things differently.

安意遇到纪凛冬时，才18岁。身陷泥沼的她拼命抓住了纪凛冬这根救命稻草，她拿出全身仅剩的20块钱，颤巍巍的说：我听说你收保护费，那你可不可以保护我一下？他说：二十不够，所以用你自己来凑。而后他护她一生周全。