堕胎时，女孩从体内排出一只水母。

堕胎时，女孩从体内排出一只水母。

2013年・第5回沖縄国際映画祭コンペティション「Peace部門」で上映。クラスで浮いていた孤独な女子高生・宮下夕紀が、水族館のクラゲの水槽の前で同じクラスの叶子と出会い、唇を重ねたことから互いにひかれあっていく姿を描く青春劇。新潮社の「女による女のためのR-18文学賞」受賞作を映画化していく「R-18文学賞」シリーズの第2弾。

歡迎來到果凍石小鎮，這個迷人的小鎮，有你最喜愛的漢納巴伯拉動畫角色，他們在這裡一起生活、工作和遊玩……與此同時，還忍不住為彼此製造麻煩。

http://www.screenonline.org.uk/film/id/711817/index.html 　　This experimental animation from the Amber Film Collective stands apart from the documentaries and social realist films, mostly concerned with life and work in the North East, that would become the collective's usual stock in trade. It was the third release to appear under the Amber banner, and the second of only two animations (the other being 1969's A Film). 　　Jellyfish employs a variety of experimental approaches, combining stop-motion and pixilation techniques, freely mixing black and white photography of beach landscapes, objects and people - along with some drawings - to build a poetic, very textured montage, eliding the real and the surreal, the beautiful and the eerie, the spirited and the deadly. Figures and objects are isolated, linked together only by their presence on a beach, all exposed to direct or indirect threats. The different jellyfish are as much at threat - washing up dead, stranded in the desolate landscape - as they are a threat - appearing suddenly and making people vanish. 　　Jellyfish resonates with a sense of unseen menace prevalent in the 1970s, at the height of the Cold War. With its mushroom cloud shape (providing the film's most direct image), stinging tentacles and alien appearance, the jellyfish makes a potent symbol for the atomic bomb. The film makes at first implicit, and later explicit, references to nuclear threat: the emblematic jellyfish, a woman disappearing in a toxic cloud, anonymous suited politicians around a table, a recurring image of a man running (in terror?). The mood of urgency and anxiety is enhanced by the soundtrack and editing, which grow faster and more staccato as the film goes on. 　　In 1973, at the time of the film's making, the Vietnam War was still in progress, while the full extent of the risk of a full-scale nuclear war following Russia's intervention in that year's Egypt-Israeli war only emerged later.

Clémence has been severely injured in a car accident, leaving her unable to talk and walk normally. When her sister Romane's boyfriend takes an interest in her recovery, their relationship becomes unbearable for Romane.

故事叙述叛出师门的童虎（高飞饰）为取得师门密藏之宝剑，率弟子夜闯师门。童虎虽成功击败师门众多子弟，得知宝剑所在，却苦于藏宝处需七星甲焉能开启之门。七星甲的持有者马奶奶（赵冈生饰）为一武术高手，惟其孙小狗子（孙国明饰）自幼因祖母的宠爱呵护而在武术方面并无深究。但在受到久别重逢的青梅竹马虎妞（邹美仪饰）的强势态度和惨败于为夺七星甲而来的童虎徒弟下，小狗子始体认到自己应致力于武学。于是在马奶奶的安排下，小狗子带着七星甲逐投师伯苟不理（梁家仁饰）处学习武艺。 　　一日，小狗子与苟不理回村探望马奶奶，岂知竟发现马奶奶早已丧生于上门夺甲的童虎一行之手，童虎等更向小狗子二人出手，欲夺得七星甲。幸在苟不理帮助下，两人全身而退。回到苟不理居所后，小狗子立誓将勤加练武，必为马奶奶报仇。

清朝末年，广东知名教头童铁铮（狄龙 饰）在广西铁岭绿营司马的盛邀之下去凤凰镇当教头。凤凰镇是当地知名的风月之地，妓院生意非常红火，而客人大多是当地的官僚富人，更有不少士兵。童铁铮带着儿子（樊少皇 饰）进入凤凰镇时就见识了这里的风气，也意外结识了凤凰镇最红的妓女（胡慧中 饰），二人相互欣赏。正式接任教头后，童铁铮有意整治军中的不良风气，第一条就是禁止士卒夜间擅自离开军营。此令一下，不仅军中那些兵油子不乐意，更间接影响了凤凰镇的皮肉生意，惹得妓院幕后主使——捕头金不换（陈惠敏 饰）将之当作肉中刺。于是，金不换常常借机滋事，甚至对童铁铮的儿子狠下毒手……

米莉·波比·布朗将主演由瓦努里·卡希乌（《肯尼亚式友谊》导演）执导的新片《水母物语》（暂译）。该片改编自阿里·本杰明所著的同名小说，故事围绕即将升入七年级的女孩苏茜展开。当她最好的朋友在一场溺水事故中离世，她不认同母亲所说的“有些事情就是会这样发生”。苏茜坚信这场悲剧的真正原因是好友被一种罕见的水母蜇伤。她由此进入一个充满想象的沉默世界，并制定了一个全球性计划来证明自己的理论。书中探讨了生死观念、友谊的脆弱以及近在咫尺的希望。

米莉·波比·布朗将主演Wanuri Kahiu([肯尼亚式友谊])执导新片[水母物语](The Thing About Jellyfish，暂译)。影片改编自阿里·本杰明撰写的同名小说，围绕即将升入七年级的女孩苏茜展开。当她最好的朋友在溺水事故中去世时，她并不相信她母亲说的有时“事情就是这样会发生的”。苏茜确信这场悲剧的真正原因是她的好友被一种罕见的水母蛰了。她开始进入一个充满想象力的沉默世界，并制定了一个全球性的计划来证明她的理论，在书中探讨生死观念、友谊的脆弱以及近在咫尺的希望。