백현, K-POP 솔로 아티스트로 새로운 역사를 쓴다! 　　백현이 12년 만에 선보인 첫 단독 아시아 투어의 마지막을 장식한 ‘Lonsdaleite [dot]’ 이 스크린에 펼쳐진다! 　　2024년 3월, 서울에서 시작하여 아시아 13개 도시를 거쳐 피날레 콘서트로 마무리된 뜨거운 순간! 　　백현의 히트곡 ‘Bambi’, ‘Candy’, ‘UN Village’ 무대는 물론, 　　화려한 퍼포먼스와 완벽한 라이브로 그날의 감동을 선사한다! 　　오직 영화에서만 볼 수 있는 백현의 단독 인터뷰와 비하인드 영상까지! 　　ScreenX, 4DX, ULTRA 4DX로 더 크게, 더 생생하게 대형 스크린으로 만난다! 　　전율의 무대를 다시 느낄 시간! 'BAEKHYUN: Lonsdaleite [dot] IN CINEMAS'

乔星羽上一世被男友霍凯和白莲花夏妍妍陷害，被人刺杀身亡，意外重生回到过去，乔星羽决定复仇暴打渣男和白莲花，在复仇过程中意外遇到霍家总裁霍淮野，两人互帮互助相知相恋。

虞烟曾视宋宴辞为救赎，却在婚前面临他“开放式关系” 的背叛。七年真心成笑话，幡然醒悟的她以一场精心设计的“绿帽丑闻”反击，并与宋宴辞患有躁郁症的弟弟宋淮序陷入禁忌纠缠。此后，虞烟周旋于兄弟之间，暗中转移事业，却渐发现宋淮序多年隐忍的深情。最终，兄弟积怨爆发，在杀戮边缘，虞烟拉回宋淮序，相互救赎的两人终成眷属。

虞烟曾视宋宴辞为救赎，却在婚前面临他“开放式关系” 的背叛。七年真心成笑话，幡然醒悟的她以一场精心设计的“绿帽丑闻”反击，并与宋宴辞患有躁郁症的弟弟宋淮序陷入禁忌纠缠。此后，虞烟周旋于兄弟之间，暗中转移事业，却渐发现宋淮序多年隐忍的深情。最终，兄弟积怨爆发，在杀戮边缘，虞烟拉回宋淮序，相互救赎的两人终成眷属。

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

一场意外，让萧宁魂穿大境朝沦为苏家赘婿，他以古法点化茶韵酒香，引得万民竞逐；创报纸、揽英才，助公主纵横朝堂；面对商女刁难、前妻轻慢，他从容布局，以商道为剑斩断世俗偏见，在鄙夷声中书写逆袭传奇。

一场意外，让萧宁（潘毅鸿 饰）魂穿大境朝沦为苏家赘婿，他以古法点化茶韵酒香，引得万民竞逐；创报纸、揽英才，助公主纵横朝堂；面对商女刁难、前妻轻慢，他从容布局，以商道为剑斩断世俗偏见，在鄙夷声中书写逆袭传奇。

丰城戏院又小又破，平日没什么重要客人，但最近来了一个神秘的观众，他每次出手都很大方。但就在演一出戏名为《武松打虎》时，演老虎的盛飞和演武松的袁三打了起来，这一场闹剧导致师傅旧病复发。同时也揭穿了富家小姐李涵瑶的真实身份。 　　由于心情郁闷，盛飞到赌场过过瘾，却不想被人设计欠下巨额赌债，戏院面临解散风波。盛飞手足无措之时 　　出现了一个自称花红的神秘女人，给他们出了个主意：想办法接近李家小姐李涵瑶，只要娶了李涵瑶，就能解决他面临的问题。 　　于是，盛飞隐瞒身份，在自己师弟的配合下以护院的身份进入李家。盛飞伺机接近李涵瑶，来获得她的好感。但是经过相处，盛飞渐渐发现他已经爱上李涵瑶，最终两人决定私奔。却不想在结婚当夜盛飞被警察逮捕，说他谋财害命。 　　原来，这一切都是李涵瑶于与丫鬟秋双设下的骗局，事情本应该就这样结束，但是李涵瑶却在这时发现她也已经爱上盛飞。本想将盛飞赎出牢笼，却被人绑架，生命岌岌可危。此时方知一切都是秋双的诡计， 　　秋双是想用财产接济家乡受灾的村民，因此设下连环计。事迹败露，秋霜跳崖，盛飞清白终被证明，他和涵瑶拿出一半财产接济了灾民。