백현, K-POP 솔로 아티스트로 새로운 역사를 쓴다! 　　백현이 12년 만에 선보인 첫 단독 아시아 투어의 마지막을 장식한 ‘Lonsdaleite [dot]’ 이 스크린에 펼쳐진다! 　　2024년 3월, 서울에서 시작하여 아시아 13개 도시를 거쳐 피날레 콘서트로 마무리된 뜨거운 순간! 　　백현의 히트곡 ‘Bambi’, ‘Candy’, ‘UN Village’ 무대는 물론, 　　화려한 퍼포먼스와 완벽한 라이브로 그날의 감동을 선사한다! 　　오직 영화에서만 볼 수 있는 백현의 단독 인터뷰와 비하인드 영상까지! 　　ScreenX, 4DX, ULTRA 4DX로 더 크게, 더 생생하게 대형 스크린으로 만난다! 　　전율의 무대를 다시 느낄 시간! 'BAEKHYUN: Lonsdaleite [dot] IN CINEMAS'

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

一场意外，让萧宁魂穿大境朝沦为苏家赘婿，他以古法点化茶韵酒香，引得万民竞逐；创报纸、揽英才，助公主纵横朝堂；面对商女刁难、前妻轻慢，他从容布局，以商道为剑斩断世俗偏见，在鄙夷声中书写逆袭传奇。

这部犯罪系列剧完全符合萨克森演员和歌舞表演艺术家Wolfgang Stumph冷静、幽默和讽刺的风格，他在剧集一开始就从德累斯顿来到汉堡，以总督察威尔弗里德·斯图伯（Wilfried Stubbe）的身份展开调查。他的同事贝恩德·齐默尔曼（ Lutz Mackensy 饰）为他提供了帮助。齐默尔曼主要关注事实和数字，而斯图贝喜欢依靠自己的直觉，这种搭档反而会使案件大有进展。调查员与女儿克里斯蒂安娜（Stephanie Stumph 饰）以及小姨子夏洛特（ Margret Homeyer 饰）的私生活也在剧中扮演着重要角色，主要集中在两代人之间的大小问题上。

故事发生在南台湾的一格村庄，许水生独身一人无妻无子，以猪配种为业，一天在黄昏归途中路过土地庙，忽闻婴儿哭声，走向前一看是名弃婴，水生又惊又喜急忙抱回家。同村夫人阿枝生有二女，丈夫早被日军征召南洋充当军扶音讯渺无，对水生亦很关怀照顾，久之在村人凑合下两人结婚。很不巧，前夫归来百般纠缠勒索，阿枝无奈远避，为抚养二女操劳成疾，病逝，两女交给水生抚养，转眼孩子们长大成人，弃婴福来孝顺憨直，丽红追求浮华生活，丽惠内向乖巧，最后丽红坠落入红尘，福来为找丽红寻遍亦与人发生口角互打，幸老板娘出面和解无意中看到福来身上玉佩问明由来，原来老板娘是...

乐天派无名说唱歌手学秀（朴政玟 饰）在接到一通电话后回到家乡边山，并遇到了小学同学善美（金高银 饰），二人相遇后发了了一连串笑泪交织的故事。

在南斯拉夫与阿尔巴尼亚边境的一间哨所里，帕西科中尉（Emir Hadzihafizbegovic 饰）过着醉生梦死、百无聊赖的日子。一次极度压抑的风流快活之后，她突然感到下体一阵刺痛。经连队中唯一当过医生的士兵西尼撒（Toni Gojanovic 饰）检查得知，帕西科不幸感染了梅毒，而治疗大概需要三周左右。为了不让妻子知晓，愚蠢的帕西科竟然下达一条荒唐的命令。他声称阿尔巴尼亚企图入侵南斯拉夫，全连进入战备状态，一个人都不准离开。 　　蒙在鼓里的士兵们信以为真，而西尼撒也因此和中尉的老婆发展出一段危险的恋情……

乐天派无名说唱歌手学秀（朴政玟 饰）在接到一通电话后回到家乡边山，并遇到了小学同学善美（金高银 饰），二人相遇后发了了一连串笑泪交织的故事。